Owner's Manual - Roland

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Overview of the Fantom VS Patches fig.04-003.e 92 Patches are the basic sound configurations that you play during a performance. Each patch can be configured by combining up to four tones. How the four tones are combined is determined by the Structure Type parameter (p. 101). Patch Tone 1 Example 1: A Patch consisting of only one Tone (Tones 2–4 are turned off). Patch Tone 1 Tone 2 Tone 2 Tone 3 Tone 3 Tone 4 Tone 4 Example 2: A Patch consisting of four Tones. Rhythm Sets fig.04-004.e Rhythm sets are groups of a number of different percussion instrument sounds. Since percussion instruments generally do not play melodies, there is no need for a percussion instrument sound to be able to play a scale on the keyboard. It is, however, more important that as many percussion instruments as possible be available to you at the same time. Therefore, each key (note number) of a rhythm set will produce a different percussion instrument. Each percussion instrument consists of the following four elements. (For details, refer to the explanations for “Tones.”) WG (Wave Generator) TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope Rhythm Set Note Number 98 (D7) Note Number 97 (C#7) Note Number 36 (C2) Note Number 35 (B1) Rhythm Tone (Percussion instrument sound) WG TVF TVA Pitch Envelope TVF Envelope TVA Envelope
Performances fig.04-005.e Part A performance has a patch or rhythm set assigned to each of the 16 parts, and can simultaneously handle 16 sounds. Because the Fantom sound generator can control multiple sounds (instruments) it is called a Multi-timbral sound generator. Performance Part 1 Patch/ Rhythm Set Part 16 A “part” is something to which you assign a patch or rhythm set. The Fantom VS has sixteen parts, and you can assign a patch or rhythm set to each part. Overview of the Fantom VS About Simultaneous Polyphony The Fantom VS can play a maximum of 128 sounds simultaneously. The following paragraphs discuss what this means, and what will happen when more than 128 simultaneous voices are requested from the Fantom VS. Calculating the Number of Voices Being Used The Fantom VS is able to play up to 128 notes simultaneously. The polyphony, or the number of voices (sounds) does not refer only to the number of patches actually being played, but changes according to the number of tones used in the patches, and the number of waves used in the tones. The following method is used to calculate the number of sounds used for one patch being played. (Number of patches being played) x (Number of tones used by patches being played) x (Number of waves used in the tones) For example, a patch that combines four tones, each of which use two waves, will use eight notes of polyphony at once. How a Patch Sounds When the Fantom VS is requested to play more than 128 voices simultaneously, currently sounding notes will be turned off to make room for newly requested notes. The note with the lowest priority will be turned off first. The order of priority is determined by the Patch Priority setting (p. 97). Patch Priority can be set either to “LAST” or “LOUDEST.” When “LAST” is selected, a newly requested note that exceeds the 128 voice limit will cause the first-played of the currently sounding notes to be turned off. When “LOUDEST” is selected, the quietest of the currently sounding notes will be turned off. Usually, “LAST” is selected. 93 Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
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WARNING: To reduce the risk of fire
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USING THE UNIT SAFELY 013 • In ho
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6 IMPORTANT NOTES Power Supply 301
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8 Contents USING THE UNIT SAFELY...
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Contents 10 VS-700R I/O ...........
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Contents 12 Appendix ..............
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fig.panel-vs-700.eps 14 Main Featur
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Panel Descriptions C. Time Display
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Panel Descriptions Rear Panel fig.p
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Panel Descriptions E. SAMPLE RATE K
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Panel Descriptions E. DIGITAL 2 OUT
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Panel Descriptions Side Panel fig.p
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26 Connections Connecting the Power
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941 945 28 Turning the Power On Onc
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30 Overview of the VS-700C Console
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CHANNEL STRIP Section Channel Fader
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CHANNEL STRIP Section Rotary Encode
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CHANNEL STRIP Section Strip Select
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CHANNEL STRIP Section ASSIGN Button
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CHANNEL STRIP Section Rude MUTE/Rud
Page 42 and 43: CHANNEL STRIP Section FADER BANK Bu
Page 44 and 45: CHANNEL STRIP Section I/O Control 4
Page 46 and 47: CHANNEL STRIP Section Locking a Cha
Page 48 and 49: fig.22.eps 48 Time Display The VS-7
Page 50 and 51: CHANNEL STRIP CONTROL Section (EQ,
Page 52 and 53: CHANNEL STRIP CONTROL Section (EQ,
Page 54 and 55: fig.28.eps 54 Transport Section The
Page 56 and 57: fig.29.eps 56 PROJECT Section The P
Page 58 and 59: JOG/SHUTTLE/CURSOR Section Transpor
Page 60 and 61: JOG/SHUTTLE/CURSOR Section Zoom Mod
Page 62 and 63: JOG/SHUTTLE/CURSOR Section Edit Mod
Page 64 and 65: fig.31.eps 64 ACCESS PANEL Section
Page 66 and 67: ACCESS PANEL Section (Assignable Bu
Page 68 and 69: fig.34.eps 68 SURROUND Section The
Page 70 and 71: fig.37.eps 70 AUDIO OUTPUT Section
Page 72 and 73: RECORD/EDIT Section To Specify the
Page 74 and 75: 74 Controlling Plug-ins from the VS
Page 76 and 77: Controlling Plug-ins from the VS-70
Page 78 and 79: 78 Connecting Recording Equipment C
Page 80 and 81: 80 Switching the Sampling Rate Use
Page 82 and 83: 82 Audio Clock Source You can choos
Page 84 and 85: 84 Preamp Parameters Preamps are bu
Page 86 and 87: 86 Direct Monitor Mixer Input Setti
Page 88 and 89: 88 Inserting the Fantom VS Plug-In
Page 90 and 91: 90 Fantom VS Editor (Editing a Soun
Page 94 and 95: Overview of the Fantom VS Note Prio
Page 96 and 97: 96 Creating a Patch With the Fantom
Page 98 and 99: Creating a Patch Stretch Tune Depth
Page 100 and 101: Creating a Patch Portamento Switch
Page 102 and 103: Creating a Patch fig.06-020 fig.06-
Page 104 and 105: Creating a Patch Key Fade Upper (Ke
Page 106 and 107: Creating a Patch FXM Color 106 Spec
Page 108 and 109: Creating a Patch Pitch Keyfollow fi
Page 110 and 111: Creating a Patch Cutoff Frequency
Page 112 and 113: Creating a Patch F-Env T4 V-Sens (T
Page 114 and 115: Creating a Patch Bias Direction 114
Page 116 and 117: Creating a Patch Output Settings Pa
Page 118 and 119: Creating a Patch Delay Time (LFO1/L
Page 120 and 121: Creating a Patch ● Apply the LFO
Page 122 and 123: Creating a Patch Patch Mtrx Control
Page 124 and 125: Creating a Patch ● Changing the D
Page 126 and 127: Creating a Rhythm Set Tone Pitch Be
Page 128 and 129: Creating a Rhythm Set Wave Level 12
Page 130 and 131: Creating a Rhythm Set Rhythm Pitch
Page 132 and 133: Creating a Rhythm Set Cutoff V-Curv
Page 134 and 135: Creating a Rhythm Set Random Pan De
Page 136 and 137: 136 Creating a Performance With the
Page 138 and 139: Creating a Performance Reverb Send
Page 140 and 141: Creating a Performance Key Fade Low
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Creating a Performance Equal Temper
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144 Adding Effects This section exp
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Adding Effects Functions of Effect
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Adding Effects Reverb Output 14 Rev
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Adding Effects Chorus Source 150 Se
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System Settings 152 System Control
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fig.VS-700R-block.eps 154 VS-700R B
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Installing the ARX Expansion Board
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Installing the ARX Expansion Board
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Installation de la carte d’expans
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Installation de la carte d’expans
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164 Using only the VS-700C Console
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166 Connecting Two VS-700R I/O Unit
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fig.38.eps 168 Connecting an EDIROL
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About V-LINK Settings for SONAR 170
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172 Specifications VS-700C, VS-700R
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Specifications 962a 174 Dimensions
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Index flag ........................
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Index WORDCLOCK OUT Connector .....
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Index (Fantom VS) Patch ...........
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Index (Fantom VS) Receive Program C
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MEMO 184
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186 For EU Countries UK DE FR IT ES
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* 5 1 0 0 0 0 2 2 4 6 - 0 1 *
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