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Owner's Manual - Roland

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Modifying the Brightness of a Sound<br />

with a Filter (TVF/TVF Env)<br />

Rhythm TVF<br />

Filter Type<br />

Selects the type of filter. A filter cuts or boosts a specific<br />

frequency region to change a sound’s brightness, thickness,<br />

or other qualities.<br />

Value<br />

OFF: No filter is used.<br />

LPF: Low Pass Filter. This reduces the volume of all<br />

frequencies above the cutoff frequency (Cutoff<br />

Freq) in order to round off, or un-brighten the<br />

sound. This is the most common filter used in<br />

synthesizers.<br />

BPF: Band Pass Filter. This leaves only the frequencies<br />

in the region of the cutoff frequency (Cutoff<br />

Frequency), and cuts the rest. This can be useful<br />

when creating distinctive sounds.<br />

HPF: High Pass Filter. This cuts the frequencies in the<br />

region below the cutoff frequency (Cutoff<br />

Frequency). This is suitable for creating<br />

percussive sounds emphasizing their higher<br />

tones.<br />

PKG: Peaking Filter. This emphasizes the frequencies in<br />

the region of the cutoff frequency (Cutoff<br />

Frequency). You can use this to create wah-wah<br />

effects by employing an LFO to change the cutoff<br />

frequency cyclically.<br />

LPF2: Low Pass Filter 2. Although frequency<br />

components above the Cutoff frequency (Cutoff<br />

Frequency) are cut, the sensitivity of this filter is<br />

half that of the LPF. This makes it a comparatively<br />

warmer low pass filter. This filter is good for use<br />

with simulated instrument sounds such as the<br />

acoustic piano.<br />

LPF3: Low Pass Filter 3. Although frequency<br />

components above the Cutoff frequency (Cutoff<br />

Frequency) are cut, the sensitivity of this filter<br />

changes according to the Cutoff frequency. While<br />

this filter is also good for use with simulated<br />

acoustic instrument sounds, the nuance it<br />

exhibits differs from that of the LPF2, even with<br />

the same TVF Envelope settings.<br />

If you set “LPF2” or “LPF3,” the setting for the Resonance<br />

parameter will be ignored.<br />

Cutoff Frequency<br />

Creating a Rhythm Set<br />

Selects the frequency at which the filter begins to have an<br />

effect on the waveform’s frequency components.<br />

Value: 0–127<br />

With “LPF/LPF2/LPF3” selected for the Filter Type parameter,<br />

lower cutoff frequency settings reduce a tone’s upper<br />

harmonics for a more rounded, warmer sound. Higher<br />

settings make it sound brighter.<br />

If “BPF” is selected, harmonic components will change<br />

depending on the TVF Cutoff Frequency setting. This can be<br />

useful when creating distinctive sounds.<br />

With “HPF” selected, higher Cutoff Frequency settings will<br />

reduce lower harmonics to emphasize just the brighter<br />

components of the sound.<br />

With “PKG” selected, the harmonics to be emphasized will<br />

vary depending on Cutoff Frequency setting.<br />

Resonance<br />

fig.06-034.e<br />

Emphasizes the portion of the sound in the region of the<br />

cutoff frequency, adding character to the sound. Excessively<br />

high settings can produce oscillation, causing the sound to<br />

distort.<br />

Value: 0–127<br />

Level<br />

High<br />

parameter value<br />

Low<br />

LPF BPF HPF PKG<br />

Cutoff frequency<br />

Frequency<br />

131<br />

Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix

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