Owner's Manual - Roland

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Creating a Rhythm Set Rhythm Pitch Env P-Env Depth (Envelope Depth) 130 Adjusts the effect of the Pitch Envelope. Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Value: -12– +12 P-Env V-Sens (Pitch Envelope Velocity Sensitivity) Keyboard playing dynamics can be used to control the depth of the pitch envelope. If you want the pitch envelope to have more effect for strongly played notes, set this parameter to a positive (+) value. If you want the pitch envelope to have less effect for strongly played notes, set this to a negative (-) value. Value: -63– +63 P-Env T1 V-Sens (Pitch Envelope Time 1 Velocity Sensitivity) This allows keyboard dynamics to affect the Time 1 of the Pitch envelope. If you want Time 1 to be speeded up for strongly played notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value. Value: -63– +63 P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value. Value: -63– +63 P-Env Time 1–4 (Pitch Envelope Time 1–4) Specify the pitch envelope times (Time 1–Time 4). Higher settings will result in a longer time until the next pitch is reached. (For example, Time 2 is the time over which the pitch changes from Level 1 to Level 2.) Value: 0–127 P-Env Level 0–4 (Pitch Envelope Level 0–4) fig.06-032.e Specify the pitch envelope levels (Level 0–Level 4). It determines how much the pitch changes from the reference pitch (the value set with Coarse Tune or Fine Tune on the Pitch screen) at each point. Positive (+) settings will cause the pitch to be higher than the standard pitch, and negative (-) settings will cause it to be lower. Value: -63– +63 Pitch L0 L1 Note on T1 T2 T3 T4 T: Time L: Level L2 L3 Note off L4 Time
Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) Rhythm TVF Filter Type Selects the type of filter. A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Value OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff Freq) in order to round off, or un-brighten the sound. This is the most common filter used in synthesizers. BPF: Band Pass Filter. This leaves only the frequencies in the region of the cutoff frequency (Cutoff Frequency), and cuts the rest. This can be useful when creating distinctive sounds. HPF: High Pass Filter. This cuts the frequencies in the region below the cutoff frequency (Cutoff Frequency). This is suitable for creating percussive sounds emphasizing their higher tones. PKG: Peaking Filter. This emphasizes the frequencies in the region of the cutoff frequency (Cutoff Frequency). You can use this to create wah-wah effects by employing an LFO to change the cutoff frequency cyclically. LPF2: Low Pass Filter 2. Although frequency components above the Cutoff frequency (Cutoff Frequency) are cut, the sensitivity of this filter is half that of the LPF. This makes it a comparatively warmer low pass filter. This filter is good for use with simulated instrument sounds such as the acoustic piano. LPF3: Low Pass Filter 3. Although frequency components above the Cutoff frequency (Cutoff Frequency) are cut, the sensitivity of this filter changes according to the Cutoff frequency. While this filter is also good for use with simulated acoustic instrument sounds, the nuance it exhibits differs from that of the LPF2, even with the same TVF Envelope settings. If you set “LPF2” or “LPF3,” the setting for the Resonance parameter will be ignored. Cutoff Frequency Creating a Rhythm Set Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: 0–127 With “LPF/LPF2/LPF3” selected for the Filter Type parameter, lower cutoff frequency settings reduce a tone’s upper harmonics for a more rounded, warmer sound. Higher settings make it sound brighter. If “BPF” is selected, harmonic components will change depending on the TVF Cutoff Frequency setting. This can be useful when creating distinctive sounds. With “HPF” selected, higher Cutoff Frequency settings will reduce lower harmonics to emphasize just the brighter components of the sound. With “PKG” selected, the harmonics to be emphasized will vary depending on Cutoff Frequency setting. Resonance fig.06-034.e Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort. Value: 0–127 Level High parameter value Low LPF BPF HPF PKG Cutoff frequency Frequency 131 Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
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WARNING: To reduce the risk of fire
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USING THE UNIT SAFELY 013 • In ho
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6 IMPORTANT NOTES Power Supply 301
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8 Contents USING THE UNIT SAFELY...
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Contents 10 VS-700R I/O ...........
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Contents 12 Appendix ..............
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fig.panel-vs-700.eps 14 Main Featur
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Panel Descriptions C. Time Display
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Panel Descriptions Rear Panel fig.p
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Panel Descriptions E. SAMPLE RATE K
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Panel Descriptions E. DIGITAL 2 OUT
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Panel Descriptions Side Panel fig.p
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26 Connections Connecting the Power
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941 945 28 Turning the Power On Onc
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30 Overview of the VS-700C Console
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CHANNEL STRIP Section Channel Fader
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CHANNEL STRIP Section Rotary Encode
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CHANNEL STRIP Section Strip Select
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CHANNEL STRIP Section ASSIGN Button
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CHANNEL STRIP Section Rude MUTE/Rud
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CHANNEL STRIP Section FADER BANK Bu
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CHANNEL STRIP Section I/O Control 4
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CHANNEL STRIP Section Locking a Cha
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fig.22.eps 48 Time Display The VS-7
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CHANNEL STRIP CONTROL Section (EQ,
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CHANNEL STRIP CONTROL Section (EQ,
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fig.28.eps 54 Transport Section The
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fig.29.eps 56 PROJECT Section The P
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JOG/SHUTTLE/CURSOR Section Transpor
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JOG/SHUTTLE/CURSOR Section Zoom Mod
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JOG/SHUTTLE/CURSOR Section Edit Mod
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fig.31.eps 64 ACCESS PANEL Section
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ACCESS PANEL Section (Assignable Bu
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fig.34.eps 68 SURROUND Section The
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fig.37.eps 70 AUDIO OUTPUT Section
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RECORD/EDIT Section To Specify the
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74 Controlling Plug-ins from the VS
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Controlling Plug-ins from the VS-70
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78 Connecting Recording Equipment C
Page 80 and 81: 80 Switching the Sampling Rate Use
Page 82 and 83: 82 Audio Clock Source You can choos
Page 84 and 85: 84 Preamp Parameters Preamps are bu
Page 86 and 87: 86 Direct Monitor Mixer Input Setti
Page 88 and 89: 88 Inserting the Fantom VS Plug-In
Page 90 and 91: 90 Fantom VS Editor (Editing a Soun
Page 92 and 93: Overview of the Fantom VS Patches f
Page 94 and 95: Overview of the Fantom VS Note Prio
Page 96 and 97: 96 Creating a Patch With the Fantom
Page 98 and 99: Creating a Patch Stretch Tune Depth
Page 100 and 101: Creating a Patch Portamento Switch
Page 102 and 103: Creating a Patch fig.06-020 fig.06-
Page 104 and 105: Creating a Patch Key Fade Upper (Ke
Page 106 and 107: Creating a Patch FXM Color 106 Spec
Page 108 and 109: Creating a Patch Pitch Keyfollow fi
Page 110 and 111: Creating a Patch Cutoff Frequency
Page 112 and 113: Creating a Patch F-Env T4 V-Sens (T
Page 114 and 115: Creating a Patch Bias Direction 114
Page 116 and 117: Creating a Patch Output Settings Pa
Page 118 and 119: Creating a Patch Delay Time (LFO1/L
Page 120 and 121: Creating a Patch ● Apply the LFO
Page 122 and 123: Creating a Patch Patch Mtrx Control
Page 124 and 125: Creating a Patch ● Changing the D
Page 126 and 127: Creating a Rhythm Set Tone Pitch Be
Page 128 and 129: Creating a Rhythm Set Wave Level 12
Page 132 and 133: Creating a Rhythm Set Cutoff V-Curv
Page 134 and 135: Creating a Rhythm Set Random Pan De
Page 136 and 137: 136 Creating a Performance With the
Page 138 and 139: Creating a Performance Reverb Send
Page 140 and 141: Creating a Performance Key Fade Low
Page 142 and 143: Creating a Performance Equal Temper
Page 144 and 145: 144 Adding Effects This section exp
Page 146 and 147: Adding Effects Functions of Effect
Page 148 and 149: Adding Effects Reverb Output 14 Rev
Page 150 and 151: Adding Effects Chorus Source 150 Se
Page 152 and 153: System Settings 152 System Control
Page 154 and 155: fig.VS-700R-block.eps 154 VS-700R B
Page 156 and 157: Installing the ARX Expansion Board
Page 158 and 159: Installing the ARX Expansion Board
Page 160 and 161: Installation de la carte d’expans
Page 162 and 163: Installation de la carte d’expans
Page 164 and 165: 164 Using only the VS-700C Console
Page 166 and 167: 166 Connecting Two VS-700R I/O Unit
Page 168 and 169: fig.38.eps 168 Connecting an EDIROL
Page 170 and 171: About V-LINK Settings for SONAR 170
Page 172 and 173: 172 Specifications VS-700C, VS-700R
Page 174 and 175: Specifications 962a 174 Dimensions
Page 176 and 177: Index flag ........................
Page 178 and 179: Index WORDCLOCK OUT Connector .....
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Index (Fantom VS) Patch ...........
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Index (Fantom VS) Receive Program C
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MEMO 184
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186 For EU Countries UK DE FR IT ES
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* 5 1 0 0 0 0 2 2 4 6 - 0 1 *
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