Hollywood Utopia

More documents

Recommendations

Info

256 Hollywood Utopia Kroker, A. and Cook, D. (1991) The Postmodern Scene: Excremental Culture and Hyper- Aesthetics. Basingstoke: MacmillanEducation. Kuhn, A. (ed.) (1990) Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso. Kuhn, A. (ed.) (1999) Alien Zone (Two). London: Verso. Kumar, K. (1991) Utopianism. Buckingham: Open University Press. Kymlicka, W. (1995) Contemporary Political Philosophy: An Introduction. Oxford: Clarendon Press. Landon, B. (1992) The Aesthetics of Ambivalence: Rethinking Science Fiction Film in the Age of Electronic (re)Production. Westport: Greenwood Press. Lasch, C. (1978) Culture of Narcissism: American Life in the Age of Diminishing Expectations. New York: Norton Press. Lasch, C. (1995) The Revolt of the Elites and the Betrayal of Democracy. New York: Norton Press. Lash, S. and Urry, J. (1994) Economies of Signs and Space. London: Sage. Leaver, Tama. (1997) ‘Post-Humanism and Ecocide in William Gibson’s Neuromancer and Ridley Scott’s Blade Runner’. ‘http://kzsu.stanford.edu/uwi/br/off-world.html’ Lefebvre, H. (1991) The Production of Space. Oxford: Basil Blackwell. Leopold, A. (1947) A Sand Country Almanac. Oxford: Oxford University Press. Leslie, J. (1996) The End of the World: The Science and Ethics of Human Extinction. London: Routledge. Levin, D. M. (ed.) (1993) Modernity and the Hegemony of Vision. Berkeley: University of California Press. Levi-Strauss, C. (1966) The Savage Mind. Chicago: University of Chicago Press. Lewis, RWB (1995) The American Adam: Innocence, Tragedy and Tradition in the Nineteenth Century. Chicago: University of Chicago Press. Lipietz, A. (1995) Green Hopes: The Future of Political Ecology. Cambridge: Polity.
Lubin, D.A. (1999) Titanic. London: BFI. Lucanio, P. (1987) Them Or Us: Archetpical Interpretations of 50s Alien Invasion Films. Bloomington: Indiana University Press. Lyon, D. (1994) Postmodernity. Buckingham: Open University Press. Lyotard, J.F. (1984) Postmodern Condition: A Report on Knowledge. Manchester: Manchester University Press. MacCabe, C. (1999) The Eloquence of the Vulgar. London: BFI. MacCabe, C. and Petrie, D. (eds.) (1996) New Scholarship from London: BFI. Working Papers. London: BFI. MacCannell, D. (1992) Empty Meeting Grounds: The Tourist Papers. London: Routledge. MacDonald, F. (1985) Television and the Red Menace -The Video Road to Vietnam. Westport: Praeger. Macdonald, M. (1995) Representing Women: Myths of Feminity in the Popular Media. London: Arnold. MacDonald, S. (1993) Avant-Garde Film: Motion Studies. Cambridge: Cambridge University Press. Machor, J. (1987) Pastoral Cities: Urban Ideals and the Symbolic Landscape of America. Madison: University of Wisconsin Press. Mander, J. (1992) In the Absence of the Sacred: The Failure of Technology and the Survival of the Indian Nations. San Francisco: Sierra Club Books. Marc, D. (1992) Comic Visions. London: Unwin Hyman. March, C. and Ortiz, C. (eds.) (1997) Explorations in Theology and Film. Oxford: Blackwell. Marcuse, F. (1972) One Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Basingstoke: Macmillan. Marcuse, F. (1979) The Aesthetic Dimension: Towards a Critique of Marxist Aesthetic. Basingstoke: Macmillan. Marx, L. (1964) The Machine in the Garden. Oxford: Oxford University Press. Bibliography 257
Page 1 and 2:
Pat Brereton Ecology in Contemporar
Page 3:
The fruit of years of painstaking s
Page 6 and 7:
4 Hollywood Utopia First Published
Page 9:
ACKNOWLEDGEMENTS I would like to th
Page 12 and 13:
10 Hollywood Utopia Medicine Man, T
Page 14 and 15:
12 Hollywood Utopia Introduction Th
Page 16 and 17:
14 Hollywood Utopia be read using t
Page 18 and 19:
16 Hollywood Utopia unconsciously e
Page 20 and 21:
18 Hollywood Utopia films and concl
Page 22 and 23:
20 Hollywood Utopia Taylor goes on
Page 24 and 25:
22 Hollywood Utopia Frankfurt Schoo
Page 26 and 27:
24 Hollywood Utopia justly claim to
Page 28 and 29:
26 Hollywood Utopia continuous ideo
Page 30 and 31:
28 Hollywood Utopia technological f
Page 32 and 33:
30 Hollywood Utopia Philosophical t
Page 34 and 35:
32 Hollywood Utopia striving toward
Page 36 and 37:
34 Hollywood Utopia creates a space
Page 38 and 39:
36 Hollywood Utopia Essentially a y
Page 40 and 41:
38 Hollywood Utopia primary audienc
Page 42 and 43:
40 Hollywood Utopia While the criti
Page 44 and 45:
42 Hollywood Utopia The elite eco-s
Page 46 and 47:
44 Hollywood Utopia out in the open
Page 48 and 49:
46 Hollywood Utopia vast gasoline s
Page 50 and 51:
48 Hollywood Utopia systems with th
Page 53 and 54:
2 NATURE FILM AND ECOLOGY Prologue
Page 55 and 56:
genre remained preoccupied with mob
Page 57 and 58:
their dystopian gloom or utopian op
Page 59 and 60:
closely linked with untrammelled na
Page 61 and 62:
For Hollywood myth-makers, the pure
Page 63 and 64:
with subtitles extensively used. Bu
Page 65 and 66:
understand and capture the shark, i
Page 67 and 68:
expressed in such texts. While such
Page 69 and 70:
forces of nature but almost as a de
Page 71 and 72:
or post cold-war America’ (18 Jul
Page 73 and 74:
effects are required to encourage a
Page 75 and 76:
anthropomorphic discussion, which c
Page 77 and 78:
Chaos Theory and Ecology Chaos theo
Page 79 and 80:
esearch observed at the beginning o
Page 81 and 82:
ways as reductive in its elitist di
Page 83 and 84:
Similarly, the two other characters
Page 85 and 86:
sense of ethical (natural) justific
Page 87 and 88:
march towards Enlightened democrati
Page 89 and 90:
17. Other, much inferior, ‘nature
Page 91:
novel is to serve as a mediating te
Page 94 and 95:
92 Hollywood Utopia Hollywood genre
Page 96 and 97:
94 Hollywood Utopia food chain, lea
Page 98 and 99:
96 Hollywood Utopia corrosive infil
Page 100 and 101:
98 Hollywood Utopia and nostalgic p
Page 102 and 103:
100 Hollywood Utopia expanse of raw
Page 104 and 105:
102 Hollywood Utopia A major reason
Page 106 and 107:
104 Hollywood Utopia Marx confident
Page 108 and 109:
106 Hollywood Utopia the genre also
Page 110 and 111:
108 Hollywood Utopia Postmodernity
Page 112 and 113:
110 Hollywood Utopia violently dest
Page 114 and 115:
112 Hollywood Utopia not allowed to
Page 116 and 117:
114 Hollywood Utopia Third Space an
Page 118 and 119:
116 Hollywood Utopia Grand Canyon:
Page 120 and 121:
118 Hollywood Utopia explains how
Page 122 and 123:
120 Hollywood Utopia for authentici
Page 124 and 125:
122 Hollywood Utopia a more potenti
Page 126 and 127:
124 Hollywood Utopia Coda: The Stra
Page 128 and 129:
126 Hollywood Utopia responsibility
Page 130 and 131:
128 Hollywood Utopia Critics may su
Page 132 and 133:
130 Hollywood Utopia empty landscap
Page 134 and 135:
132 Hollywood Utopia 11. The creati
Page 136 and 137:
134 Hollywood Utopia diegetic narra
Page 138 and 139:
136 Hollywood Utopia metaphor for m
Page 141 and 142:
4 CONSPIRACY THRILLERS AND SCIENCE
Page 143 and 144:
ecological awareness, science ficti
Page 145 and 146:
In the post Hiroshima world, scienc
Page 147 and 148:
However - and ultimately affirming
Page 149 and 150:
crude Darwinian instinct to survive
Page 151 and 152:
Also his resultant physical shrinka
Page 153 and 154:
memories helps to highlight an emer
Page 155 and 156:
towards an ever more exalted state
Page 157 and 158:
the film’s courage in exploring s
Page 159 and 160:
Trek served to legitimise this othe
Page 161 and 162:
(Richards 1997: 149) which incorpor
Page 163 and 164:
ultimate survival is finally all th
Page 165 and 166:
around essentialist definitions of
Page 167 and 168:
1993 version 25 casts the military
Page 169 and 170:
scientific minds of the investigato
Page 171 and 172:
in particular, corrupted and wiped
Page 173 and 174:
Logan’s Run Directed by Michael A
Page 175 and 176:
ural life which expose the ills of
Page 177 and 178:
In fact, the director locates the w
Page 179 and 180:
Both protagonists are infected at t
Page 181 and 182:
the (political/ ideological) ‘cen
Page 183 and 184:
postmodern vision’ (Benhabib in T
Page 185:
Reagan/Bush 1980s. As in Kubrick’
Page 188 and 189:
186 Hollywood Utopia even utopian,
Page 190 and 191:
188 Hollywood Utopia affirm a contr
Page 192 and 193:
190 Hollywood Utopia notion of a pr
Page 194 and 195:
192 Hollywood Utopia part of the un
Page 196 and 197:
194 Hollywood Utopia metropolis - s
Page 198 and 199:
196 Hollywood Utopia The term ‘cy
Page 200 and 201:
198 Hollywood Utopia even more scat
Page 202 and 203:
200 Hollywood Utopia The final clos
Page 204 and 205:
202 Hollywood Utopia actions and de
Page 206 and 207:
204 Hollywood Utopia He argues that
Page 208 and 209: 206 Hollywood Utopia his still beep
Page 210 and 211: 208 Hollywood Utopia often affirmat
Page 212 and 213: 210 Hollywood Utopia But as many cr
Page 214 and 215: 212 Hollywood Utopia physically and
Page 216 and 217: 214 Hollywood Utopia Eco-Closure So
Page 218 and 219: 216 Hollywood Utopia While such a r
Page 220 and 221: 218 Hollywood Utopia individuality
Page 222 and 223: 220 Hollywood Utopia with a persona
Page 224 and 225: 222 Hollywood Utopia Only when the
Page 226 and 227: 224 Hollywood Utopia Linda Hutcheon
Page 228 and 229: 226 Hollywood Utopia The Winona Ryd
Page 230 and 231: 228 Hollywood Utopia the human spec
Page 232 and 233: 230 Hollywood Utopia Such ‘sacrif
Page 235 and 236: Conclusion Ecology has certainly be
Page 237 and 238: questions a number of modernist/pos
Page 239 and 240: generations of students, as they re
Page 241: 6. Plumwood asserts how: ‘Hegemon
Page 244 and 245: 242 Hollywood Utopia Barillas, W. (
Page 246 and 247: 244 Hollywood Utopia Braudy, L. (19
Page 248 and 249: 246 Hollywood Utopia Carroll, D. (1
Page 250 and 251: 248 Hollywood Utopia Cubitt, S. (19
Page 252 and 253: 250 Hollywood Utopia Fiske, J. (198
Page 254 and 255: 252 Hollywood Utopia Halberstam, J.
Page 256 and 257: 254 Hollywood Utopia Hooks, B. (199
Page 260 and 261: Massey, D. (1994) Space, Place and
Page 262 and 263: 260 Hollywood Utopia O’Sullivan,
Page 264 and 265: 262 Hollywood Utopia Roszak, T. (19
Page 266 and 267: 264 Hollywood Utopia Springer, C. (
Page 268 and 269: 266 Hollywood Utopia Webster, D. (1
Page 271 and 272: Glossary Of Terms Some framing noti
show all

Hollywood Utopia

Create successful ePaper yourself

Delete template?

Save as template?