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2002-2003 - The University of Scranton

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ENLT 127 Dr. Jordan<br />

(CL)Myth <strong>of</strong> the Hero 3 credits<br />

Formerly ENGL 121<br />

Mythic materials are examined to discover<br />

the underlying heroic archetypal patterns.<br />

<strong>The</strong>n modern literature is examined in the<br />

light <strong>of</strong> the same mythic patterns.<br />

ENLT 140 Staff<br />

(CL)English Inquiry 3 credits<br />

Formerly ENGL 140<br />

An exploration <strong>of</strong> fiction, poetry, and<br />

drama. <strong>The</strong> approach is inductive; the<br />

aims are a greater understanding <strong>of</strong> literature,<br />

and an introduction to techniques <strong>of</strong><br />

literary scholarship, theory, and research.<br />

Note: All 200-level ENLT courses have a<br />

prerequisite <strong>of</strong> ENLT 140 or equilvalent.<br />

ENLT 210 Pr<strong>of</strong>. Hill<br />

(CL)Modern Poetry 3 credits<br />

Formerly ENGL 221<br />

Prerequisite: ENLT 140 or equivalent;<br />

previous study <strong>of</strong> poetry. Modern poets<br />

ranging from Yeats and Hopkins to Plath<br />

and Hughes are examined. Major emphasis<br />

is placed on close critical readings <strong>of</strong><br />

representative works.<br />

ENLT 211 Dr. McInerney<br />

(CL)Dramatic Comedy 3 credits<br />

Formerly ENGL 223<br />

Principles, modes, tactics used in dramatic<br />

comedy. <strong>The</strong> plays <strong>of</strong> writers ranging<br />

from Shakespeare to Neil Simon, as well<br />

as several films, will be analyzed as models.<br />

Opportunity for student writing <strong>of</strong><br />

comedy. This course may be counted<br />

toward the <strong>The</strong>atre track or minor.<br />

ENLT 212 Dr. Gougeon<br />

(CL,W) Masters <strong>of</strong> Darkness 3 credits<br />

Formerly ENGL 330<br />

This course will survey a significant sampling<br />

<strong>of</strong> the short works <strong>of</strong> three <strong>of</strong><br />

America’s most famous “dark Romantic”<br />

writers: Melville, Hawthorne, and Poe.<br />

Consideration will be given to the historical<br />

milieu and the authors’ responses to<br />

the problems and promises <strong>of</strong> the<br />

American experience.<br />

131<br />

ENLT 213 Dr. Passon<br />

(CL,W) Introduction to Satire 3 credits<br />

Formerly ENGL 320<br />

An exploration <strong>of</strong> the historical, critical,<br />

and conceptual nature <strong>of</strong> satire, including<br />

established satirical conventions and techniques.<br />

Representative examples in fiction,<br />

drama, and poetry from a variety <strong>of</strong><br />

literary periods will be considered.<br />

Though the course will focus on satirical<br />

literature, examples <strong>of</strong> satire from other<br />

media will be sampled.<br />

ENLT 214 Dr. Fraustino<br />

Macabre Masterpieces 3 credits<br />

Formerly ENGL 321<br />

This course studies works <strong>of</strong> horror–or<br />

Gothic–fiction, in England and America<br />

that best exemplify this mode <strong>of</strong> writing as<br />

a serious art form in its exploration <strong>of</strong> the<br />

human mind, particularly abnormal psychology.<br />

Works read may include: Mary<br />

Shelley’s Frankenstein, Robert Louis<br />

Stevenson’s Dr. Jekyll and Mr. Hyde,<br />

Joseph Conrad’s Heart <strong>of</strong> Darkness, Bram<br />

Stoker’s Dracula, the works <strong>of</strong> Edgar<br />

Allan Poe, and others.<br />

ENLT 215 Dr. Fraustino<br />

(CL)Literature <strong>of</strong> the Absurd 3 credits<br />

Formerly ENGL 421<br />

Focusing on literature from 1850 to the<br />

present, this course will examine works <strong>of</strong><br />

fiction, drama, and to some extent poetry<br />

that reflect a general 19th- and 20th-century<br />

western sense <strong>of</strong> disintegrating values and<br />

lost religious beliefs. Readings will<br />

include works by Edgar Allan Poe, Lord<br />

Byron, Thomas Hardy, Robert Louis<br />

Stevenson, Joseph Conrad, Tennessee<br />

Williams, Ernest Hemingway, and Samuel<br />

Beckett.<br />

ENLT 220 Dr. Friedman<br />

(CL)Shakespeare 3 credits<br />

Formerly ENGL 134<br />

An introduction to the works <strong>of</strong> William<br />

Shakespeare, including forays into each <strong>of</strong><br />

the major dramatic genres (comedy,<br />

tragedy, history, and romance).<br />

Consideration will be given to the biographical<br />

and cultural contexts which<br />

helped to determine the reception and<br />

impact <strong>of</strong> individual works. This course<br />

may be counted toward the <strong>The</strong>atre track<br />

or minor.

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