Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
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Notes to Pages 13–18 197<br />
skeleton in Quanzhen preaching, see my ‘‘Skulls <strong>and</strong> Skeletons in Art <strong>and</strong> on<br />
Stage,’’ in Leonard Blussé <strong>and</strong> Harriet Zurndorfer, eds., Conflict <strong>and</strong> Accommodation<br />
in Early Modern East Asia: Essays in Honour <strong>of</strong> Erik Zürcher (Leiden: E. J.<br />
Brill, 1993), pp. 191–215.<br />
46. Han Bingfang argues for the authorship <strong>of</strong> Puming in his ‘‘Guanshiyin<br />
xinyang yu Miaoshan de chuanshuo: jian ti woguo zuizao yibu baojuan Xiangshan<br />
baojuan de dansheng,’’ Shijie zongjiao yanjiu, no. 2 (2004): 54–61.<br />
47. To this day The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain is recited by female<br />
pilgrims visiting the Upper Tianzhu Monastery at Hangzhou.<br />
48. A more detailed discussion <strong>of</strong> the differences between the two versions<br />
is provided in Idema 2001–2002, pp. 5–15.<br />
49. Dudbridge 2004, pp. 89–95.<br />
50. Ibid., pp. 95–98.<br />
51. Scholars who have written on the meaning <strong>of</strong> the legend <strong>of</strong> Miaoshan<br />
(Glen Dudbridge, P. Steven Sangren, Yü Chün-fang) usually treat the various<br />
surviving texts as records <strong>of</strong> a single legend <strong>and</strong> do not focus on the particular<br />
characteristics <strong>of</strong> the story as told in one particular text. My discussion here will<br />
be focused on one particular text, The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain. As<br />
this text contains elements that are absent from other versions <strong>of</strong> the legend, I<br />
do not make any claims for the validity <strong>of</strong> my findings beyond the interpretation<br />
<strong>of</strong> this single text.<br />
52. Philadelphia: University <strong>of</strong> Pennsylvania Press, 1991.<br />
53. Cazelles 1991, p. 43.<br />
54. Ibid., pp. 33–34.<br />
55. Ibid., p. 26.<br />
56. Ibid., p. 50.<br />
57. Ibid., p. 43.<br />
58. For a discussion <strong>of</strong> the conflict between religious vocation <strong>and</strong> common<br />
sense as depicted in precious scrolls, see Beata Grant, ‘‘Patterns <strong>of</strong> Female<br />
Religious Experience in Qing Dynasty Popular Literature,’’ Journal <strong>of</strong> Chinese<br />
Religions 23 (1995): 35–37.<br />
59. ‘‘But the common people <strong>of</strong> street <strong>and</strong> ward praised her: / ‘Rare is a<br />
princess with such a heart for the Way!’ ’’ (Xiangshan baojuan, I, p. 34a, in<br />
Zhang 1994). The 1773 version here has four more lines: ‘‘But the common people<br />
<strong>of</strong> street <strong>and</strong> ward praised her: / ‘Rare is a princess with such a heart for the<br />
way! / She does not desire pleasures <strong>and</strong> good times / And does not yet know<br />
even where she will be able to settle.’ / The people who burned incense <strong>and</strong> lit<br />
c<strong>and</strong>les were without number / And the smoke <strong>of</strong> their incense mingled with<br />
the clouds across the street’’ (Guanshiyin pusa benxing jing, p. 41a, in Yoshioka<br />
1989).<br />
60. Dudbridge 1978, p. 50.<br />
61. Guanshiyin pusa benxing jing, p. 51b.<br />
62. Xiangshan baojuan, I, p. 1b, in Zhang 1994.<br />
63. Cazelles 1991, p. 74.<br />
64. In Renate Blumenfeld-Kosinski <strong>and</strong> Timea Szell, eds., Images <strong>of</strong> Sainthood<br />
in Medieval Europe (Ithaca: Cornell University Press, 1991), pp. 268–287.<br />
65. Robertson 1991, p. 281.