Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
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20 Introduction<br />
the object <strong>of</strong> the gaze <strong>of</strong> the whole population <strong>of</strong> the capital, from<br />
emperor to common citizen.<br />
At the very last moment, however, the execution <strong>of</strong> Miaoshan<br />
is postponed for one day, <strong>and</strong> she is once again locked up in the<br />
garden <strong>of</strong> the palace. After a series <strong>of</strong> visits by the queen, her<br />
sisters, <strong>and</strong> the palace ladies, none <strong>of</strong> whom succeed in changing<br />
her mind, her father comes to visit her at midnight in her prison<br />
cell, where he appeals to her one last time. Cazelles describes the<br />
function <strong>of</strong> forced enclosure in her texts in the following terms:<br />
‘‘The narrowing <strong>of</strong> space experienced by the women martyrs . . .<br />
serves to stress the intimate, <strong>and</strong> therefore dangerous, dimension<br />
<strong>of</strong> the encounter between heroines <strong>and</strong> tormentors. Temporary<br />
imprisonment ...is a narrative device that amplifies the erotic element<br />
inherent in these stories.’’ And she adds, ‘‘In Passions devoted<br />
to persecuted daughters (Christina <strong>and</strong> Barbara), enclosure is an ordeal<br />
imposed by incest-minded fathers who become tyrants out <strong>of</strong><br />
sexual frustration.’’ 73 Many <strong>of</strong> these elements have their counterpart<br />
in The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain. Miaoshan’s father is described<br />
as a typical tyrant who flies into a rage if his orders are not<br />
immediately obeyed. He can also be said to suffer sexual frustration<br />
as he has been unable to sire a son, despite the number <strong>of</strong> his<br />
concubines; his behavior toward Miaoshan is certainly overly possessive,<br />
<strong>and</strong> it is not difficult to detect incestuous motives in his<br />
behavior <strong>and</strong> language—his repeated reference, for example, to<br />
his daughter as ‘‘a slut’’ (dizi) <strong>and</strong> ‘‘a she-devil’’ (yaojing). During his<br />
nighttime visit to his naked <strong>and</strong> shackled daughter in her cell, he<br />
describes to her the pleasures <strong>of</strong> the flesh in great detail. And even<br />
if we grant that the father himself may not be aware <strong>of</strong> the full implications<br />
<strong>of</strong> his complex <strong>and</strong> strong emotions toward his daughter,<br />
his daughter is fully aware <strong>of</strong> her father’s unconscious intentions<br />
<strong>and</strong> repulses his advances in the terms that leave little room for<br />
doubt:<br />
When Marvelous Goodness heard this, she replied: ‘‘My<br />
father the emperor, dear daddy, you are misled <strong>and</strong> deluded<br />
<strong>and</strong> unenlightened, <strong>and</strong> your perverse heart is all ablaze.<br />
This is not the behavior <strong>of</strong> a lord <strong>and</strong> emperor in possession<br />
<strong>of</strong> the Way! Daddy, you are the ruler <strong>of</strong> the myriads <strong>of</strong><br />
people, the lord <strong>of</strong> the whole nation. If you cannot control<br />
your family, how can you control the nation? If you are a