Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
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42 Introduction<br />
Conclusion<br />
The bodhisattva Avalokiteśvara enjoyed wide <strong>and</strong> fervent veneration<br />
almost from the very moment <strong>of</strong> his introduction into China.<br />
The bodhisattva’s popularity only increased after he was, from the<br />
tenth century on, increasingly worshipped in female form. This<br />
new manifestation gave rise to many legends, the most popular <strong>of</strong><br />
which was that <strong>of</strong> Princess Miaoshan, who refused to marry <strong>and</strong><br />
give her father a gr<strong>and</strong>son, but who was willing to give her limbs<br />
to him to use as medicine when he was wasted by a terrible disease.<br />
The most powerful version <strong>of</strong> this legend is The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong><br />
Incense Mountain, which may go back to a composition by the<br />
monk Puming <strong>of</strong> 1103 but has reached us only in the heavily revised<br />
versions <strong>of</strong> later centuries.<br />
The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain presents a powerful<br />
<strong>and</strong> gripping account <strong>of</strong> the problems <strong>and</strong> opposition facing a<br />
young woman in a Confucian society if she is determined to pursue<br />
her own individual religious salvation, even as it holds out the<br />
promise that her personal salvation may benefit her entire family,<br />
including the father who wanted her dead. The text has traditionally<br />
been read both as a charter for opposing marriage <strong>and</strong> a paean to<br />
filial piety. A comparison with the hagiographies <strong>of</strong> Christian female<br />
saints from medieval France shows many structural parallels<br />
<strong>and</strong> also draws attention to some <strong>of</strong> the sexual tensions in the patriarchal<br />
family that help to give the narrative in the precious scroll its<br />
particular tension <strong>and</strong> dynamism.<br />
The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Good-in-Talent <strong>and</strong> Dragon Girl, which<br />
probably dates from the eighteenth or nineteenth century, is an<br />
original <strong>and</strong> charming account <strong>of</strong> how Shancai <strong>and</strong> Longnü (<strong>and</strong><br />
the white parrot) became the acolytes <strong>of</strong> <strong>Guanyin</strong>. This enjoyable,<br />
fairy-tale-like narrative returns to many <strong>of</strong> the same themes as those<br />
<strong>of</strong> The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain, such as the tension between<br />
the duties toward the family <strong>and</strong> society <strong>and</strong> the yearning<br />
for individual salvation, the dangers posed by female sexual hunger,<br />
<strong>and</strong> the need to repay the favors one has received.<br />
The overwhelming majority <strong>of</strong> Buddhist texts were written by<br />
monks for monks. Both these precious scrolls, however, <strong>of</strong>fer us<br />
texts that, although most likely written by monks, were intended<br />
for an audience <strong>of</strong> laypeople, for they spoke to the issues confronting<br />
laymen <strong>and</strong>, especially, laywomen. In this respect, the precious