Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
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18 Introduction<br />
the shorter version considerably s<strong>of</strong>tened Miaoshan’s harsh castigation<br />
<strong>of</strong> the prioress <strong>of</strong> the White Sparrow Convent, he apparently<br />
felt no qualms about retaining the full text <strong>of</strong> the sarcastic putdown<br />
<strong>of</strong> the <strong>of</strong>ficials.<br />
When the massive social pressure <strong>of</strong> all the appeals to common<br />
sense, all the promises, <strong>and</strong> all the threats are still not enough to<br />
make Miaoshan give in to her father, action has to follow. ‘‘Suffering,’’<br />
writes Cazelles, ‘‘is presented as a prerequisite for the attainment<br />
<strong>of</strong> sainthood. Forced exposure, forced enclosure, accusation,<br />
tortures, <strong>and</strong> death at the stake are integral components <strong>of</strong> our narratives.’’<br />
63 The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain exhibits all these<br />
elements. First Miaoshan is locked up in the flower garden behind<br />
the palace. Next, when Miaoshan is allowed to take up residence at<br />
the White Sparrow Convent, she is burdened with the impossible<br />
task <strong>of</strong> taking care <strong>of</strong> all the physical needs <strong>of</strong> the five hundred<br />
nuns in the convent. She does not for a moment shrink from her<br />
duties, <strong>and</strong> immediately animals <strong>and</strong> gods come to her rescue.<br />
When the king is informed <strong>of</strong> these miracles, he decides to have<br />
the convent burned down. This time Miaoshan intervenes with a<br />
miracle <strong>of</strong> her own: stabbing her palate with a hairpin, she spits<br />
out blood, which turns into a red rain that quenches the fire. The<br />
king, convinced now that his daughter is a witch, condemns her to<br />
death, <strong>and</strong> orders her execution.<br />
Elizabeth Robertson in her 1991 article ‘‘The Corporeality <strong>of</strong><br />
Female Sanctity in The Life <strong>of</strong> Saint Margaret,’’ 64 treating a medieval<br />
English hagiography, reaches many <strong>of</strong> the same conclusions as Cazelles.<br />
She places an even stronger emphasis on the centrality <strong>of</strong><br />
sexual temptation in the female saint’s experience <strong>and</strong> is more explicit<br />
in spelling out the sexual symbolism <strong>of</strong> some <strong>of</strong> the images in<br />
her text. She notes her author’s ‘‘obsessive interest in the physical<br />
torture <strong>of</strong> the female saint’’ <strong>and</strong> argues that his ‘‘interest may be<br />
linked ...to his focus on female sexual temptation.’’ 65 She further<br />
notes that ‘‘the focus on female blood seems to reflect a male fascination<br />
with <strong>and</strong> horror <strong>of</strong> female blood.’’ 66 While in other precious<br />
scrolls on devout Buddhist women, for instance the many retellings<br />
<strong>of</strong> the legend <strong>of</strong> Woman Huang, the inherent impurity <strong>of</strong> sexually<br />
active women because <strong>of</strong> their menstrual bleedings <strong>and</strong> loss <strong>of</strong><br />
blood during childbirth is <strong>of</strong>ten stressed, 67 this issue is not explicitly<br />
raised in The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Incense Mountain. This may well be<br />
because Miaoshan remains a (presumably prepubescent) virgin,