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Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo

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Introduction 41<br />

object <strong>of</strong> veneration by a deity in human form who incorporates the<br />

full range <strong>of</strong> powers <strong>of</strong> his or her predecessor. Another way to read<br />

the tale is as a paean to the daring <strong>and</strong> inventiveness <strong>of</strong> women. I<br />

would suggest, however, that one may also read the tale as a myth<br />

about the incorporation <strong>of</strong> female fertility from outside into the patriarchal<br />

family. As stated before, the patriarchal family cannot reproduce<br />

itself <strong>and</strong> needs outside female fertility for its very survival.<br />

However, women from outside the family also constitute a danger<br />

to its survival as they may not fully commit themselves to their<br />

new family by marriage, but continue to prefer their natal family<br />

<strong>and</strong> seek ways to transfer wealth from their new home to their old<br />

one. This dangerous power <strong>of</strong> fertility/female sexuality is represented<br />

in this tale by the monstrous snake in its grotto. Men are<br />

shown to be ineffective against this danger. Only when a woman is<br />

willing to act against the instructions <strong>of</strong> her own parents <strong>and</strong> slay<br />

the monster is a full integration into her new family by marriage<br />

possible. If not, even a virgin is turned into the very image <strong>of</strong><br />

death—a skull.<br />

The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Good-in-Talent <strong>and</strong> Dragon Girl is not<br />

simply a retelling <strong>of</strong> an old myth. After all, its main theme is not<br />

the continuation <strong>of</strong> the family but rather leaving the family. However,<br />

many motifs are still clearly recognizable. The nature <strong>of</strong> the<br />

snake as an embodiment <strong>of</strong> female sexuality is made clear from the<br />

very start in the precious scroll. The grotto has been replaced by a<br />

bottle, which is described as a huangsha ping (yellow earth bottle).<br />

While the term huangsha is used to refer to the grave, the bottle<br />

may st<strong>and</strong> for the gourd, which in Daoism represents the inexhaustible<br />

container or womb. Shancai, by showing himself susceptible to<br />

female charms, is defenseless as soon as the snake wants to devour<br />

him, <strong>and</strong> it is now he who is in danger <strong>of</strong> being turned into a<br />

skeleton instead <strong>of</strong> the hapless virgins in the tale <strong>of</strong> Li Ji. Again,<br />

the savior is a young girl who tricks the snake, in this story by getting<br />

it to crawl back into the bottle from which it had emerged.<br />

Both tales, although centuries apart, in this way credit the victory<br />

over the snake to virtuous female cunning. In the tale <strong>of</strong> Li Ji,<br />

the heroine finally marries the king, for whom, one assumes, she<br />

will bear many sons. In The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Good-in-Talent <strong>and</strong><br />

Dragon-Girl it is the snake that is turned into a dragon daughter,<br />

who in turn produces a pearl <strong>of</strong> wisdom, while Shancai pursues<br />

his religious career. 134

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