Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
Two Precious Scroll Narratives of Guanyin and Her ... - Khamkoo
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Introduction 41<br />
object <strong>of</strong> veneration by a deity in human form who incorporates the<br />
full range <strong>of</strong> powers <strong>of</strong> his or her predecessor. Another way to read<br />
the tale is as a paean to the daring <strong>and</strong> inventiveness <strong>of</strong> women. I<br />
would suggest, however, that one may also read the tale as a myth<br />
about the incorporation <strong>of</strong> female fertility from outside into the patriarchal<br />
family. As stated before, the patriarchal family cannot reproduce<br />
itself <strong>and</strong> needs outside female fertility for its very survival.<br />
However, women from outside the family also constitute a danger<br />
to its survival as they may not fully commit themselves to their<br />
new family by marriage, but continue to prefer their natal family<br />
<strong>and</strong> seek ways to transfer wealth from their new home to their old<br />
one. This dangerous power <strong>of</strong> fertility/female sexuality is represented<br />
in this tale by the monstrous snake in its grotto. Men are<br />
shown to be ineffective against this danger. Only when a woman is<br />
willing to act against the instructions <strong>of</strong> her own parents <strong>and</strong> slay<br />
the monster is a full integration into her new family by marriage<br />
possible. If not, even a virgin is turned into the very image <strong>of</strong><br />
death—a skull.<br />
The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Good-in-Talent <strong>and</strong> Dragon Girl is not<br />
simply a retelling <strong>of</strong> an old myth. After all, its main theme is not<br />
the continuation <strong>of</strong> the family but rather leaving the family. However,<br />
many motifs are still clearly recognizable. The nature <strong>of</strong> the<br />
snake as an embodiment <strong>of</strong> female sexuality is made clear from the<br />
very start in the precious scroll. The grotto has been replaced by a<br />
bottle, which is described as a huangsha ping (yellow earth bottle).<br />
While the term huangsha is used to refer to the grave, the bottle<br />
may st<strong>and</strong> for the gourd, which in Daoism represents the inexhaustible<br />
container or womb. Shancai, by showing himself susceptible to<br />
female charms, is defenseless as soon as the snake wants to devour<br />
him, <strong>and</strong> it is now he who is in danger <strong>of</strong> being turned into a<br />
skeleton instead <strong>of</strong> the hapless virgins in the tale <strong>of</strong> Li Ji. Again,<br />
the savior is a young girl who tricks the snake, in this story by getting<br />
it to crawl back into the bottle from which it had emerged.<br />
Both tales, although centuries apart, in this way credit the victory<br />
over the snake to virtuous female cunning. In the tale <strong>of</strong> Li Ji,<br />
the heroine finally marries the king, for whom, one assumes, she<br />
will bear many sons. In The <strong>Precious</strong> <strong>Scroll</strong> <strong>of</strong> Good-in-Talent <strong>and</strong><br />
Dragon-Girl it is the snake that is turned into a dragon daughter,<br />
who in turn produces a pearl <strong>of</strong> wisdom, while Shancai pursues<br />
his religious career. 134