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Boxoffice-January.24.1953

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. . Curtis<br />

. . Beverly<br />

'<br />

Fresh<br />

1<br />

SAN ANTONIO<br />

pari J. Tinsman, manager of the Ritz, Negro<br />

house on the southeast side of town,<br />

is contemplatin;; starting a Negro stage show<br />

pohcy with feature pictures. He also operates<br />

the Ples-Tex at Pleasanton, showing both<br />

English and Spanish films . . . The Gem and<br />

Hut theatres in Floresville are closed. Carl<br />

Johnson formerly operated the Gem there<br />

and Robert Gallegos of San Antonio ran the<br />

Hut for a short time.<br />

Clifford Bledsoe blossomed out in a new<br />

straw hat, the first of the season herp. Cliff<br />

.<br />

.<br />

is a tireless worker in the current March of<br />

Richard Vaughn now is the<br />

Dimes drive . . .<br />

new assistant manager and treasurer at the<br />

Aztec Short is in a similar capacity<br />

at the Majestic Spillman<br />

sr., the architect who built the Buccaneer<br />

Drive-In, Corpus Christi, for Arnulfo Gonzales,<br />

last year, was telling of his midwinter<br />

vacation trip to Ruidoso, N. M.. where he<br />

took in the skiing events. He said that a<br />

drive-in would pay off there because of the<br />

many tourists and visitors who frequent the<br />

small town resort. The location is about 125<br />

miles north of El Paso.<br />

Diane Hart and Mark Perkins entertained<br />

Eva Gabor and Dick Egan Saturday (10<br />

evening in the Anacacho room of the Saint<br />

Anthony hotel. Miss Gabor and Egan were<br />

the stars of "Strike a Match," which was on<br />

the boards of the Texas Theatre that night.<br />

Mi.ss Hart has appeared in pictures made<br />

both in San Antonio and Hollywood.<br />

Claud Alexander of Alexander Film Co. attended<br />

the annual convention of the company's<br />

employes and sale.smen in Colorado<br />

Katherine Cornell will<br />

Springs recently . . .<br />

be seen in "The Constant Wife" at the Texas<br />

Pete Stoilis. owner,<br />

Theatre March 10 . . .<br />

and Panis Veliskos, manager, Teatro Venus,<br />

Victoria, were in town visiting and booking<br />

Mexican pictures at the exchanges.<br />

Statewide Drive-In Theatres, Inc.. has<br />

moved from its downtown offices in the Majestic<br />

building to the Alamo Drive-In on Austin<br />

highway . . . Manager Ignacio Torres of<br />

the Alameda had his floor staff members<br />

wear red fire chief's helmets to herald the<br />

coming of "El Bombero Atomico," starting<br />

January 26.<br />

Walter Starke, co-producer of the Broadway<br />

play, "I Am a Camera," left for Hollywood<br />

after visiting in San Antonio and<br />

Seguin. Starke will help write the script for<br />

the stage play which will be made into a picture<br />

this spring.<br />

Eddie Miller, who often clowns for theatre<br />

ballyhoo hereabouts, is back from a trip to<br />

El Paso, where he spent the New Year's<br />

holidays.<br />

Skolsky Produces "Cantor Story'<br />

Sidney Skolsky is producing the Warner<br />

picture, "The Eddie Cantor Story," with<br />

Marilyn Erskine as Ida Cantor and Keefe<br />

Brasselle in the title role.<br />

Says Rising Costs Fog<br />

Future of Television<br />

NEW YORK—Rising costs will continue to<br />

plague the television industry and will cause<br />

increasing use of film for TV programs during<br />

1953, writes Ben Duffy, president of<br />

Batten, Barton, Durstine & Osborn, Inc., in<br />

an annual review for Television magazine.<br />

The problems that faced TV at the start<br />

of 1952 still face it at the start of 1953<br />

in more acute form, he states.<br />

This cau.ses him to write:<br />

"Somewhere this<br />

side of saturation coverage, the addition of<br />

stations may be impossible budget-w-isc, or at<br />

least may be found to be uneconomical."<br />

He also asks: "Will the number of advertisers<br />

with appropriations high enough to use<br />

TV on a continuing basis be sufficient to<br />

support the medium?"<br />

Duffy predicts that talent co.sts will go up<br />

10 to 15 per cent, and that the same percentage<br />

of increa-ses will apply to station<br />

costs.<br />

On the much-discussed question of whether<br />

TV shows should be "live" or on film, Duffy<br />

WTites: "A live show still results in bettor reception<br />

than a film .show, but more and more<br />

shows .seem to be going to film. One of the<br />

reasons, of course, is the difficulty in getting<br />

any sizeable number of stations live and<br />

interconnected at the time of the origination<br />

of the broadcast and, when an advertiser has<br />

a considerable number of delayed stations, he<br />

gets better reception with film than with a<br />

kinescope."<br />

If It's Good Promotion .<br />

.<br />

BOXOFFICE<br />

someone will<br />

report it in ... .<br />

from the scenes of the activities each week come constant "^<br />

reports of merchandising of films. Most of these are ideas vou<br />

can use for your own promotion. All of them are interesting and<br />

most of them are profitable in other similar circumstances. Make<br />

full use of these practical ideas by practical showmen, many of<br />

whom you may know.<br />

N.<br />

Motion pictures lend themselves ideally to good advertising. The public interest is<br />

high.<br />

Capitalize on the interest that already exists and increase your attendance<br />

with proved ideas.<br />

70-D BOXOFFICE<br />

:: January 24. 1953

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