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. . Curtis<br />
. . Beverly<br />
'<br />
Fresh<br />
1<br />
SAN ANTONIO<br />
pari J. Tinsman, manager of the Ritz, Negro<br />
house on the southeast side of town,<br />
is contemplatin;; starting a Negro stage show<br />
pohcy with feature pictures. He also operates<br />
the Ples-Tex at Pleasanton, showing both<br />
English and Spanish films . . . The Gem and<br />
Hut theatres in Floresville are closed. Carl<br />
Johnson formerly operated the Gem there<br />
and Robert Gallegos of San Antonio ran the<br />
Hut for a short time.<br />
Clifford Bledsoe blossomed out in a new<br />
straw hat, the first of the season herp. Cliff<br />
.<br />
.<br />
is a tireless worker in the current March of<br />
Richard Vaughn now is the<br />
Dimes drive . . .<br />
new assistant manager and treasurer at the<br />
Aztec Short is in a similar capacity<br />
at the Majestic Spillman<br />
sr., the architect who built the Buccaneer<br />
Drive-In, Corpus Christi, for Arnulfo Gonzales,<br />
last year, was telling of his midwinter<br />
vacation trip to Ruidoso, N. M.. where he<br />
took in the skiing events. He said that a<br />
drive-in would pay off there because of the<br />
many tourists and visitors who frequent the<br />
small town resort. The location is about 125<br />
miles north of El Paso.<br />
Diane Hart and Mark Perkins entertained<br />
Eva Gabor and Dick Egan Saturday (10<br />
evening in the Anacacho room of the Saint<br />
Anthony hotel. Miss Gabor and Egan were<br />
the stars of "Strike a Match," which was on<br />
the boards of the Texas Theatre that night.<br />
Mi.ss Hart has appeared in pictures made<br />
both in San Antonio and Hollywood.<br />
Claud Alexander of Alexander Film Co. attended<br />
the annual convention of the company's<br />
employes and sale.smen in Colorado<br />
Katherine Cornell will<br />
Springs recently . . .<br />
be seen in "The Constant Wife" at the Texas<br />
Pete Stoilis. owner,<br />
Theatre March 10 . . .<br />
and Panis Veliskos, manager, Teatro Venus,<br />
Victoria, were in town visiting and booking<br />
Mexican pictures at the exchanges.<br />
Statewide Drive-In Theatres, Inc.. has<br />
moved from its downtown offices in the Majestic<br />
building to the Alamo Drive-In on Austin<br />
highway . . . Manager Ignacio Torres of<br />
the Alameda had his floor staff members<br />
wear red fire chief's helmets to herald the<br />
coming of "El Bombero Atomico," starting<br />
January 26.<br />
Walter Starke, co-producer of the Broadway<br />
play, "I Am a Camera," left for Hollywood<br />
after visiting in San Antonio and<br />
Seguin. Starke will help write the script for<br />
the stage play which will be made into a picture<br />
this spring.<br />
Eddie Miller, who often clowns for theatre<br />
ballyhoo hereabouts, is back from a trip to<br />
El Paso, where he spent the New Year's<br />
holidays.<br />
Skolsky Produces "Cantor Story'<br />
Sidney Skolsky is producing the Warner<br />
picture, "The Eddie Cantor Story," with<br />
Marilyn Erskine as Ida Cantor and Keefe<br />
Brasselle in the title role.<br />
Says Rising Costs Fog<br />
Future of Television<br />
NEW YORK—Rising costs will continue to<br />
plague the television industry and will cause<br />
increasing use of film for TV programs during<br />
1953, writes Ben Duffy, president of<br />
Batten, Barton, Durstine & Osborn, Inc., in<br />
an annual review for Television magazine.<br />
The problems that faced TV at the start<br />
of 1952 still face it at the start of 1953<br />
in more acute form, he states.<br />
This cau.ses him to write:<br />
"Somewhere this<br />
side of saturation coverage, the addition of<br />
stations may be impossible budget-w-isc, or at<br />
least may be found to be uneconomical."<br />
He also asks: "Will the number of advertisers<br />
with appropriations high enough to use<br />
TV on a continuing basis be sufficient to<br />
support the medium?"<br />
Duffy predicts that talent co.sts will go up<br />
10 to 15 per cent, and that the same percentage<br />
of increa-ses will apply to station<br />
costs.<br />
On the much-discussed question of whether<br />
TV shows should be "live" or on film, Duffy<br />
WTites: "A live show still results in bettor reception<br />
than a film .show, but more and more<br />
shows .seem to be going to film. One of the<br />
reasons, of course, is the difficulty in getting<br />
any sizeable number of stations live and<br />
interconnected at the time of the origination<br />
of the broadcast and, when an advertiser has<br />
a considerable number of delayed stations, he<br />
gets better reception with film than with a<br />
kinescope."<br />
If It's Good Promotion .<br />
.<br />
BOXOFFICE<br />
someone will<br />
report it in ... .<br />
from the scenes of the activities each week come constant "^<br />
reports of merchandising of films. Most of these are ideas vou<br />
can use for your own promotion. All of them are interesting and<br />
most of them are profitable in other similar circumstances. Make<br />
full use of these practical ideas by practical showmen, many of<br />
whom you may know.<br />
N.<br />
Motion pictures lend themselves ideally to good advertising. The public interest is<br />
high.<br />
Capitalize on the interest that already exists and increase your attendance<br />
with proved ideas.<br />
70-D BOXOFFICE<br />
:: January 24. 1953