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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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Dbnsmorb] pueblo music -.AS^rJi'<br />

87<br />

No. 62.<br />

Buffalo Dance song (c)—Continued<br />

'>''^<br />

u\UY^'W^^Uirr-i^rY\JTJ =^<br />

fr<br />

^'i r \i r<br />

'<br />

11^<br />

;i^<br />

BC ?2:<br />

F^P4f-^H<br />

Analysis.—This song was difficult to transcribe as ttie pitch was lowered a semitone<br />

<strong>and</strong> the time increased suddenly, then increased gradually as indicated. The<br />

pitch was gradually lowered while the tempo was increasing. This is not shown<br />

in the transcription which is on the original pitch. A slight lowering <strong>of</strong> pitch<br />

level was heard in some other renditions by this singer. He stated, however, that<br />

he was not aware <strong>of</strong> such a custom among the <strong>Cochiti</strong>. He learned many songs<br />

from his gr<strong>and</strong>father <strong>and</strong> it is possible that he learned them with a lowering <strong>of</strong><br />

pitch <strong>and</strong> did not realize it was intentional.<br />

OUWE DANCE SONGS<br />

In February, before there is any planting, the <strong>Cochiti</strong> dance the<br />

Ouwe dance in order that they may have good crops. Each kiva<br />

group has its own songs <strong>and</strong> rehearses them for several weeks before<br />

the dance. The costumes are elaborate <strong>and</strong> the dancing begins about<br />

9 o'clock in the evening, continuing until 3 or 4 o'clock in the morning.<br />

Four times during the night the people <strong>and</strong> singers from the Squash<br />

kiva visit the Tiu^quoise Idva <strong>and</strong> sing, the visit being returned by<br />

members <strong>of</strong> the Turquoise group. In the dance <strong>of</strong> the Squash people<br />

the men are in the front line <strong>and</strong> the women behind them. A man<br />

with a drum st<strong>and</strong>s still in front <strong>of</strong> the dancers. The songs mention<br />

every sort <strong>of</strong> vegetable <strong>and</strong> ask for an abundance <strong>of</strong> each.<br />

The following song, like others recorded by Evergreen Tree, was<br />

used by Indians belonging to the Squash kiva, <strong>and</strong> he demonstrated<br />

the gestures that were taught him by his father. These were in the<br />

nature <strong>of</strong> a pantomime concerning the subject <strong>of</strong> the song <strong>and</strong> ac<strong>com</strong>panied<br />

the singing.

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