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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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I<br />

—<br />

Dbnsuobb] PUEBLO MUSIC 49<br />

(Catalog No. 1922)<br />

No. 35.<br />

Song concerning the clouds <strong>and</strong> fog<br />

Voice J z 88<br />

Drum J r 88<br />

Drum- rhythm similar to No. 32<br />

iaja » 9 9 Si [B_*_|<br />

fcwiJMl Vl—B —<br />

1<br />

f HUv^ Unu<br />

g¥ ^fj'pn-i rfrr 1<br />

p V<br />

l<br />

B<br />

iiircrra^#-#^<br />

r.i^^^llJ'<br />

|<br />

J:<br />

r_/-^tll/|£n;j'['q:|^<br />

i»<br />

^<br />

i yy « g a B 9<br />

1<br />

Analysis.—This song is characterized by a change <strong>of</strong> tempo which is maintained<br />

for two measures <strong>and</strong> followed by a return to the original time. These changes<br />

are probably connected with the words. The form <strong>of</strong> the melody is similar to<br />

many other Pueblo songs <strong>and</strong> consists <strong>of</strong> an introductory phrase <strong>and</strong> two periods,<br />

each <strong>of</strong> which is repeated. The third above the kenyote is more prominent than<br />

in the song next preceding, but the placing <strong>of</strong> the melody above <strong>and</strong> below the<br />

keynote is the same as in that song. Although groups <strong>of</strong> four 16th notes occur<br />

with frequency, the rhythmic unit is designated as a series <strong>of</strong> eighth notes in a<br />

triple measure. The melody contains a variety <strong>of</strong> ascending intervals, but the<br />

most frequent is the whole tone which <strong>com</strong>prises almost one-half <strong>of</strong> the intervals.<br />

In explanation <strong>of</strong> the next song, used in the Corn dance, it was said<br />

there was once a beautiful lake near Laguna which "broke" <strong>and</strong> the<br />

waters drained away. The bowl mentioned in the song is different<br />

from the "medicine dish" mentioned in connection with song No. 20.

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