Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
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I<br />
—<br />
Dbnsuobb] PUEBLO MUSIC 49<br />
(Catalog No. 1922)<br />
No. 35.<br />
Song concerning the clouds <strong>and</strong> fog<br />
Voice J z 88<br />
Drum J r 88<br />
Drum- rhythm similar to No. 32<br />
iaja » 9 9 Si [B_*_|<br />
fcwiJMl Vl—B —<br />
1<br />
f HUv^ Unu<br />
g¥ ^fj'pn-i rfrr 1<br />
p V<br />
l<br />
B<br />
iiircrra^#-#^<br />
r.i^^^llJ'<br />
|<br />
J:<br />
r_/-^tll/|£n;j'['q:|^<br />
i»<br />
^<br />
i yy « g a B 9<br />
1<br />
Analysis.—This song is characterized by a change <strong>of</strong> tempo which is maintained<br />
for two measures <strong>and</strong> followed by a return to the original time. These changes<br />
are probably connected with the words. The form <strong>of</strong> the melody is similar to<br />
many other Pueblo songs <strong>and</strong> consists <strong>of</strong> an introductory phrase <strong>and</strong> two periods,<br />
each <strong>of</strong> which is repeated. The third above the kenyote is more prominent than<br />
in the song next preceding, but the placing <strong>of</strong> the melody above <strong>and</strong> below the<br />
keynote is the same as in that song. Although groups <strong>of</strong> four 16th notes occur<br />
with frequency, the rhythmic unit is designated as a series <strong>of</strong> eighth notes in a<br />
triple measure. The melody contains a variety <strong>of</strong> ascending intervals, but the<br />
most frequent is the whole tone which <strong>com</strong>prises almost one-half <strong>of</strong> the intervals.<br />
In explanation <strong>of</strong> the next song, used in the Corn dance, it was said<br />
there was once a beautiful lake near Laguna which "broke" <strong>and</strong> the<br />
waters drained away. The bowl mentioned in the song is different<br />
from the "medicine dish" mentioned in connection with song No. 20.