Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
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densmobb] pueblo music 55<br />
Translation<br />
Yesterday, sometime, somewhere, up from the north<br />
A yellow cloud has set.<br />
Perhaps because the raingods are <strong>com</strong>ing back again<br />
Perhaps because the raingods are <strong>com</strong>ing back again,<br />
The yellow cloud has set.<br />
Yesterday, sometime, somewhere, up from the middle west<br />
A blue cloud has set.<br />
Perhaps because the raingods are <strong>com</strong>ing back again,<br />
Perhaps because the raingods are <strong>com</strong>ing back again,<br />
The blue cloud has set.<br />
This way from the middle direction<br />
Cha-a-ga, a north raingod.<br />
Green corn he has brought for us.<br />
Then go forward, country-chief, carrying with you some prayer-sticks.<br />
Carrying with you prayer-sticks, go forward.<br />
Look there in the snow mountain the rain clouds are <strong>com</strong>ing out,<br />
Then go forward, country-chief, carrying the sticks that the raingods use in<br />
their stick race.<br />
Carrying also the ring that the women use to hold the water-jar on the head.<br />
Carrying these, go forward,<br />
Look, there is the enchanted mountain,<br />
There the rain clouds are <strong>com</strong>ing up.<br />
Analysis.—This is a florid melody with frequent changes <strong>of</strong> tempo that probably<br />
correspond to changes in the words. The melodic form consists <strong>of</strong> three periods,<br />
the third being short <strong>and</strong> on the upper tones <strong>of</strong> the <strong>com</strong>pass, followed by a repetition<br />
<strong>of</strong> the second period. The first portion <strong>of</strong> the song is major in tonality with<br />
B as its keynote, <strong>and</strong> the portion beginning with the change in signature is minor,<br />
with F-sharp as its keynote, the song is therefore classified as both major <strong>and</strong><br />
minor in tonality. About two-thirds <strong>of</strong> the intervals are whole tones, next in<br />
frequency being fourths <strong>and</strong> minor thirds.<br />
Philip Sanchez, who recorded the <strong>A<strong>com</strong>a</strong> songs, said that he <strong>of</strong>ten<br />
<strong>com</strong>poses songs. He said, "Melodies are always in my mind. I<br />
make up songs when I am by myself, in a sheep camp or such a place."<br />
In some instances the song is developed from a few words <strong>and</strong> in<br />
others it is suggested by the scenes around him.<br />
He recently painted a butterfly on a small article that he was<br />
making. When he looked at the butterfly, he exclaimed, "It looks<br />
real, as if it could fly away." Then he made this song which he<br />
intends to sing at the Harvest dance on his return to <strong>A<strong>com</strong>a</strong> Pueblo.<br />
The idea <strong>of</strong> the butterfly <strong>and</strong> its flight is graceful, but the words do<br />
not contain the high, simple poetry <strong>of</strong> the old <strong>A<strong>com</strong>a</strong> songs, <strong>and</strong> their<br />
rhythm, as given by the interpreter, lacks the broad sweep into which<br />
the words <strong>of</strong> the old songs fall natm-ally when interpreted. He<br />
requested that the word "chorus" be used.<br />
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