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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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densmobb] pueblo music 55<br />

Translation<br />

Yesterday, sometime, somewhere, up from the north<br />

A yellow cloud has set.<br />

Perhaps because the raingods are <strong>com</strong>ing back again<br />

Perhaps because the raingods are <strong>com</strong>ing back again,<br />

The yellow cloud has set.<br />

Yesterday, sometime, somewhere, up from the middle west<br />

A blue cloud has set.<br />

Perhaps because the raingods are <strong>com</strong>ing back again,<br />

Perhaps because the raingods are <strong>com</strong>ing back again,<br />

The blue cloud has set.<br />

This way from the middle direction<br />

Cha-a-ga, a north raingod.<br />

Green corn he has brought for us.<br />

Then go forward, country-chief, carrying with you some prayer-sticks.<br />

Carrying with you prayer-sticks, go forward.<br />

Look there in the snow mountain the rain clouds are <strong>com</strong>ing out,<br />

Then go forward, country-chief, carrying the sticks that the raingods use in<br />

their stick race.<br />

Carrying also the ring that the women use to hold the water-jar on the head.<br />

Carrying these, go forward,<br />

Look, there is the enchanted mountain,<br />

There the rain clouds are <strong>com</strong>ing up.<br />

Analysis.—This is a florid melody with frequent changes <strong>of</strong> tempo that probably<br />

correspond to changes in the words. The melodic form consists <strong>of</strong> three periods,<br />

the third being short <strong>and</strong> on the upper tones <strong>of</strong> the <strong>com</strong>pass, followed by a repetition<br />

<strong>of</strong> the second period. The first portion <strong>of</strong> the song is major in tonality with<br />

B as its keynote, <strong>and</strong> the portion beginning with the change in signature is minor,<br />

with F-sharp as its keynote, the song is therefore classified as both major <strong>and</strong><br />

minor in tonality. About two-thirds <strong>of</strong> the intervals are whole tones, next in<br />

frequency being fourths <strong>and</strong> minor thirds.<br />

Philip Sanchez, who recorded the <strong>A<strong>com</strong>a</strong> songs, said that he <strong>of</strong>ten<br />

<strong>com</strong>poses songs. He said, "Melodies are always in my mind. I<br />

make up songs when I am by myself, in a sheep camp or such a place."<br />

In some instances the song is developed from a few words <strong>and</strong> in<br />

others it is suggested by the scenes around him.<br />

He recently painted a butterfly on a small article that he was<br />

making. When he looked at the butterfly, he exclaimed, "It looks<br />

real, as if it could fly away." Then he made this song which he<br />

intends to sing at the Harvest dance on his return to <strong>A<strong>com</strong>a</strong> Pueblo.<br />

The idea <strong>of</strong> the butterfly <strong>and</strong> its flight is graceful, but the words do<br />

not contain the high, simple poetry <strong>of</strong> the old <strong>A<strong>com</strong>a</strong> songs, <strong>and</strong> their<br />

rhythm, as given by the interpreter, lacks the broad sweep into which<br />

the words <strong>of</strong> the old songs fall natm-ally when interpreted. He<br />

requested that the word "chorus" be used.<br />

378090—57 6

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