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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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^<br />

62 BUREAU OP AMERICAN ETHNOLOGY [Bull. 165<br />

Translation<br />

Early this morning the <strong>com</strong>ing <strong>of</strong> the sun,<br />

For what purpose is it <strong>com</strong>ing?<br />

Perhaps for the cornmeal it is <strong>com</strong>ing.<br />

Yonder in the west at Shiawibat "<br />

All <strong>Isleta</strong> maidens, what do you think?<br />

What do you say? Shall we sit <strong>and</strong> sing?<br />

Early this morning the <strong>com</strong>ing <strong>of</strong> the sun,<br />

For what purpose is it <strong>com</strong>ing?<br />

Perhaps for the yellow dust from the corntassels [pollen] it is <strong>com</strong>ing.<br />

Yonder in the west at Shiawibat,<br />

People <strong>of</strong> Shiawibat, what do you think?<br />

What do you say? Shall we sit <strong>and</strong> sing?<br />

Early this morning the <strong>com</strong>ing <strong>of</strong> the sun,<br />

For what purpose is it <strong>com</strong>ing?<br />

Perhaps for sons <strong>and</strong> daughters <strong>of</strong> the people it is <strong>com</strong>ing.<br />

Yonder in the west,<br />

People, what do you think?<br />

What do you say? Shall we sit <strong>and</strong> sing?<br />

" The native name <strong>of</strong> <strong>Isleta</strong> Pueblo Is "Shlewhibak."<br />

Analysis.—The form <strong>of</strong> this melody is similar to other corn-grinding songs <strong>and</strong><br />

<strong>com</strong>prises an introduction <strong>and</strong> three rhythmic periods, designated as A, B, <strong>and</strong> C.<br />

In this song, period B begins with the same phrase as period A, but soon changes<br />

to a rhythm <strong>of</strong> it's own. The tones are chiefly those <strong>of</strong> the major triad E-flat-Gr-<br />

B-flat, but a minor third constitutes one-half <strong>of</strong> the progressions. With few<br />

exceptions this minor third is G-B-flat which forms the pivot <strong>of</strong> the melody,<br />

additional intervals being excursions above or below it. The keynote is in the<br />

lower octave <strong>and</strong> usually occurs on the unaccented portion <strong>of</strong> the measure,<br />

followed by a rest which seems to give prominence to the tone.<br />

No. 42.<br />

,<br />

J r 84<br />

• g' , • • •<br />

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The sun <strong>and</strong> the yellow corn<br />

A<br />

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(Catalog No. 1994)<br />

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