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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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Dbnsmoeb] pueblo MUSIC 51<br />

Translation<br />

(Period A)<br />

There was once on the west side <strong>of</strong> Laguna,<br />

On the lower west side,<br />

A bowl like that in which the medicine man mixes herbs <strong>and</strong> water,<br />

It used nicely to produce cattails, plants <strong>and</strong> pollen,<br />

It used nicely to draw the raingods to paint it with sprinkUng rain, making<br />

a picture <strong>of</strong> the rain.<br />

Now here above us, from the north direction, the duck raingods fly.<br />

They are looking for the medicine bowl west <strong>of</strong> Laguna.<br />

Alas! A sad calamity has happened.<br />

Pitiful it is.<br />

Now here about us from the south direction the winter wrens <strong>com</strong>e.<br />

The birds are white <strong>and</strong> in their flight they look like clouds.<br />

They are looking for the medicine bowl west <strong>of</strong> Laguna.<br />

Alas! a sad calamity has happened,<br />

Pitiful it is.<br />

Analysis.—The principal interval in this song is the fourth which is generally<br />

associated with birds, animals, or motion in Indian songs. The interval <strong>of</strong> a<br />

minor third occurs only a few times <strong>and</strong> is the interval <strong>com</strong>monly associated with<br />

sadness in the usage <strong>of</strong> the white race. A short rhythmic unit occurs frequently,<br />

also a reversal <strong>of</strong> the count divisions by which the accent is transferred to the<br />

triplet <strong>of</strong> eighth notes. The song has a <strong>com</strong>pass <strong>of</strong> seven tones <strong>and</strong> is based on<br />

the fourth 5-toned scale (cf. footnote 1, table 6, p. 115).<br />

HAEVEST DANCE SONGS<br />

The Harvest dance <strong>of</strong> the <strong>A<strong>com</strong>a</strong> was said to be part <strong>of</strong> the Corn<br />

dance. Four <strong>of</strong> its songs were recorded but the customs pertaining<br />

to the dance were not a subject <strong>of</strong> inquiry. One <strong>of</strong> the songs, not<br />

transcribed, contained these words, the first three Hnes being sung<br />

twice <strong>and</strong> followed by the last lines which were also repeated.<br />

Look there, somewhere beneath the home <strong>of</strong> the raingod,<br />

There underneath their home the raingods are painting themselves, with<br />

their shoes <strong>of</strong> clouds <strong>and</strong> with their ceremonial sashes,<br />

With these they look h<strong>and</strong>some, <strong>and</strong> now they will return.<br />

This way from the north, from the north path whence I came,<br />

There the old-time prayer-sticks are repainting themselves in the same<br />

manner.<br />

The three Harvest dance songs here presented were sung with<br />

clearness.

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