LETTER OF TRANSMITTAL Smithsonian Institution, Bureau <strong>of</strong> American Ethnology, Washington, D. C, March 1, 1966. Sir: I have the honor to transmit herewith a manuscript entitled "<strong>Music</strong> <strong>of</strong> <strong>A<strong>com</strong>a</strong>, <strong>Isleta</strong>, <strong>Cochiti</strong>, <strong>and</strong> Zuni <strong>Pueblos</strong>," by Frances Densmore, <strong>and</strong> to re<strong>com</strong>mend that it be published as a bulletin <strong>of</strong> the Bureau <strong>of</strong> American Ethnology. Very respectfully yours, Dr. Leonard Carmichael, Secretary f Smithsonian Institution. M. W. Stirling, Director. AUG 2 9 1957 t/BRAP^l
FOKEWORD The songs <strong>of</strong> Pueblo Indians here presented were recorded in 1928, 1930, <strong>and</strong> 1940, additional translation <strong>and</strong> information being obtained in 1931 <strong>and</strong> 1939. The work is essentially musical <strong>and</strong> the descriptions <strong>of</strong> various customs are intended as a background for the songs. These descriptions are presented as nearly as possible in the words <strong>of</strong> the informants. It was necessary to record Pueblo songs at a low altitude, <strong>and</strong> grateful acknowledgment is made <strong>of</strong> the courtesy <strong>of</strong> Dr. M. W. Stirling, director <strong>of</strong> the Bureau <strong>of</strong> American Ethnology, Smithsonian Institution, who made possible the seciu-ing <strong>of</strong> records <strong>of</strong> <strong>A<strong>com</strong>a</strong> songs by members <strong>of</strong> that tribe who were in Washington, D. C. Dr. Stirling placed at the writer's disposal the song recordings made for him in 1928, 16 <strong>of</strong> which are presented (cf. p. 4); also the <strong>A<strong>com</strong>a</strong> portraits (pis. 1, frontispiece; <strong>and</strong> 2). Acknowledgment is also made <strong>of</strong> the assistance <strong>of</strong> Mrs. Phyllis Cr<strong>and</strong>all Connor, director <strong>of</strong> the St<strong>and</strong> Kock Indian Ceremonial at Wisconsin Dells, Wis., who permitted the recording <strong>of</strong> <strong>Isleta</strong>, <strong>Cochiti</strong>, <strong>and</strong> Zuni songs by members <strong>of</strong> those tribes who took part in the ceremonial. Continuing the former method <strong>of</strong> analysis, these Pueblo songs are <strong>com</strong>pared in melodic form <strong>and</strong> rhythm with the songs <strong>of</strong> Indians living in the north woodl<strong>and</strong>, on the Plains, the high plateau <strong>of</strong> Utah, the low desert <strong>of</strong> Arizona, the Northwest coast, <strong>and</strong> other regions which have previously been studied.^ No linguistic study was made, <strong>and</strong> the native words are generally presented as they were pronounced by the informants. When recording the songs in Wisconsin the writer had the helpful <strong>com</strong>panionship <strong>of</strong> her sister Margaret Densmore. > See References (Densmore, 1910, 1913, 1918, 1922, 1923, 1926, 1929 a, 1929 b, 1932 a, 1932 b, 1932 c, 1936 a, 1938, 1939, 1943 a, 1943 b, 1956). Ill AUG ? 6 1957