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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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Dbnsmobb] PUEBLO MUSIC 47<br />

Concerning the next song it was said "women <strong>of</strong> the yellow corn<br />

clan carry an ear <strong>of</strong> yellow corn in each h<strong>and</strong> <strong>and</strong> make motions with<br />

them as they dance." The same is done by women <strong>of</strong> the blue corn<br />

clan, <strong>and</strong> occasionally white corn is carried in the dance. This song<br />

contains many syllables that have no meaning.<br />

No. 33.<br />

Voice J = 168<br />

Drum J r 84<br />

Drum- rhythm similar to No. 21<br />

"The raingods have returned"<br />

(Catalog No. 1920)<br />

S<br />

li) .<br />

(1) (1)<br />

mzm<br />

itrrrvniirr<br />

IT<br />

p-F-rm E^3<br />

y)--fh \<br />

'iUmu rf^V':\\7dnm^<br />

Fine<br />

Translation<br />

Nicely again the raingods have returned.<br />

Life-giving crops as a gift to the people they have brought.<br />

Nicely again Nawish [a raingod] has arrived,<br />

Rainclouds <strong>and</strong> game as a gift to the people they have brought.<br />

Nicely the kernels <strong>of</strong> corn turn yellow,<br />

They form the yellow color.<br />

(Repeated, mentioning blue, then white corn)<br />

Analysis.—This song is less clear in tonality than a majority <strong>of</strong> the <strong>A<strong>com</strong>a</strong><br />

songs under analysis. The keynote (C) occurs only in the upper register <strong>and</strong> the<br />

third occurs only in the second measure <strong>of</strong> the song. The principal interval is a<br />

whole tone, which <strong>com</strong>prises about two-thirds <strong>of</strong> the progressions. The minor<br />

third occurs only five times, while the major third <strong>and</strong> larger intervals are 16 in<br />

number. The rhythmic form is clear <strong>and</strong> contains two rhythmic units.<br />

Attention is directed to the rhythm <strong>of</strong> the words <strong>of</strong> the next song,<br />

given as nearly as possible in the words <strong>of</strong> the interpreter <strong>and</strong> divided<br />

according to the cadence <strong>of</strong> his recitation. The rhythm suggests<br />

that <strong>of</strong> a dance, though different from the rhythm <strong>of</strong> the melody.

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