Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
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DbnsmorbJ pueblo music 41<br />
Translation<br />
(With period A)<br />
Up from the fish-lake I came out,<br />
When I had <strong>com</strong>e I roamed around,<br />
Then I went away <strong>and</strong> arrived at Kawai'ik (a Laguna village),<br />
There I arrived, then again I left there.<br />
Then I arrived at Kwiisti village.<br />
There I arrived, <strong>and</strong> then again I left there <strong>and</strong> arrived at Tama'ya,<br />
There I spent two nights.<br />
When I left there I came to a cliflF <strong>and</strong> looked down on a village beside a river,<br />
I descended the cliff <strong>and</strong> arrived at that village—Wi'lapa'ti,<br />
I went up <strong>and</strong> down the village looking around.<br />
(With period B)<br />
Then my parents [clan relatives] there invited me to a meal.<br />
They invited me to a meal <strong>of</strong> all kinds <strong>of</strong> fruit, <strong>and</strong> I counted mutton, matchini<br />
[thin bread baked on a rock] <strong>and</strong> a soup made <strong>of</strong> venison <strong>and</strong> chili.<br />
Then my parents [clan relatives] there invited me to a meal,<br />
They invited me to a meal <strong>of</strong> all kinds <strong>of</strong> fruit, <strong>and</strong> I counted mutton, matchini,<br />
<strong>and</strong> a soup made <strong>of</strong> venison <strong>and</strong> onions.<br />
Analysis.—In the rhythm <strong>of</strong> this song we find variations <strong>of</strong> 1 or 2 simple<br />
patterns but no phrase that can be regarded as a rhythmic unit. The tempo is<br />
much slower than in the preceding song <strong>and</strong> the drumbeat is similar to that in<br />
other Flower dance songs. Ascending <strong>and</strong> descending intervals are almost equal<br />
in number, the melody containing 38 <strong>of</strong> the former <strong>and</strong> 43 <strong>of</strong> the latter progressions.<br />
The song has a <strong>com</strong>pass <strong>of</strong> 11 tones <strong>and</strong> is based on the fourth 5-tone<br />
scale.<br />
This song is continued until the party reaches the plaza. Everything<br />
is then done the same as in the morning, the girl singing her song<br />
alone <strong>and</strong> the boys taking up the singing <strong>and</strong> beginning to dance at<br />
the prescribed signal.<br />
At evening, when the dance is finished, the boys "go <strong>and</strong> jump in<br />
the river to bathe," thus ending the day.<br />
Another Flower dance called the Zuni Gaspirdih is danced the same<br />
as at Zuni, but the <strong>A<strong>com</strong>a</strong> make their own songs. The action <strong>of</strong> this<br />
dance is like that <strong>of</strong> the <strong>A<strong>com</strong>a</strong> Winter dance <strong>and</strong> it is danced in midwinter,<br />
in the plaza. Any number <strong>of</strong> young people, boys <strong>and</strong> girls,<br />
take part in it, the formation consisting <strong>of</strong> two men followed by two<br />
girls who, in turn, are followed by two men, <strong>and</strong> so on. One drummer<br />
<strong>and</strong> about 20 singers walk beside the dancers who move forward a<br />
distance <strong>of</strong> several hundred feet, then return, with the drummer <strong>and</strong><br />
singers beside them.<br />
SITUI DANCE SONG<br />
Similar to the raingod dance is the Situi, danced by men who belong<br />
to a certain society. This dance is imderstood only by members<br />
<strong>of</strong> this society but is a source <strong>of</strong> pleasure to the people. It may be