Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com
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16 BUREAU OF AMERICAN ETHNOLOGY tBULL. 165<br />
(Catalog No. 1900)<br />
No. 13.<br />
Ashiya song<br />
J J-. =126<br />
i^yM ^^ I<br />
'ntrr itrr rr<br />
l<br />
J= lis<br />
^^^<br />
A<br />
i^ r r ir<br />
ip### r.r^prr*<br />
§a<br />
i<br />
trrrr^ ^JT.tt<br />
i<br />
i» » pp<br />
^»dXXJ^^in 1.<br />
[2:<br />
larrMi<br />
^<br />
5<br />
-T<br />
te ^ i<br />
o:)tj tf-ffff ifrp^jf<br />
|<br />
r.:rrrr^0t#^r<br />
i<br />
^"r<br />
J: 126<br />
Jr<br />
m<br />
92<br />
rrM<br />
r ^|i! rnr ^' i^<br />
Analysis.—The two periods <strong>of</strong> this song differ in tempo, rhythm, <strong>and</strong> melodic<br />
structure. The fourth is the most prominent interval in the first period, occurring<br />
in several connections. Attention is directed to the consecutive descending<br />
fourths in the eighth <strong>and</strong> ninth measures <strong>and</strong> to the descending fourths in the<br />
succeeding measures. The second period has a <strong>com</strong>pass <strong>of</strong> only four tones <strong>and</strong><br />
the rhythm is agitated, with triplets <strong>of</strong> eighth notes. Several unimportant<br />
changes occur in repetitions <strong>of</strong> the song.
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