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Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

Music of Acoma, Isleta, Cochiti, and Zuñi Pueblos - Flutopedia.com

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Ddnsmobb] PUEBLO MUSIC 113<br />

this respect, only 74 percent in each group having a change <strong>of</strong> measure<br />

lengths.<br />

The percentage <strong>of</strong> songs containing no rhythmic unit is 50 percent<br />

in the Pueblo songs (table 11) <strong>and</strong> only 30 percent in the <strong>com</strong>bined<br />

group. The percentage <strong>of</strong> songs with one rhythmic unit is only 40<br />

percent in the Pueblo songs <strong>and</strong> 53 percent in the larger group. The<br />

tribes under analysis vary in this respect from 59 percent in the<br />

Papago to 72 percent in the Menominee, having one rhythmic unit.<br />

Two peculiarities occurring in Pueblo songs are a change in pitch<br />

level during the performance <strong>and</strong> a structure designated as a period<br />

formation. These are considered in the analysis <strong>of</strong> No. 3, with references<br />

to examples in the songs <strong>of</strong> the present series.<br />

MELODIC AND RHYTHMIC ANALYSES OF ACOMA,<br />

ISLETA, COCHITI, AND ZUNI SONGS<br />

BY SERIAL NUMBERS<br />

MELODIC ANALYSIS<br />

Table 1.— Tonality

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