Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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Source:<br />
~<br />
Literature:<br />
^DADES. (Dates about B. Ferrando) Cut A/5 offset brochure, 24 p. Caja del<br />
Ahorros del Mediterráneo (València), n.d. (1996?)<br />
Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />
of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 105 p.<br />
^Texturas, N° 6 (Monographical issue about B. Ferrando with contributions by<br />
A. Serna, J. M. → Calleja, R. de la Calle, V. Torrens, V. Infantes, L. Barber and<br />
others) A. Serna. Apt. de cor. 2201. E-01080 Vitoria-Gasteiz, 1996<br />
^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. With<br />
over 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 505 p.<br />
Ferrando, Federico c/o Coordinadore de Apoyo a la Revolucion Cubana ? 1992<br />
Cuba no al bloqueo. Exposicion Int. de Arte-Correo. Cat.: / Montevideo, 1992 <br />
Ferrer, Albert / Hac Mor, Carles. Apt. de Correus 30.133 Barcelona E-08034 Spain 1996<br />
l'avioneta (Magazine for Spanish vis. & concrete literature. Monographical issues? <br />
One sheet of 100x70 cm. folded to accorodion: (2x8x) 35x12.5 cm., offset<br />
(16 p.). 1995?-, m? ~18#)<br />
Ferro, Antonio ? Napoli Italy 1977<br />
°Post Cards. (Assembling of 10 signed postcards mounted original into a brochure of <br />
22x24 cm., 24 p. {200}. The artists: H. Tress, E-A. Vigo, R. Rehfeldt, A.<br />
Ferro, R. Peli, L. Yurkovich, G. G. Marx, H. Zabala, U. Attardi, P. Pappa.)<br />
Experimenta 1977, Napoli<br />
°Mail Art Message. (Manifesto in Italian, English and Spanish, signed by A. Ferro, <br />
U. Attardi, M. Aliverti, P. Beato, & H. Zabala. A/4, mimeogr. 8 p.)<br />
Centro experimenta, Napoli, 1977<br />
°La Post-Avangardia. Arte marginale. Cat.: A/5, offset, 64 p. / Centro Experimenta. <br />
Museo del Sannio. Benevento I, 1978<br />
Fierens, Luc Grote Nieuwedijkstraat 411 Mechelen, B-2800 Belgium 1996<br />
↑ Boterstraat 43. Hombeek, B-2930 - “ - 1984<br />
.............................................................................................................................................................<br />
^Paralell International Creative Mag. (Mag. with texts and drawings & magazine <br />
reviews. Flemish. A/4, phc. 1984-, bim., #1-5?)<br />
^# III/1, 2, 3, IV-V.<br />
^Hommage à... Cat.: A/4, phc., 44 p. 1986-87<br />
<br />
^Postfluxpostbooklet (Mag. A/6, phc. 1987-91? #1-22? )<br />
<br />
^#1, 2, 3, 9, 10, 11, 20, 22<br />
^Recycled FLUX Poems (Xeroxed brochure, A/5, 28 p.) Post Neo Publications. <br />
Melbourne. 1987<br />
^Homage to FLUXUS. Invitation card to an A/4 project. 1988<br />
<br />
^Children’s Mail Art. Inv., 1988<br />
<br />
^Youth and Mail Art. Inv., 1992<br />
<br />
^Visual Poetry. Inv. Nov. 1998 / Exh. at the Galerij C. de Vos, Aalst, Belgium:<br />
17 Feb – 24 March, 2002. (307 parts. From 40 countries)<br />
Cat: 21x21 cm., phc., 40 p. Text by Klaus Peter Dencker (English).<br />
~<br />
Literature:<br />
<br />
«...my poetry has the same viewpoint as my Art, I live in a „world“ and I feel the<br />
chaos and the fragments of life and death and the feelings of joy and passion...<br />
(L. Fierens: Statement. In: Sarah → Jackson: Books Build Bridges / Copier Art –<br />
Bookworks. Cat.: TU ° NS. / National Postal Museum Halifax, 1986. 7. item)<br />
^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. With<br />
over 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 521 p.