Géza Perneczky - Ruud Janssen

Fluxboxes were multimedia presentations that were filled with a number of
variously formated two-and-three-dimensional works. (...)
Cardella was involved, tangentially, with a couple of members of Fluxus. In
the early 1970s, as a young and experimental artis living and working in New York
City, he became associated with a newly opened pereformance space called „The
Kitchen“, and there he met and worked with Alison Knowles and Yohimasa Wada,
two very active members of Fluxus. For Cardella it was a vibrant and seminal
experience.
Coming from a major art center to a relatively small town, Cardella moved to
Santa Barbara in 1978. Feeling completely isolated and out of touch with experimental
art, or any that matter, he wrote a statement that became the first issue of
ART/LIFE, mailed it to friends and acquaintances, and received sufficient responses
to encourage him to continue.
The format of the magazine is 8½ by 11 inches, which has been invariable
from the beginning. There is a three-color requirement, meaning that a submission
cannot be merely a straight or unaltered photocopy.The artist must hand-color or
attach something to the page to qualify it as being hand-made. Now the number of
the editions is two-hundred, which means that the artist must produce his or her
page as consistently as possible two-hundred-times. The editor encourages creativity,
and because the subheading of the title is „Communication for the Creative
Mind,“ Cardella likes to see artists responding to things they have seen in previous
issues or to events in the secular world. Cardella attemps to exploit this dialogue
establishing relationship between pages that are similar in content, composition
and / or color. There is never an announced theme. For example, in the fall of 1991
several artists did pages relating to Christo's Umbrellas project, and in the spring of
1992 a number of artists did personal responses to the Los Angeles riots...»
(Thomas L. Larson (1994): A Perspective of the ART/LIFE Continuum. In: Stephen
→ Perkins: Assembling Magazines. Internationale Networking Collaborations.
Cat.: Half-legal, phc., 64 p. Subspace, Iowa City. 1996 / Print: 1997. 9-12 p.)
Cardinas, Th. / Müller, R. / Schweizer, A. Genève Switzerland 1982
Gratz (Spiral bound graphzine {50}, A/4. 1982? #1)
Carioca ? San Francisco, CA USA 1198
°Ideas on Wheels. (Commonpress #6) Digest, 24 p., phc., 20 participants.
San Francisco, August 1978
Carl, Eugene / Reese, Marshall, 8703 Colbath Av. Panorama City, CA-91402, USA 1976
& 11805 Stonewood Lane Rockville, Maryland 20852 - “ - 1976
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E magazine (Mag. for exp. & sound poetry, «scores», and visuals from int. authors.
Letter and cut digest sizes, offset, 1976-, ir.)
Carrión, Ulises (Apartment / Archive) Ten Katestr. 53. Amsterdam Netherlands 1976
Other Books and So Archive. Bloemgracht 121. Amsterdam, KK, NL-1016, - “ - 1980
↑ Other Books and So (Bookshop) Herengracht 259. Amsterdam - “ - 1974
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Launching the In-Out Gallery and In-Out Productions (publications). 197?
Some titles:
→ Marroquin: First help in communication. 16.5x21 cm., mimeogr.
28 p. {100}. 1973
→ Marroquin R. / Tchong, Young: Mental drawings of Equipo Movimiento.
10x10.5 cm., mimeogr. 20 p. {100}. 1973
→ Rook, G. de.: Life. 10.5x7.5 cm., phc. 12 p. 1973
→ Gibbs: Extinction. 15x10.5. cm., phc., 28 p. {25}. 1974
°Sonnet(s). (Xeroxed book, 90 p.) In-Out Prod. Amsterdam, 1972
°Amor, la palabra. (Mimeogr. + rubber stamps, 26 p.) In-Out Prod. A'dam, 1973 ®