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Géza Perneczky - Ruud Janssen

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^Bolo'Bolo Mail Art Exh. (Bolos were largely self-reliant communities of 300-500<br />

people working on an imaginative plan of the substruction of the „Planetary<br />

Work Machine“ and the emergence of social order based on the<br />

autonomous authority of bolos.) Inv.: Letter size leaflet r/v. 1987<br />

~<br />

Literature:<br />

«This first issue of Panic serves as the catalogue for an international mail art show<br />

held in Chicago last year to celebrate Haymarket Centennial Week. A mash of<br />

articles, writings, images and anarchy.» (Stephen → Perkins: Magazines. In: Box<br />

of Water, N° 3, 1987)<br />

«A. Y. O.» P. O. Box 44123. W. Sommerville, MA-02144, USA 1985<br />

Bag of Wire Expose (BOWE) (Curious and disconcerting mixes of collages, writings, <br />

found pieces and quasi-informational text/image combinations.<br />

Half-legal, phc., 40 p. 1985?-, qu.)<br />

~<br />

Literature:<br />

«We've never actually been in contact with these xeroxers but have found a copy in<br />

a funky store in NY and been given a copy at a bookfair in MN. Says they come out<br />

quarterly, the graphics are imaginative and strange, the writing less so. Belongs on<br />

the shelf next to your old copies of PhotoStatic and Box of Water. (Mega Zines. In:<br />

Anti-Isolation [→ Xexoxial], #3-4, 1987. 10 p.)<br />

Ayah Okwabi Box 6055 Accra-North / Accra Ghana (Africa) 1985<br />

^Africa Arise. (with → Hamann, Volker, Berlin) Cat.: A/5, phc., 12 p. Edited in <br />

Berlin, 1988. Project in Ghana / Germany, 1987<br />

Baake, Rolf-Peter Postfach 301642 Berlin, D-1000 Germany 1981<br />

Gepein (Magazine in A/3 tabloid size with concrete poetry and concept art. Phc., <br />

collages, + orig. drawings, offset, ~80 p. 1981?-, #1-7)<br />

~<br />

Literature: Instant Media, #16 (→ Kretschmer)<br />

Baccelli, Vittore Archivo Storico. Via S. Giorgio 33 / C. P. 132. Lucca, I-55100 Italy 1996<br />

↑ Piazza S. Giusto 10 Lucca, I-55100 - “ - 1992<br />

.............................................................................................................................................................<br />

Fuck (Assembling for prints, stamps, Mail Art, poetry {200}. Folio and A/4 sizes, <br />

~15 sheets. 1978?-, over 20#)<br />

^Vittorio Baccelli Magazine (A/4 assembling {100}, folded to A/5, 1980-81, ir.) <br />

^#?<br />

^Vittori Baccelli in vitro (with V. → Baroni), 13 xeroxed & collaged A/4 leaves <br />

in plastic cover {20}, Forte dei Marmi, 1980<br />

^Mail Art & Sport. Cat.: A/4, phc., 14 leaves / Piscina & Bibl. in Capannori, 1996 <br />

<br />

Badao, Dao<br />

(Connection to → Rastorfer, J-M, or an Editionhouse only?)<br />

Case 54, Bergières Lausanne, CH-1000 Switzerland 1989<br />

^Send Postage Stamps for Karenni. Inv. 1989. (Curious para-philatelic movement <br />

about the “young state Karenni“. The result was pubished by→ Léopold,<br />

Pierre (?): Timbres pour le Karenni and Karenni: des artistes et des<br />

timbres, Ed. Dao Badao, Lausanne, 1990<br />

^Mail Art Projects / Mail Art Events. Invs. for data and documentations. 1994 / 1997 <br />

Backstain, Joseph Modern Art Institut. Bersenjevskaya Naverejnaya 20. Moscow, 109072, Russia 1996<br />

!Bag Lady, The! 108831 Sumac Lane Minnetonka, MN-55343 USA 1991<br />

^The Empty Envelope.Doc. / Empty Envelope Press. 233 East Wacker Drive. <br />

#3011. Chicago, IL-60601, USA. 1991<br />

^Small Books Documentation. Cat.: Digest, phc., 16 p. /School of the Art Inst. of

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