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Géza Perneczky - Ruud Janssen

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~<br />

Literature:<br />

Sitting Dog & Co.: Manifesto Pamphlet. (With diagrams on biotechnic<br />

power production) Mimeogr.<br />

(Schmuck, #5 – „general“ anthological issue...) News and Reviews. In: Kontexts,<br />

#6-7 (→ Gibbs). Amsterdam, 1975. n. p.<br />

(Teutonic Schmuck / French Schmuck / Japanese Schmuck) News and Reviews.<br />

In: Kontexts, #9-10 (→ Gibbs). Amsterdam, 1977. n. p.<br />

Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />

of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 36, 60 p.<br />

McCharty, John 1459 W. Cortez St. Chicago, IL-60622 USA 1989<br />

↑ 304 S. Summit, #102 Iowa City. IA-52240 - “ - 1987<br />

.............................................................................................................................................................<br />

^Nada (A one-man mag. on «dada», thematic issues. Letter, phc., ~40 p. 1987-, squ.) <br />

~<br />

Literature:<br />

^#1/5, 7, 10; 2/1, 2, 7, 9; 3/1, 2, 3, 6,<br />

(Nada, #2): «The title has to do with the idea that our culture is not in any way<br />

immune to the things going on in other countries, and the theme only manages to be<br />

struck in glancing blows. All the work in here is by the editor. Certainly John is a<br />

inheritor of dada, in that his works free-associate from line drawings in owner's<br />

manuals, something like the debris of Schwitters' Merz in booklet form.»<br />

(Lloyd → Dunn: Mail Review. In: PhotoStatic. N° 29, March 1988, 994 p.)<br />

McCarthy, Paul P. O. Box 2022. Boulder, CO-80306 USA 1988<br />

↑ P. O. Box 41487. Los Angeles, CA-90041 - “ - 1976<br />

.............................................................................................................................................................<br />

Criss Cross (with R. Kallweit, C. Pichert, F. Worden, C. Dijulio) (Anthological re- <br />

view for exp. art, actionism, performance and exp. literature. Tabloid<br />

of 40x29 cm. with newsprint, or 20x22 cm., horz. offset size, also in<br />

colours. ~60 p. 1976-, qu.)<br />

McConnel, White Modern Myths Prod. 55353 Bryabt St. Oakland, CA-94618 USA 1978<br />

Stop Looking (A Mail Art mag. also assembling issues. Letter, offset. 1978-, bim.) <br />

McInnis, Mic P. O. Box 278, Cambridge, MA-02141 USA 1987<br />

Nightmares of Reason (Collections of prose, poetry and xerox-type collage graphics. <br />

Offset, var. size, ~40 p. 1987-, sm.) Assosiated with The Primal Plunge,<br />

bookstore of small press works, 107 Brighton Ave. Allston, MA-02134.<br />

McKinnon, Patrick & Andrea / Backen, Bud. 1619 Jefferson, Duluth, MN-55812 USA 1992<br />

↑ Suburban Wilderness Press, 430 S. 21st Ave. Duluth, MN-55812 - “ - 1985<br />

.............................................................................................................................................................<br />

^Poetry Motel (Mag. with entertaining collection of poetry, prose and xerographics.<br />

Half-legal, phc., ~40 p. 1985-, squ. /«is born every 260 days», ~ 20#<br />

^#10 (1987), #18 (1992)<br />

~<br />

Literature:<br />

<br />

«Duluth's snowdrifts & subzero weather haven't kept Patrick McKinnon (& Co.)<br />

from getting this publication or his own fast funny satire out into the small mag/mail<br />

art/networking world. There's a lot to read here, typed, cut & pasted over various<br />

painted/xeroxed beackgrounds. I might have called this experimental writing back<br />

in the 60s or early 70s. One of the longer pieces in issue 9 is a eulogy for Lyn<br />

Lifshin & Charles Bukowski (!), & those who like Bukowski will probably go for<br />

much of the writing in this magazine.»<br />

(Mega Zines. In: Anti-Isolation [→ Xexoxial], #3-4, 1987. 14 p.)

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