Géza Perneczky - Ruud Janssen

Visualés. Cat.: 18.5x20 cm., offset, accordion (3x). Text by Philadelpho
Menenes. Exh.: Museu de Arte Contemporanea de America (MACA)
Sâo Paulo. Apr 19 - May 26, 1988.
^I. International. Exhibition of Visual Poetry of São Paulo. Cat.: 27.5x16 cm., offset,
174 p. / Centro Cultural São Paulo. 1988
^Int. Exhibition of Visual Poetics = Mostra Int. de Poéticas Visuals. Doc. (accordion,
18.5x20 cm. 3 parts) / Museu de Arte Cont. de Americana. São Paulo,
CEP BR-18470 S.P. 1991
«Mercer Gallery» / Monroe Community College. 1000 E. Henrietta Rd. Rochester, NY-14623-5780. USA. 1988
^First International Mail Art Exh. 1988. Invitation leaflet. The exhibition has been
repeated in the following years (1988-1996, too. Letter size photocopied
catalogues done. The most important event in this exhibition series:
^Montage ’93 – Festival of the Images (not only collages – with electro- and computer
graphic, etc.). In co-operation with the Visual Study Workshop, Rochester.
Inv.-card, 1993
Mercer, Trudy emPo Publications, 602, 15th Ave., E. Seattle, WA-98112 USA 1986
^Red Line Magazine (Mag. Diverse sizes, phc., 32-40 p.1986-88, ~ 9#) «...mostly
poetry/prose, with a smattering of graphics/word play and a leaning
towards visual poetry experimentations.» (Box of Water, #4 → Perkins)
^#7, 16
~
Literature:
«Hopefully there are some back issues in stock somewhere, because this fine
experimental mag is just a 9-issue project, & #8 is just about out. A carefully
selected number of mostly concrete & experimentale poems are presented in a
different format each issue. A majority of contributors are in more than one of the
past issues, a point which is no complaint. Each publication in this nebulous network
seems to draw a particular wavering circle of artists within it. The issue before
me (#7) is 4½ wide by 17“ long! w/some shorter size pgs inside. Editor Thrudy
Mercer has selected more of her own pieces for #7 than anyone else's, & tho this
might not be very democratic, it does make for an exciting & strong publication.»
(Mega Zines. In: Anti-Isolation [→ Xexoxial], #3-4, 1987. 14 p.)
!Merlin! (Ivan Jelincic) Müggenkampstr. 1, Hamburg, D-20257 Germany 1998
↑ Klenovacak 23, Zagreb, YU-41090 Yugoslavia 1985
.............................................................................................................................................................
^Elbart 98 – the Harbor of Hamburg – Mail Art Show (with H. → Baumüller) Inv.
!Merz Mail! Pere Sousa. Apdo 9326 Barcelona, E-08080 Spain 1994
^P. O. Box. (Mag. for Mail Art, visual poetry and relative matter, A/5, phc., ~40 p.
1989? – 1999, qu. #1-36) Merz Mail, Barcelona
^#35, 36
^Homage a K. Schwitters. A/4, offset, 72 p. (Spain / Engl.) l'Ass. de Performers,
Artistas i Poetes. Apdo 9554, Barcelona. Sept. 30 - Oct. 27, '94
^La tarjeta postal en el Mail Art. Cat.: A/5, offset, 8 p. c/Rec, 22, Barcelona.
September 26 - October 13, 1995
^A cargo de Alberto Biote. Cat.: / Gal. 23 Y 12, Calle 23, N° 518 e. Habana, 1995
Texts: P. J. Gutiérrez: La democracia absoluta
A. A. Biote: Así ocurrió
C. Padín: El network en Latino-america
E-A. Vigo: Mi manera de «armar» a Damaso Ogaz
^Radio Pica, 96.5 FM – send audio-tapes about Mail Art! Inv.-flyer, 1996
^Own Copy Mail – project on artistic appropiation in Mail Art. Inv.-letter, 1998
Mesciulam, Plinio !Mohammed! Corso Montegrappa 23/13. Genova, I-16137 Italy 1975
Centro de Comunicazione Ristreta, 1975-81 (Further it in the literature below)