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Géza Perneczky - Ruud Janssen

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^100 anni della biennale Venezia /100 anni della mail art / (with Giovanni → Strada <br />

& Alfio Fiorentino) Cat.: A/4, phc., 14 leaves. Exh.: Mestre-Venezia,<br />

June 1995<br />

Artistamps: A very large activity by photocopied artists' postage stamps in sheets <br />

or as blocks (mostly 4 images), never perforated, but often with<br />

the drawn frame pattern of a perforation. Some publications:<br />

^Elefant Art (Sheet of id. 4 stamp images, phc., not perforated) n.d.<br />

^In memory of Cavellini (Sheet of 42 stamps, colour phc. green/red/<br />

black, on white paper, not perforated) n.d. (1990)<br />

^Networker Congress 92 Ponte Nossa (Sheet of 20 stamps, phc., not<br />

perforated) artestudio. n.d. (1992)<br />

^Festa per Shozo (Sheet of 6 id. stamps, b/w phc., not peforated) 1993<br />

~<br />

Literature:<br />

Moreels, Peter→ !Aukoun, Pjotr Dr.!<br />

Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />

of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 117-118 p.<br />

^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. With<br />

over 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 377 p.<br />

Morelle, Jean-Paul Cas. Post. 74, Sommacampagna (VR), I-37066, Italy 1986<br />

^Series of A/5 booklets with collages, drawings and visual & concrete poetry, pub- <br />

lished in offset about 1975. There exist photocopied facsimile editions<br />

of these publications special for Mail Art network using date from 1985.<br />

These booklets are not entitled but numbered: from N°1 till N°10.<br />

A/5, phc., 8-10 leaves, 20 copies.<br />

^Phc. series: #2, 3, 4, 5, 6, 7, 8, 9<br />

^Les fruits de Congo. „Cahier n. 7“ A/5, offset, 12 p. Text: Emilio Villa Exh.: at the <br />

Centro Lavore Arte, Sep 26 - Oct 9, 1985. Milano<br />

^Alto. Contemporary Art Review (Stitched assembling in A/5 size, ~20 leaves {70}, <br />

Jan 1986-, qu.)<br />

^#0, 1, 2, 3<br />

^Alto N° 1. Exhibition (mostra no. 7) at the „festivi e lunedi mattina chiuso“, Verona <br />

Doc.: A/4 sheet, photocopied. 1986.<br />

^Polaroid art-core. N°1. (with Ubaldo → Giacometti) Cat.: A/5, phc., 14 leaves, <br />

Exh.: at Nicoletta Franco, Proposte d'Arte, Verona. 1986<br />

Moretti, Alberto / → Nannucci, Mauricio, Via della Vigna Nouova 17. Firenze Italy 1973<br />

Schema Informazione (Concept art, vis. poetry, body art, performances, intermedia. <br />

A/4, offset, 52 p. 1973-, ir.) Galleria Schema, Firenze<br />

#1: D. Graham, D. Huebler, C. Parmiggiani & others<br />

#2: «Retorurned to Sender», V. Acconci, J. Furnival, L. Levin, etc.<br />

#3: «Politic Art», E. Tatafiore, G. maciunas, J. Kosuthh c others<br />

Morillo, Robert ? Gray, F France 1987<br />

^J' t' embrasse, moi aussi. (A/4 assembling for Mail Art matter in portfolio, 50 copies, <br />

ca. 30 sheets. 1987-, #1 only?)<br />

^#1<br />

Morozov, E. 18 / 20 - 57, Ul. Rusakovskaya Moscow, RU-10714 Russia 1996<br />

Morse, Yves / Roberts, Patti 2700 N. Tamiami Trail Sarasota, FL-34234 USA 1989<br />

↑ P. O. Draver A-G. Sarasota, FL-34230 - “ - 1987<br />

.............................................................................................................................................................<br />

^Reproductions (Assembling for photocopy art in bag and in bound brochure form,

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