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Géza Perneczky - Ruud Janssen

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Geldes. Cat.: One sheet of A/3 horz., r/v, folded to two, phc. 239<br />

parts. Text by Tony Lowes: Der universelle Hunger Aufruf. 1998<br />

^Visuelle Erotik. (The old project from 1981 in an exhibition?) Inv., 1998<br />

<br />

Goubert, Filip Pamelstraat 49 / 5. Liedekerke, B-1770 Belgium 1991<br />

^Doewa Art (Assembling in cover, A/5, ~20 leaves. 1991-, 2xy.)<br />

<br />

^#1, 2<br />

^Brussels sprouts-free. Inv., ~1992<br />

<br />

Goulart, Claudio Zwanenburgwal 90 Sous. Amsterdam JH, NL-1011 Netherlands 1986<br />

^Between you and me. ~A/5 school exercise book with rubber stamps {40}, 18 p., ® <br />

Amsterdam. 1981<br />

°A stamp is. 14x16.5 cm., rubber stamps, 36 p. {12}. Amsterdam, 1981 ® <br />

~<br />

Literature:<br />

Hanny Keulers: „The Opening“, an event by Claudio Goulart at Bedaux.<br />

(In: Artzien [→Gibbs], Amsterdam. Vol. 3, N°1, January 1981. 24 p.)<br />

Gould, Dennis c/o Freedom Bookshop, In Angel Allee. 84b Whitechapel High St. London, Ei 7QX, UK. 1982<br />

^Riffraffpoets (Poetical anarchist mag. A/5, offset & litho. 1982-, #1-4)<br />

<br />

^# 3<br />

~<br />

Literature: Géza <strong>Perneczky</strong>: With Love and Sabotage (About Neoism and Radicalism in the<br />

Mail Art) In: The Magazine Network. The trends of alternative art in the light of<br />

their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 152-175 p.<br />

Goyowczyk, Hubertus (also Gojowczyk) Windmühlenstr 41. Krefeld-Bochum, D-4150 Germany 1988<br />

^Worte ohne Bücher und Bücher ohne Worte. Cat.: 26x21 cm., offset, 72 p.<br />

<br />

/ Herzog August Library, Wolfenbüttel. May-June 1980<br />

Greenberger, David P. O Box 1230 Saratoga Springs, NY-12866, USA 1979<br />

^The Duplex Planet (Mag. Digest, offset, ~12 p. 1979- m., over #120)<br />

<br />

^# 83, 91, 92<br />

~<br />

Literature: «(The Duplex Planet) issues document the views and meanderings of the residents<br />

of a nursing home in Jamaica Plan, Massachusetts. The editor selects a generale<br />

theme to discuss, e.g. „aversion“ in #13, and the dialog rolls on from there. It's<br />

homey and heartwarming, but also, not a little strange....»<br />

(Lightworks [→ Burch], Art Alternatives in Print, N° 13, Fall 1980, 51 p.)<br />

^Catherine Susan: Overheard at America's Lunch Counters, #7. (Quotes from The<br />

Duplex Planet illustrated by drawings.) 14x11 cm., offset, 64 p. Cherry Stone Press,<br />

Seattle (4715 16th NE, WA-98105). 1987<br />

Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />

of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 14 p.<br />

Gribling, Frank c/o Kunsthistorisch Instituut te Amsterdam Netherland 1973<br />

^Mail Art. Cat. A/4, mimeogr. 16 p. Texts: Dutch. One of the first Mail Art <br />

exhibition with this name at all. Materials from C. Blok, A. Peetersen,<br />

H. v. Eelen, E. Wolf, Art & Project te Amsterdam, Galerie J. Weingarten.<br />

The exhibited artists were students of the university as well as<br />

known conceptual and Fluxus artists: Jan Dibbets, Gilbert & George,<br />

On Kawara, the editors of the magazine K.W.Y. (Lourdes Castro, Christo,<br />

Jan Voss, etc.), Nam Jun Paik, Ben Vautier, etc. Amsterdam. Oct., 1973<br />

Groh, Klaus P. O. Box 1206 Edewecht, D-26182 Germany 1995<br />

↑ (I.A.C.) Roter Steinweg 14. Edewecht-Friedrichsfehn, D-2905 1979

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