Géza Perneczky - Ruud Janssen

Fatima Bercht & Josely Carvalho: Solidarity Art by Mail.
Artists' Books: Japan. Cat.: Exh. from March 15 - April 20, Franklin Furnace, 1985
Lettrism and Hypergraphics. The Unknow Avant-Garde 1945-1985. (Ed.: Jean-Paul
Curtay) Exhibition and Cat.: with chronology, exhibition checklist and
critical essay by Curtay from Fanklin Furnace. November 1985
~
Literature: Russian Samizdat Art: 1960-1982. In: Umbrella (→ Hoffberg), Vol. 5, #2, 25-26 p.
and in: Flue, Vol. 2, #2, Spring 1982
«Franklin Furnace, the largest public collection of material published by artists, has
as its house couple issues the publication has taken on a commercial and magazine
format. Plans are to have it avaible on a retail basis. Issues are thematic...» (Lightworks
[→ Burch]. These Things Too [Print review]. N° 16, Winter 1983-84. 55 p.)
(The Mail Art Then and Now exh. in the Franklin Furnace coused a very polemical
discussion in the camp of the participants. More about the Franklin Furnace Mail
Art Pannel in New York:)
→ Spiegelman, Lon / Umbrella, «special exlcusive mailart edition» (with the
article Review of Postal Art Panel by Faith Heisler and the open letters by
Carlo → Pittore, Lon → Spiegelman, Chuck → Welch, J. P. → Jacob, Ken
→ Friedman, R. → Saunders, Joachim → Frank, and others. In: Umbrella
(retracted issue), Vol. 7, N° 2. 1984
→ Wamaling, Mark / Entartete Kunst, in: Newark Press, Letter, phc., 8 p. 1984
→ Welch, Chuck : Corresponding Worlds: Debate and Dialogue. (See the paragraph:
The Franklin Furnace Mail Art Fiasco) In: Chuck Welch (ed.):
Eternal Network. A Mail Art Anthology. University of Calgary Press, 1995.
187-197 p.
Edward Gomez: Artists' Books: Japan. In: Umbrella (→ Hoffberg). Vol. 8, #1.
1-3 p. 1985
«Lettrism and Hypergraphics... After 35 years of semiobscurity in Europe, lettrism
has been rediscovered and assessed and seems to be today as a sort of Super-Futurism.
Included are the first „metagraphic“ artists' books from 1950, photographs
from 1953, a reconstruction of what is probably the first video installation, phonetic
poems by Isou and his followers from 1845 on, and the near complete work of the
first artists who worked on magnetic tape, François Dufrene, as well as more recent
and contemporary works by artists from France, Italy and Germany...
(In: Umbrella [→ Hoffberg]. Vol. 9, #1. 5 p. 1986)
Franzen, Piet / SIDAC CBK Leiden + Sidac Studio, Hoge Woerd 77, Leiden Neatherlandes 1999
↑ Harmenjansweg 9 Haarlem, NL-2011 / P. O. Box 311, Haarlem, NL-2000, 1978
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^Sema-cahier (Correspondence like paper-works in envelopes, sent out as a little mag.
{each issue in 6 copies, altogether 350-500?}. Mostly A/4 paperworks
in envelope of 22x15.5 cm. mixed techn. 1978-84, ir.?, publications not
numbered, about 80 issues?)
^ 7 div. Issues
^Circular, Mail Art project. Inv., 1981
^Clay Stamp. Inv. completed with a bag to retour..., 1981
art-works / art & archives. Ongoing project for the foundation of an Mail Art etc.
archive in the Stadsbibliotheek, Haarlem. 1982-83.
^1. Mai, 1983. Cat. published in 1986 only!: 17x24 p., offset, 96 p. with a very rich
image material and the texts: Ulises → Carrión: Mail Art and the Big
Monster; Paul Hefting: Mail Art. The exhibition was held at the Postal &
Telecommmunication Service. Den Haag, 1983.
^Brood / Bread and Dinner. Catalogue in the form of a A/3 poster, offset print, RV.