Géza Perneczky - Ruud Janssen

content], and the costs, among other things. But the service also provides mail
artists a model for imitation. The creation of specific postal systems is an obvious
imitation of the larger system; OR Post is an example...» In: Rubber ( → Stempelplaats),
1979/7, July
Géza Perneczky: The Magazine Network. The trends of alternative art in the light
of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 76 p.
«The OR Post is a special part of my life. It is still going on. I cut my last stamp
sometime in 1994, but have plans for cutting some more someday soon. The stamps
are carved from vinyl technical erasers. My favORite has been Mars Stadtler Grand
erasers, but lately they have been embossing some kind of logo onto the plastic...»
(From an Internet-publication, 1998)
Breuer, Theo Neustraße 2, Sistig / Eifel, D-53925 Germany 1996
YE! (Assembling with thematic issues, A/4 {~100}. 1993-, ~ 2xy.)
Faltblatt (Contact mag. 1994-, )
^School: Faces, Views, Insights. Inv., 1996
Brewton, Johnny / Shargel, Delia. Pneumatic Press. P.O. Box 170011, San Francisco, CA-94117, USA 1994
^X-Ray (Assembling like network zine for graphic and literature {200+26}. Half-
legal size with ca. 40 leaves. Also found objects. 1994-, qu.)
^#5
Brian, Gentry USA 1988
Smile «History is the index» (Smile mutant, 1988)
Briers, David 15 Park Mansions, Prince of Wales Drive, London, SW11 United Kingd. 1970
^Pages (Mag. with fluxus, concept art, performance, exp. music, etc, contributions
and info matter also from Eastern Europe and Latinamerica. A/4, offset,
~36 p. 1970-72, y., #1-3)
^#1, 2, 3
^Typewritten contact and address list (!) as addendum to Pages #3, 1972.
Chapter Art (Review on printed matters, A/4. 1981-, m.) Cardiff.
~
Literature: «Chapter Art... This peroiodical is a seed from the seminally important Pages, an
early '70s art periodical with perfect pitch. Both edited by David Briers. However,
Chapter Art acts primarily as house organ for an art center of the same name. It
offers clear, lucid criticism on the Wales art community as well as a smattering of
reviews and tidbits from the U.S. and European arenas. If it's goal is to „fill a gap“
in presenting alternatives outside of traditional media coverage, then Chapter Art is
succeeding.» (Lightworks [→ Burch], Art Alternatives in Print. N° 14-15, Winter
1981-82. 60 p.)
Géza Perneczky: The Magazine Network. The trends of alternative art in the light
of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 60 p.
Brög, Hans / Grünfeld, Thomas / Sturm, Hermann. Bensbergerstr. 232. Bergisch-Gladbach, Germany 1978
^Positiv-Negativ. (Commonpress #8) 43x30.5 cm., folded to 43x15,2 cm., phc.,
11 loose sheets RV, 24 participants. Black Box Werkstattgalerie,
Bergisch-Gladbach, D-5060. November 1978
Broi, Gianni (Free Dog) C. P. 684. Firenze, I-50123 Italy 1991
^La Posta in Gioco. Cat.: + Anth., 23.5x21 cm., offset (also colour), 138 p. (A
phantastic rich and interesting publication but all texts Italian only!)
/ Uffizi, Sala ex-Reali Poste, Firenze. November 15-28, 1990
Statements by P. Sevcik, C. Belloli, D. Daligand, A. Leagne, L. Bellini,