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Géza Perneczky - Ruud Janssen

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PhotoStatic. N° 22, Febr. 1987, 706 p.)<br />

(Imbezill, #3): «This is the final issue of this small format booklet created from<br />

recycled images and plagiarised material plus 3 pgs. of magazine reviews. „More<br />

then ever the COPY is an unique ORIGINAL, sine recyclating, the process of<br />

creation are destroyed and randomly planned aesthetic typologies appear anyhow<br />

LOGICAL.“...» (Stephen → Perkins: Magazines. In: Box of Water, N° 4, 1988)<br />

Alessandro Aiello: Re-Cyclation Manifiesto. In: El Djarida (Burial issue 7).<br />

Ed.: Guttorm → Nordø. Tabloid, newsprint, 24 p. (n.p.) Trondheim N, 1988.<br />

!Ajax! c/o Bondage. 17 rue de Montreuil, Paris, F-75011 France 1986<br />

^Derisoire (French graphzine of a late generation / with works by Pissier, Ossang, <br />

Tillier, Ajax, Galdo, Marker, F. kervizic, etc. and the publication of the<br />

Manifeste Reseau 666. by → Tillier. A/4, phc., 24-28 p. 1986?-, ir.)<br />

^#1, 2<br />

Ajtony, Árpád / Happ, Béla (as initiators) Budapest Hungary 1971<br />

Expresszió Self-manipulated dissolved/spreading magazine (In A/4 size, Hungarian<br />

underground publ. with free variable contains, typewritten pages, each<br />

copy has been changed its content spontanous like a new mutation.<br />

An amalgam of samizdat literature in the communismus and early mail<br />

art phenomena. The magazine exists in a few copies, same of them in<br />

the Art Pool Archive, Budapest → Galántai) Budapest, 1971-72.<br />

Akita, Masami Merzbow. 7-32-14-105 Takinogawa, Kita-ku. Tokyo, 114, Japan 1992<br />

<br />

Alatalo, Sally c/o Sara Ranchouse Publishing, P. O. Box 476787. Chicago, IL-60647. USA 1984<br />

Warriors hate clowns and When you fall. Two books of 19x14 cm., offset (also <br />

colour) + screenprinted cover, 16 p. Visual and photographical matter.<br />

Chicago, 1984 / 1985<br />

The tempestous romance. 14x10 cm., colour offset, 28 p. Photographic and text <br />

matter. Chicago, 1985<br />

^Du Da (The periodical variously known as chicagodada [#1 only] Do Da, Doo Da, <br />

Do Dah, DuDa and DUZ. Object-mag. with booklets and «found object»<br />

supplements in very various form. The issues: 1984-89 Vol. 1-4: quarterly<br />

– altogether 16# / 1989-90 Vol. 5: #1-3 / 1990 Vol. 6: #1-2 / from<br />

1991 with the title DUZ, yearly only.) Chicago<br />

^# Vol.1 / 3,4; Vol.2 / 3,4; Vol.3 /1,2,3,4; Vol.4 /1,2,3,4; Vol.5 /1,2,3;<br />

Vol.6 /1<br />

^Collusion (Magazine by offset / phc. / electronic print like bound A/4 assembling <br />

with booklet supplements or postcard-collections in cover of 14x20<br />

cm.; ~34 p. or ~13 postcards. 1987-89, y.) Print: The School of the Art<br />

Institute, Chicago<br />

^#1, 2, 3<br />

Launching the Sara Ranchouse editionhouse for publication of DUZ magazine and <br />

var. bookworks with experimental literature and graphic/text collage<br />

works in a «Pulp Fiction Series» (authors: Sally Alatalo, Toby Greenberg,<br />

Doug Huston, Matthew Konicek, Karen Reimer, Kevin Riordan,<br />

Anne Wilson, etc.) Sara Ranchouse Publishing. (S. R. P.) Box 476787.<br />

Chicago, IL-60647, 1992<br />

Big stand-up emperor doll. (with Matthew Konicek) 33x14 cm., colour offset, 8 p. <br />

Illustration and text, printed on transparent acetate pages. S. R. P.<br />

Chicago, 1992<br />

Imperfect sutures. (with Anne Wilson) 22x15 cm., black and red offset, 16 p. + un- <br />

bound title sheet inserted in back cover. S. R. P. Chicago, 1995

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