Géza Perneczky - Ruud Janssen

Artistamps:
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Literature:
Sacred Run Net Run (Sheet of 12 id. stamps, phc. on white) R.A.T. 1990
«The industrial world is presently on the verge of a widespread development of
the telematique. It is quite unlikely that ever completely eliminate the paper support;
the paper support will simply find itself in a constant and instananeous dialogue
with the electronic medium, which will otherwise dispose of its own support (tapes).
rather, it is the combination of paper support and electronics systems which will
prevail in the world of tomorrow, and, as a consequence, its specific sensitivy.»
(Ch. François: Statement. In: Sarah → Jackson: Books Build Bridges / Copier Art –
Bookworks. Cat.: TU ° NS. / National Postal Museum Halifax, 1986. 8. item)
Géza Perneczky: The Magazine Network. The trends of alternative art in the light
of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 94-95 p.
Charles François: Networking, Technology, Identity. In: Chuck → Welch (ed.):
Eternal Network. A Mail Art Anthology. University of Calgary Press, 1995.
117-123 p.
Frangione, Nicola Via Ortigara 17 B Monza I-20052 Italy 1987
↑ Giulianova (TE) / Padua - “ - 1981
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°Osservationi critiche sula funcione del nervo ottico nella semiotica dell'arte.
(A/5, phc., offset, 110 p.) {1200}Armadio e Officina. Monza,1977
°The Relativity of Language as the Enigma of Art. (A/5, offset, rubbers, perforations
90 p.) Armadio Officina. Monza, 1979
°Arte marginale e socialita. Cat.: on a poster of 80x59 cm., with doc. & a list of
~170 parts. / Armadio Officina, Monza, 1980
°Snapshot. (Magazine on Mail Art basis, ~60 parts. 17.3x12.5 cm., phc. {100}
1980?-, #1-2?) Armadio Officina. Monza I, 1980
°Zen and Art (Commonpress #26) A/5, offset, 88 p., 83 participants. {100} Editions
Armadio Officina. Monza, February 1980
^House of Artist. Doc. One sheet of 60x84 cm., offset. 1981 Inv.,
^Mail Music. Repeated invitations for cassette submissions, leatest 5 actions, ~1980-83
Participants get a L.P.33 at the end of every action as “catalouge”
Mail Music (Compilation on a L. P. record, 1000 numbered copies, 1982-83)
^Poesie Visive... etc. (A/4, phc., 11 p. in offset cover {300})
Armadio Officina N° 5. (S. P.) 1982
^Audio Art (with → Fontana) Cat.: A/5, offset, 16 p. + poster / Teatro della Villa
Reale, Monza. 1984
^Children and Art. Inv., 1994
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Source:
«The Mail Music project is of sound materials received and then compiled in a
L.P. record. The pieces received are metarial such as: cassettes, sound bobbins,
sound films, etc. They space in different fields, from the sound and phonic poetry to
electronic music, concrete music. The compilation has character of episode unique
since the pieces follow one another superimposing for a few seconds. (...) This is
one of the most important projects of the sound „Mail Art“ and the first realization
as a record...» (Editor's Statement / 1982-83. In: Stephen → Perkins: Assembling
Magazines. Internationale Networking Collaborations. Cat.: Half-legal, phc., 64 p.
Subspace, Iowa City. 1996 / Print: 1997. 44 p.)
Frank, Joachim, Workspace Loft. Inc. 287 S. Manning Blvd. Albany, NY-12208 USA 198?
↑ 845 Park Ave. Albany - “ - 1979
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Scientist, writer, visual and conceptual artists, also involved in Mail Art and in processing
images by computer .
^Prop (Multimedia mag. by artists of the cooperative «Workspace». Cut letter