Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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is Muriel Oleson's Dix Fresques a Cinq Voyelles. Ecart are operating on the far-out<br />
fringe of the avant-garde, in a sort of no-mans-land without frontiers. But their<br />
works are not too distant...»<br />
(News and Reviews. In: Kontexts, #8 [→ Gibbs]. Amsterdam, 1976. 15 p.)<br />
Arnold, Heinz Ludwig. Pf. 638. Göttingen, D-3400 Germany 197?<br />
^Text + Kritik (Literature mag., 23x15 cm., offset, ~60 p. 197?-, qu.) Ed. Text + <br />
Kritik GmbH, München. In the issues 25 & 30: Konkrete Poesie I-II:<br />
^#25 / 1975: Experimentelle und konkrete Poesie, 48 p.<br />
^#30 / 1975: Kritische Ansätze zur konkreten Poesie, 60 p.<br />
Arnold, Tomy W. → Feh! Press<br />
Árnyékkötök (Shadow Fixers) (Zsuzsa Dárdai, János Szász, István Tenke, Ervin Zsubori, Dániel Erdély & others)<br />
Timár u. 17. fsz. 3. Budapest, H-1034 Hungary 1996<br />
↑ Ed. Cserépfalvi, Attila út 20. III. / 1. Budapest, H-1013 - “ - 1990<br />
.............................................................................................................................................................<br />
^Árnyékkötök (The «ancestor Árnyékkötök». Mag. for copy art only – no texts! <br />
A/5, phc., 18 leaves {12 copies only}. Appeared monthly, 1989. #1-6)<br />
^ #1-6<br />
^Árnyékkötök („Shadow Fixers“, from the #15 entitled as Árnyékkötök, co-media.) <br />
(Mag. for electrocopy art. Texts: Hungarian / English. A/4, phc., ~60 p.<br />
1990-, qu. ~ 30#) Budapest. The Issues (with guest authors/groups/events):<br />
#1 (90/1) Frankl Aljona, Klaus Banet, Daniel Cabanis, Joseph Kadar,<br />
Irén Kiss, Vera Molnár, Electrografia Museo Cuenos E, etc.<br />
#2 (90/2) R. Hervé, László Kerekes, Bálint Szmbathy, etc.<br />
#3 (90/3) György Vadász (1953-1985) issue.<br />
#4 (91/1) Fax-project Manufaxtura, Ágnes Haász, Gyula Máté, Vera<br />
Molnár, etc.<br />
#5 (91/2) Debra Millard, József Scherer, Gábor Tóth, etc.<br />
#6 (91/3) Cejar (Christian Rigal) issue. 1ere Biennale d'Electrographie<br />
Paris.<br />
#7 (92/1) Piermario Ciani / Stickerman. TRAX. Group Art-Reseaux.<br />
4th Int. Alternative Art Festival Érsekújvár/Nové Zámky SL.<br />
Essay by András Bohár<br />
#8 (92/2) State of Being, István Burger, Dániel Erdély, Ágnes Haász,<br />
Dezsõ Kiss, Slavko Matkovic, etc.<br />
#9 (93/1) Daniel Cabanis, Jamesa Duran, Jean Mathiaut, Dijon Art<br />
School – Intermedia.<br />
#10 (93/2) Georg Mühleck, Jürgen O. Olbrich, Andrej Tisma. COM<br />
TRUST Group. I. S. C. A. Ars Electronica '93, Linz<br />
#11-12 (93/3-94/1) FAX-projejcts: Send us a Fish (BBS, Budapest),<br />
S.O.S. live line (5th Int. Alternative Art Festival, Nové<br />
Zámky), City-Analysis (Autumn Festival, Budapest)<br />
#13 (94/2) Ars Electronica '94, Linz / Peter Weibel. Trench Art Festival<br />
in Romania. Graphic Biennale, Györ Hungary. Gyula Máté.<br />
#14 (95/1) Stephen Perkins issue (Street art collection, San Francisco)<br />
#15 (95/2) Eduardo Kac: Aspects of the Aesthetics of Telecommunications.<br />
Árnyékkötök retrospective show in Györ H.<br />
#16 (96/1) FAX issue: Essays by G. Bleus (Telecopying in the Electronic<br />
Netland), C. F. Vicente, Reed Altemus, Georg Mühleck<br />
& Paulo Bruscky.<br />
#17 (96/2) Concentration exhibition (János Saxon Szász). Works and<br />
essays by Zsuzsa Dárdai (Electro-Aura). Writings and works<br />
by István Tenke & Ervin Zsubori.<br />
#18 (97/1) Shadow exhibition at the Hungarian Photographic Museum,<br />
Kecskemét, April-May 1997. Essay by Miklós Peternák.
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