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Géza Perneczky - Ruud Janssen

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Käsmayr, Benno Pf. 1222 Gersthofen, D-8906 Germany 1971<br />

^Und (German subculture, review of small press editions, vis. and exp. poetry in a <br />

~A/5 offset magazine. ~120 p. 1971- qu., nearly 20#) First editor was<br />

(ca. #1-10) Edition & Verlag für Tendenz & Experiment Boczkowski,<br />

D-3500 Kassel, Kirchhainer Strasse 3.<br />

^#8, 11-12<br />

Kato, Kowa 1-2-21 Sakurayama Zushi, 249 Japan 1981<br />

^30 Kowa Mail Board. Inv. on postcard, offset colour. 1981<br />

<br />

°The T-Shirt Show (Send me please your paper T-shirt work). Cat.: 25x18 cm., <br />

phc., 20 p. (125 participants) Exh.: „Nylon 100%“ at Shibuya, Tokyo.<br />

Feb 2-16, 1982<br />

^Papperball Project. Doc. Poster of 82x60 cm., offset, 82 participants<br />

<br />

/ «Gallery 612». Summer 1983<br />

^Polaroid-Selfportraits received by Kowa 1985 in the Mail Art Network. Cat.: <br />

Horz. 25.5x36.5 cm., phc., 13 leaves.<br />

^Mail Artists’ Shows Show. Inv.-flyer, sent out 1984-1986. (Request for whole <br />

exhibition materials from the Mail Art archives of “100-200 artists”)<br />

Kattenstroth, Uli Kaiserdamm 21. Berlin-19, D-1000 Germany 1985<br />

↑ «Juxbox Headquartier» Kienitzerstr. 107. Berlin-44, D-1000 - “ - 1983<br />

.............................................................................................................................................................<br />

^JUKEBOX / NEPP. Free circulating media of the international mail-art labyrinth <br />

(Assembling in A/4 size, stitched, „A Mail Art magazine collected and<br />

spread by Peter Pan c/o Ulli Kattenstroth...“ 35-48 parts., {100}, 1983.<br />

Two issues were published, the first one as Jukebox edition only, the<br />

second one carried also the title NEPP.)<br />

^# 1, 2<br />

^Juxbox (One page info mag, A/4, phc. 1984-, #1-5?)<br />

<br />

^#4, 5<br />

^Vision of an Imaginary Spartakiade at the North Pole. Cat.: A/5, phc., 52 p. <br />

{400} Berlin, 1985<br />

^Kunstarcheologie im kosmopolitischen urbanismus. Ein Versuch über Mail Art. <br />

A/4, typewritten text, 2 sheets. Berlin, ~1985<br />

^Imaginärer Mail Art Kongress, West-Berlin 1986. (Also entitled: Tag des Mülls) <br />

Invitation and manifesto in a form of an A/4 leaflet, phc., 13 leaves,<br />

from the «Juxbox Headquartier Berlin» to a meeting and in 1 May 1986.<br />

Slogen: Waste is Mail, Mail is Waste. Also a workshop to work over<br />

the dirt has been announced. 10 parts., who didn't take part. 1986<br />

^The Jungle of Art. (For 18x26.7 cm. size multi-colored xerox only!) Inv.: A/4 <br />

sheet, phc. on red paper. 1986<br />

^Brückenkopf ins Niemandsland (Bridgehead to no man's land) Inv.: A/4 size <br />

photocopied leaflet. Themen: nothing, also no medium or dimension.<br />

Exhibition will be hold at the Nationalgalerie Berlin in May 1989<br />

^Nichts / Nothing – project without any medium, material or dimension. Inv., 1989 <br />

^Big Bang Party (LSD e.V. & MIDI e.V.), Workshop «Computer und Musik».<br />

Cat.: A/5, phc., 20 p. (with Mona Fux, Tomas Leyser, Rollkommando,<br />

R. Schmidt) Ramm Zata Theater, Fidicinstr 40. Berlin, 1990<br />

~<br />

Source:<br />

<br />

^U. Kattenstroth: Kunstarchäologie im kosmopolitischen Urbanismus. Ein Versuch<br />

in Mailart (Art Archeology in Kosmopolitan Urbanism. An Essay on Mail Art)<br />

Two pages long photocopied manifesto about the sources – as dada, futurism – and<br />

the collective character of Mail Art. Berlin, November 2, 1984<br />

Kaufmann, Peter → Mail Art Congress / Decentralized World-Wide... 1992

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