Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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Käsmayr, Benno Pf. 1222 Gersthofen, D-8906 Germany 1971<br />
^Und (German subculture, review of small press editions, vis. and exp. poetry in a <br />
~A/5 offset magazine. ~120 p. 1971- qu., nearly 20#) First editor was<br />
(ca. #1-10) Edition & Verlag für Tendenz & Experiment Boczkowski,<br />
D-3500 Kassel, Kirchhainer Strasse 3.<br />
^#8, 11-12<br />
Kato, Kowa 1-2-21 Sakurayama Zushi, 249 Japan 1981<br />
^30 Kowa Mail Board. Inv. on postcard, offset colour. 1981<br />
<br />
°The T-Shirt Show (Send me please your paper T-shirt work). Cat.: 25x18 cm., <br />
phc., 20 p. (125 participants) Exh.: „Nylon 100%“ at Shibuya, Tokyo.<br />
Feb 2-16, 1982<br />
^Papperball Project. Doc. Poster of 82x60 cm., offset, 82 participants<br />
<br />
/ «Gallery 612». Summer 1983<br />
^Polaroid-Selfportraits received by Kowa 1985 in the Mail Art Network. Cat.: <br />
Horz. 25.5x36.5 cm., phc., 13 leaves.<br />
^Mail Artists’ Shows Show. Inv.-flyer, sent out 1984-1986. (Request for whole <br />
exhibition materials from the Mail Art archives of “100-200 artists”)<br />
Kattenstroth, Uli Kaiserdamm 21. Berlin-19, D-1000 Germany 1985<br />
↑ «Juxbox Headquartier» Kienitzerstr. 107. Berlin-44, D-1000 - “ - 1983<br />
.............................................................................................................................................................<br />
^JUKEBOX / NEPP. Free circulating media of the international mail-art labyrinth <br />
(Assembling in A/4 size, stitched, „A Mail Art magazine collected and<br />
spread by Peter Pan c/o Ulli Kattenstroth...“ 35-48 parts., {100}, 1983.<br />
Two issues were published, the first one as Jukebox edition only, the<br />
second one carried also the title NEPP.)<br />
^# 1, 2<br />
^Juxbox (One page info mag, A/4, phc. 1984-, #1-5?)<br />
<br />
^#4, 5<br />
^Vision of an Imaginary Spartakiade at the North Pole. Cat.: A/5, phc., 52 p. <br />
{400} Berlin, 1985<br />
^Kunstarcheologie im kosmopolitischen urbanismus. Ein Versuch über Mail Art. <br />
A/4, typewritten text, 2 sheets. Berlin, ~1985<br />
^Imaginärer Mail Art Kongress, West-Berlin 1986. (Also entitled: Tag des Mülls) <br />
Invitation and manifesto in a form of an A/4 leaflet, phc., 13 leaves,<br />
from the «Juxbox Headquartier Berlin» to a meeting and in 1 May 1986.<br />
Slogen: Waste is Mail, Mail is Waste. Also a workshop to work over<br />
the dirt has been announced. 10 parts., who didn't take part. 1986<br />
^The Jungle of Art. (For 18x26.7 cm. size multi-colored xerox only!) Inv.: A/4 <br />
sheet, phc. on red paper. 1986<br />
^Brückenkopf ins Niemandsland (Bridgehead to no man's land) Inv.: A/4 size <br />
photocopied leaflet. Themen: nothing, also no medium or dimension.<br />
Exhibition will be hold at the Nationalgalerie Berlin in May 1989<br />
^Nichts / Nothing – project without any medium, material or dimension. Inv., 1989 <br />
^Big Bang Party (LSD e.V. & MIDI e.V.), Workshop «Computer und Musik».<br />
Cat.: A/5, phc., 20 p. (with Mona Fux, Tomas Leyser, Rollkommando,<br />
R. Schmidt) Ramm Zata Theater, Fidicinstr 40. Berlin, 1990<br />
~<br />
Source:<br />
<br />
^U. Kattenstroth: Kunstarchäologie im kosmopolitischen Urbanismus. Ein Versuch<br />
in Mailart (Art Archeology in Kosmopolitan Urbanism. An Essay on Mail Art)<br />
Two pages long photocopied manifesto about the sources – as dada, futurism – and<br />
the collective character of Mail Art. Berlin, November 2, 1984<br />
Kaufmann, Peter → Mail Art Congress / Decentralized World-Wide... 1992