Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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espect for most government agencies, this is very satisfying...»<br />
(<strong>Ruud</strong> → <strong>Janssen</strong>: The Mail-Interview with Anna Banana. A/5, 14 p. TAM<br />
Publs.: TAM-960092, Tilburg, 1995)<br />
Anna Banana: Artistamps in the Mail-Art Network. In: Rubberstampmadness<br />
(→ Sperling), Vol. 18, #93, May-June, 1997.<br />
Vittore → Baroni: Anna Banana e Bill Gaglione. In: Arte Postale. Guida al network<br />
della corrispondenza creativa. (Text: Italian) AAA Ed. Bertiolo, 1997. 92-95 p.<br />
^Anna Banana: On Artistamp News. In: James W. → Felter: Artistamps /<br />
Francobolli d’artista. Monography in Italian and English. AAA Edizioni. Bertiolo,<br />
2000. 90-95 p.<br />
Banville, Bernard, (!Xona!), Chevalier Ave. / 30. Olive St. Greenfield, MA-01301 USA 1983<br />
^Nebuleux 'gazine (Mag. postfluxus images and collages, sA/6, phc., 8 p. 1983-, #?) <br />
^#1<br />
^Void (Mag. with editor's graphics. Letter, phc., ~24 p. 1983-84, #1-2?) Xona Prods. <br />
^#2<br />
Barber, Daniel ? ? ? 1977<br />
°The Secret Code Work Book (Xeroxed bookwork) 21.6x13.8 cm., 20 p. n. d. <br />
°Some of the names have been changed (Xeroxed publ.) cut A/5, 20p. 1977<br />
<br />
°Send no more letters, please! (Xeroxed spiral book) Letter, 6 p. 1977<br />
<br />
°Superman. (Xeroxed spiral book) Letter, 14 p. 1977<br />
<br />
Barbery, Stephan Camera Obscura. 52 rue Stévin Bruxelles, B-1040 Belgium 1983<br />
^Camera Obscura (The only high quality colour mimeogr. magazine of the Mail Art <br />
scene, handmade character, mostly A/5, ~12-20 p. 1983-84, no regulary<br />
numbering but entitled the issues, #1-13?)<br />
^# 1984: „if you want to die“; „Fuerza Magica“<br />
Crocodila Mundi (Like assembling, «graphix» anth., A/4, phc. and mixed techn. <br />
1983, #1 only? ) Camera Obscuura Edition, Bruxelles<br />
Nord, Quest, Est, Sud (Collective publ. by Camera Obscura, L J B, Nina Childress, <br />
and Placid) 44 p. Paris?, 1984<br />
^P.O.W. Art, I-II. (People in the Other World's Art) Vol. I. 264 xeroxed sheets / <br />
Vol. II. xeroxed 60 sheets. Bookwork in box. Entr' act Camera Obscura,<br />
Bruxelles. n.d. (~1984-85)<br />
~<br />
Source:<br />
~<br />
Literature:<br />
^Camera Obscua News. Horz. A/4 sheet, photocopied, folded to an A/5 info flyer.<br />
Front side: B/W images + headlines. Back side: Cassette and book offering. Also<br />
colour portraits (of artists/by artists?), etc... Additive orig rubber stamps. Dec. 1984<br />
«I try to survive in this world. I don't believe in inspiration, just in work. I do the<br />
more images I can during the day. My images come from my life, what I find is<br />
wrong, in my life in the world. I feel like a little point in the univers that I don't<br />
understand. Only 2 girls and animals and univers are important for me. Save the<br />
world if we can (?). Fight money (the „new peste“), fault words, fault minds, believe<br />
in reality, „beaute“, and positive things around us.» (S. Barbery: Statement. In:<br />
Sarah → Jackson: Books Build Bridges / Copier Art – Bookworks. Cat.: TU ° NS. /<br />
National Postal Museum Halifax, 1986. 4. item)<br />
Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />
oftheir periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 146-147 p.<br />
Barbot, Fernand E. J. / Claudine (Bag Post) 2939 Avenue Y. Brooklyn, NY-11235 USA 1985<br />
^For Pepace on the Earth (by Claudine Barbot) Inv., 1989
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