Géza Perneczky - Ruud Janssen

«Markt, Galerie am / Annaberg-Buchholz» → Milde
Marlow, Jack Fehrfeld 61 / 64. Bremen-64, D-2800 Germany 1979
Kryptogame (Alternative lit., Mail Art and graphism. A/4, offset, 48 p. 1979-)
Marquant, Axel / Decke, Thomas c/o Westfälischer Kunstverein, Münster, D Germany 1979
°Sprachen: Jenseits von Dichtung. Cat.: 213 p. (72 parts.) Testx by J. Adler,
B. Cobbing, A. Marquant, S. J. Schmidt & K. P. Dencker. 1979
Marras, Amerigo Kensington Arts Ass. 4 Kensington Av. Toronto, M5T 2J7 Canada 1975
Super-Vision (Marginal art, Mail Art, very visual outfit, also as catalogue for a Mail
Art project. 22.5x22.5 cm., offset. 1975, #1 only?)
Marroquin, Raul P. O. Box 1196 Maastricht Netherlands 1974
^Fandangos («Fandangos isn't an art paper but an art piece...[N°5]», mag. for post-
fluxus, concept and performance matter in a very visual edition. Var.
sizes from A/2 to A/4, newsprint and offset, 1-64 p., not dated and not
numbered issues. 1973-81, 11 issues)
^ #Stereo Fandangos
°Phonomic Performances (1974-1975). (22x14 cm., offset, 20 p. Mad Enterprizes
Inc., Maastricht, 1975
Installation Pieces – Peformances. No catalogue. Exhibition & performances: Ecart
Gallery (→ Armleder), Geneva. March - April, 1976
~
Literature: «Fandangos grew from the International Meeting of artists held in Maastricht last
year. The meeting now continues in newspaper form, edited by Raul Marroquin and
Marjo Schumans. Issue 4 (titled Vandangos, by Klaus → Groh) heralds a change
from silkscreen to offset production, and an improvement in the layout... Issue 5
(titled Fun-dangos, by Michael → Gibbs) is pinted on blue paper, which happens to
be the colour of the eyes of the interviewer of Tony Pegotti (a. k. a. Anton Verhoeven)
to whom 4 pages are devoted. (...) have also a few books, produced by silkscreen,
mimeo or litho methods. Titles include „The Adventure of Captain Morgan“,
„Outlines“, How?“, „Body Monuments Inc.“ (a documentation of Marroquin's
aborted attempt to perform living sculpture at the Stedelijk Museum), and „Changing
Personalities“. The last-named is perhaps the best of the bunch, the others being
rather sliht...»
(News and Reviews. In: Kontexts, #6-7 [→ Gibbs]. Amsterdam, 1975. n. p.)
Géza Perneczky: The Magazine Network. The trends of alternative art in the light
of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 35-36 p.
Mars, Diana c/o Ed. of Intermedia Research, Maps & Games, 3625, 23nd St. San Francisco, CA-94110 1995
Bookworks. Colaboraton with the Rubber Stamp Gallery by → Gaglione, 1990s ®
^Spin Traces #1-4, Key, #1. (5 cards by original rubber stamps in envelope) ®
50 signed and numbered copies. San Francisco, 1995
Marsily, Anne → Schraenen, Guy / A. S. P. C.
Martin, Manfred Schnoorstr. 27 Leipzig, (GDR-7031→) D-04229 1984
Nonsense Objekte – Mail Art Patente. Invitation. Leipzig, 1984
^The Book of Stamps. („Nur für Dienstgebrauch“). Artists' book by original rubber ®
stamps on white felt sheets, bound to book. A/6 size, ~10 leaves.
A few copies only. 1985
Martinou, Sophia Tersphioris 9. / Holargos Athens, GR-15562 Greece 1982
Create / Indicate a Street Art Expression... Invitation. 1981
^Environnement mediterranéen. Poster with participant list, 50x35 cm., offset.