Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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«1971 was a hot year for mail art. In August of that year, I began my Town Fool<br />
piece in Victoria (Western canada), soon getting into the publishing game with the<br />
Banana Rag in an attempt to communicate better with the public. My first editions<br />
were done in runs of 1,000 as hand outs at local public schools. I mailed leftovers<br />
off to friends, among them Lee-Nova. He quickly put me in touch with the developing<br />
network by sending copies of the Image Request Lists (→ Western Front) that<br />
he and Morris had been producing from their Image of the Month mailings. Discouraged<br />
by the frosty reception I got from the citizens of Victoria, I began mailing to<br />
everyone on the request lists, sending whatever type of imagery they requested and<br />
including my Banana Rags, and request for banana images and informations. The<br />
response was overwhelming...»<br />
(Anna → Banana: Mail Art Canada. In: M. Crane / M. Stofflet [eds.] Correspondence<br />
Art. Contemporary Art Press [→ Loeffler]. San Francisco, 1984. 245 p.)<br />
Anna Banana: Women in Mail Art. (Adopted from the introduction to VILE #6,<br />
Fe-Mail Art by Anna Banana.) In: M. Crane / M. Stofflet (eds.): Correspondence<br />
Art. Contemporary Art Press (→ Loeffler). San Francisco, 1984. 279-297 p.<br />
Names of „fe-mail artists“ and other women in this article:<br />
Lisa Baumgardner (USA), Jeanie Black (USA), Jean → Brown (USA),<br />
Linda Burnham (USA) → !Cosey Fanni Tutti! (UK), Irene → Dogmatic (USA),<br />
!Ms Generality! (CDN), Hannah Höch (Berlin Dada), Judit A. → Hoffberg (USA),<br />
Leavenworth → Jackson (USA), Betty Kelly (AUS), Karol Law (USA), Noemi<br />
Maidan (CH), Barbara Moore (USA), Elaine Neour (USA), Giulia Niccolai (I),<br />
Sabina Ott (USA), Ms Zazu Pitts (USA), Jan van Raay (USA), Ula Rbaczeh (PL),<br />
!Rhoda Mappo! (USA), Meredith Rogers (AUS), Angelica → Schmidt (D), Janet<br />
Schmuckal (USA), Pauline → Smith (UK), Pat → Tavenner / Mail Queen (USA),<br />
Ashley Walker (USA), Martha Wilson (USA), May Wilson (USA), Ruth → Wolf-<br />
Rehfeldt (GDR).<br />
Represented by images only: Cheryl → Cline (USA), Pat → Fish (USA),<br />
Nancy Frank (USA), Eva Lake (USA), Ginny → Lloyd (USA), Scarlatina → Lust<br />
(USA), Ester → Nation (USA), Lowry Thompson (USA),<br />
^Bananapost. European Tour Commemorative Edition by Anna Banana. Offset<br />
print accordion folder (4x) of 21.5x9 cm. with data about a series of 15 limited<br />
edition artist's stamp sheets. Also «A little History of Artistamps», «About the<br />
Artist / this Editon», etc. Banana Prods. Vancouver, 1987<br />
^International Art Post. (Publication / artist name list and order form for the IAP<br />
artists' stamp sheets from Feb 1988 - Dec 1997, further for the Artistamp Collector's<br />
Album by Banana Productions) Letter size leaflet, phc. Banana Prods. Sechelt, 1998<br />
Literature:<br />
«(Sometimes Monthly Banana Rag, #9): «... the first issue of the Banana Rag to be<br />
published in San Francisco (it continud publication in the Bay Area until issue 15).<br />
From 1971-1973, the Rag was published in Victoria, British Columbia, Canada,<br />
where the editor was documenting and publicizing her activities as Town Fool, and<br />
staging such events as April Fool celebrations and collaborative parade participation.<br />
Eventually, the Banana Rag found its way into the hands of Gary Lee Nova<br />
(Art Rat) and and others involved in Vancouver's → Image Bank. From that point<br />
on, the editor became emeshed in the emerging Eternal Network. In this issue Anna<br />
Banana announces a name change to Ms. Canadada... The format includes rubber<br />
stamps, photobooth photographs, drawings, handwritten copy, and newspaper<br />
clippings, all collaged to produce an all-over mix of word and images.» (John →<br />
Held, Jr.: Bay Area Dada, 19970-1984: An Annotated Bibliography of Primary<br />
Sources. In: The Bay Area Dadaist. Stamp Art Gallery [→ Gaglione], S. F., 1997)<br />
(About Vile, 1983):<br />
«VILE was inspired by FILE Magazine's growing disdain for mail-art. It began at