Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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(→ Hill) Letter size, offset, 1985? 2-15 p.<br />
Karl Kempton: Loris Essary. In: Score, #4. (→ Hill) Letter size, offset. 1986?<br />
(Access, #1): «Initial issue of Access is an unusually wellproduced xerox journal<br />
devoted to „post-literature“, a term with which I am unfamiliar. This one is devoted<br />
to the work of Karl Kepmton, whose diagrammatic typewriter graphics are like<br />
mazes at times, and like flow charts as others; the purpose of them is mysterious at<br />
sight, but the accompanying essay and interview, which is quite illuminating as to<br />
where Kempton's „at“ so to speak, dispell a bit of that... I'd say Access is off to a<br />
very strong start, and it'll be valuable to turn to as a source about authors of our time<br />
after they've put out a number of issues.» ( Lloyd → Dunn: Mail Review. In: Photo-<br />
Static. N° 27, Nov. 1987, 917 p.)<br />
H. → Polkinhorn: Untying the Knot: Karl Kempton's Visual Writing. In: Access,<br />
#1, 1987, 5-12 p.<br />
Ruth Schowalter & De Villo Sloan: Magic on the Pages (An interview with<br />
K. Kempton) In: Access, #1, 1987, 39-45 p.<br />
Bob Grumman: Kaldron #20. In: Reviews in Score, #9. (→ Hill) Letter size, ~1989.<br />
Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />
of their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 114-115 p.<br />
^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. With<br />
over 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 345 p.<br />
Kennedy, Peter & Parr, Mike. 46 & 36, Parkham Street Surry Hills, AUS-2010. N.S.W. Australia, 1972<br />
Concept artists with llarge correspondence activity and Mail Art connections in the first years of<br />
the spreading of the Network. Listed products: Trans-Art collections and Idea Demonstrations: –<br />
by sound taps, photographs, 16 mm. films, video-correspondence, etc.<br />
Kent, Eleanor (Fractal Post) 544 Hill St. San Francisco, CA-94114 USA 1996<br />
Artistamps by comp. graphic and photographied knitted objects from the late 1980s <br />
Keppler, Joseph 10254. 35th Avenue, S. W. Seattle, WA-98146 USA 1984<br />
^Poets, Painters, Composers (Multimedia mag. for exp. and vis. literature. Beautiful<br />
<br />
typography, manufactured paperworks, cut poems, postcards and like<br />
as additive offering or supplements. Letter and var. sizes, offset, ~60 p.<br />
1984-, ~y. )<br />
^# 3<br />
^Colin's Magazine (A special sister review from Poets, Painters... 30.5x16 cm., offset, <br />
16 p. 1990- #1-2?)<br />
^# 2<br />
~<br />
Literature:<br />
(Poets, Painters, Composers) «This amalgamation leans most heavily toward the<br />
first third of its title. Plenmty of visual poetry and some straight verse too. What<br />
seems special in this loose, free-swinging anthology is a clean, righteous essence.<br />
It radiates sincerity with various handdone touches. One page with the wooord<br />
„wind“ on it is cut vertically about ripples. Number 4 is a tape featuring Henri →<br />
Chopin, Jean-Paul Curtay, Richard → Kostelanetz and Bernard Heidsieck.<br />
Posters, postcards and more avaible.» (Lightworks [→ Burch], Glimmerings<br />
[Print Review], N° 18, Winter 1986-87, 48 p.)<br />
«Poets. Painters, Composers has quickly become a magazine to emulate. Not only<br />
is it finly printed (some letter press and hand printing included), but the breadth of