- Page 1: Géza Perneczky NETWORK ATLAS Works
- Page 5 and 6: Heights, MI-48127 ^Birk Neark. Kare
- Page 7 and 8: ~ Literature: ^Juan J. Agius: The A
- Page 9 and 10: PhotoStatic. N° 22, Febr. 1987, 70
- Page 11 and 12: ...................................
- Page 13 and 14: ~ Literature: «...What is this new
- Page 15 and 16: Anonym Jan Brand? Voorburg Netherla
- Page 17 and 18: → GENERAL IDEA premiered their la
- Page 19 and 20: #3) John M. Armleder: Ayacotl - Exc
- Page 21 and 22: #19 (97/2) FAX-issue: Marie Paule C
- Page 23 and 24: ↑ Artons. 320 - 10st St. N.W. Cal
- Page 25 and 26: ...that can accomodate... video tap
- Page 27 and 28: ^Bolo'Bolo Mail Art Exh. (Bolos wer
- Page 29 and 30: (Level, #9): «Not united by so muc
- Page 31 and 32: The new editor and publisher after
- Page 33 and 34: Speed Print, a small instant print
- Page 35 and 36: espect for most government agencies
- Page 37 and 38: and graphic matter received by mail
- Page 39 and 40: 37 S. I. N. EWS I. 7 ~A/4, phc., st
- Page 41 and 42: 80 DICK → HIGGINS LETTER reprint
- Page 43 and 44: Folio 1. ^S. I. N. Stamps / Lugosi
- Page 45 and 46: ^Dmitry → Bulatov: A Point of Vie
- Page 47 and 48: B. → Cleveland and Robert Rockola
- Page 49 and 50: nymes pour signer Kiki Picasso et p
- Page 51 and 52: Young, A. Barrio, Spudz/Cees Franke
- Page 53 and 54:
Bennink, Sylvia ? Almelo, NL Neathe
- Page 55 and 56:
which caused its materialization (f
- Page 57 and 58:
data about the realisation of this
- Page 59 and 60:
Birjukov, Sergey Ul. Virti 160 - 60
- Page 61 and 62:
~ Source: #6 H. Hoogstraten: The At
- Page 63 and 64:
~ Literature: «42.292» - on Augus
- Page 65 and 66:
^John → Held, Jr.: L'Arte del Tim
- Page 67 and 68:
Jürgen O. Olbrich - Bernd Olbrich
- Page 69 and 70:
Source: TOTAL Magazine Monography 1
- Page 71 and 72:
N°6 .........S.v.der Burg, NL N°7
- Page 73 and 74:
^Help me to Paint! / Gal. Posada de
- Page 75 and 76:
M. Diotallevi, G. Ferri, G. Gini, B
- Page 77 and 78:
^Multipostais I-II. (with Xilo Ypir
- Page 79 and 80:
Bunt, Ivan c/o Axel Dietrich, Werks
- Page 81 and 82:
Artistamps: ~ Literature: Inv., 19
- Page 83 and 84:
Palm Press,Whittier, 1987 ^101. Int
- Page 85 and 86:
Peter Frank: Documenta's book polic
- Page 87 and 88:
Fluxboxes were multimedia presentat
- Page 89 and 90:
Exh.: Amsterdam, Waterland Museum (
- Page 91 and 92:
photographic reductions of the orig
- Page 93 and 94:
Yoshiaki Kinno, 1-10-30 Nakano, Mor
- Page 95 and 96:
etc. 1958-63, #1-12 ) °Par Suite (
- Page 97 and 98:
vision, child development, rape, fi
- Page 99 and 100:
^Make a New Geography of Art. Inv.
- Page 101 and 102:
OU: N° 34/35. 1969. Revue en Angle
- Page 103 and 104:
Vittore → Baroni: Adesivi. Attacc
- Page 105 and 106:
that is involved in all types of me
- Page 107 and 108:
Géza Perneczky: The Magazine Netwo
- Page 109 and 110:
^Mixed Art. (Peintings, poetry visu
- Page 111 and 112:
Coste, Elis. & Michael ? Pontivy, F
- Page 113 and 114:
with hand interventions. Luna Bison
- Page 115 and 116:
~ Literature: Sheril Cunning: Handm
- Page 117 and 118:
1983-84, qu. #1-8.) ^# 8 Darnell, W
- Page 119 and 120:
^Visuelle Poesie. (with → Sachsa,
- Page 121 and 122:
^Post it! Momento to Momenta ’99.
- Page 123 and 124:
^Hommage à Ingres. Doc. A/5, phc.,
- Page 125 and 126:
^Original Confidential (6 pieces: s
- Page 127 and 128:
of the General Postal Treaty Organi
- Page 129 and 130:
Dragan, Sreco S. K. C. Marsala Tita
- Page 131 and 132:
(selected): DiMichele & C. → Hill
- Page 133 and 134:
Ebrecht-Umgestalter, Werner c/o Gal
- Page 135 and 136:
~ Literature: ^Erdély Miklós: Mû
- Page 137 and 138:
(Volume III.) Casa de la Cultura, G
- Page 139 and 140:
Colacevich. Nov. 23 - Dec. 10. Gran
- Page 141 and 142:
°Stamp Art. Catalogue of the artis
- Page 143 and 144:
Send me unnecessary photos. Interna
- Page 145 and 146:
Figueiredo, Cesar (Art & Tal) Apart
- Page 147 and 148:
Galerie ECART (CH), Ecole de l'art
- Page 149 and 150:
OF PRESENTATION OF WORK. WE ALSO DE
- Page 151 and 152:
Artistamps: ~ Literature: Sacred Ru
- Page 153 and 154:
Fatima Bercht & Josely Carvalho: So
- Page 155 and 156:
May 29, 1994, mounted on the pages
- Page 157 and 158:
Literature: K. Friedman: Flowing in
- Page 159 and 160:
~ Literature: years often 43x28 cm.
- Page 161 and 162:
~ Source: Literature: Art from the
- Page 163 and 164:
~ Literature: Mail Art matter in vi
- Page 165 and 166:
Very loose, collage like layout. Pe
- Page 167 and 168:
!Genesis P-Orridge! → P-Orridge c
- Page 169 and 170:
N° 4: by Angelo →Vitale, Italy..
- Page 171 and 172:
Gilbert & George Art for all, 12 Fo
- Page 173 and 174:
Gojowczyk, Hubertus → Goyowczyk,
- Page 175 and 176:
↑ Roter Streinweg 2a Edewecht-Fri
- Page 177 and 178:
^Judith A. Hoffberg: Conversation w
- Page 179 and 180:
Hainke, Wolfgang Forstweg 14 Gander
- Page 181 and 182:
Harding, Tim Wordless Press. P. O.
- Page 183 and 184:
~ Rubber stamps used by the Terra C
- Page 185 and 186:
“Mars Tokyo / H. & A. → Mittend
- Page 187 and 188:
«Helyettes Szomjazók» (Group), c
- Page 189 and 190:
Higby, Frank ? London United Kingdo
- Page 191 and 192:
espond. The many different mail art
- Page 193 and 194:
~ Source: Literature: H. Polkirnhor
- Page 195 and 196:
and the Jean Brown Archive by the U
- Page 197 and 198:
^SMILE 7. Neoism: Dance the Monty C
- Page 199 and 200:
pants homes, later they were organi
- Page 201 and 202:
Horobin, Pete Data. 37 Union St. Du
- Page 203 and 204:
published with an essay by Peter
- Page 205 and 206:
among all of us... (It's an idea th
- Page 207 and 208:
phc., ~26 p. 1984-86, #1-3) Inconnu
- Page 209 and 210:
A/5, phc. 8 leaves). São Paulo, Br
- Page 211 and 212:
→ ^Padín: El Inismo: Nueva Tende
- Page 213 and 214:
5. Making works available to everyo
- Page 215 and 216:
^The Wedding of the Century / In: C
- Page 217 and 218:
^Statements about Mail Art (With Ma
- Page 219 and 220:
envelopes etc.. are not what you wo
- Page 221 and 222:
...................................
- Page 223 and 224:
him into a format too much, become
- Page 225 and 226:
Kunoldstr. 34 (→ Olbrich) in Kass
- Page 227 and 228:
^Mail-Artists in Vancouver. (Brochu
- Page 229 and 230:
Art as idea, 2nd stage. project & e
- Page 231 and 232:
→ Neoism / Literature: Some of th
- Page 233 and 234:
Käsmayr, Benno Pf. 1222 Gersthofen
- Page 235 and 236:
(→ Hill) Letter size, offset, 198
- Page 237 and 238:
^Urban Projects / Urban Figures (wi
- Page 239 and 240:
^De Westerse Verslaving. (36 p. of
- Page 241 and 242:
Papípenské minimum, 1996 Literatu
- Page 243 and 244:
«Stephen Perkins: I understand tha
- Page 245 and 246:
Publ.: Galeria → Foksal, 1972 ^DE
- Page 247 and 248:
^Kein Krieg in meiner Stadt. Cat.:
- Page 249 and 250:
^New Quilt. Inv.-card, 1992 ^Chris
- Page 251 and 252:
^A Quartier of Century. Cat.: A=4,
- Page 253 and 254:
...................................
- Page 255 and 256:
elements that don't fit into any ot
- Page 257 and 258:
~ Literature: graphy, ~50 p. 1986-9
- Page 259 and 260:
Ginny Llyod: Copy Art. In: Art/Comm
- Page 261 and 262:
«Lódz Kaliska, Group» (Andrzej K
- Page 263 and 264:
Post-scriptum (One-page periodic, a
- Page 265 and 266:
Lyons, Nathan Director of the Visua
- Page 267 and 268:
Artistamps: ^Amazon (Sheet of diff.
- Page 269 and 270:
G. Ruch: It's time to meet V. → B
- Page 271 and 272:
~ Literature: thing in the Network.
- Page 273 and 274:
(Kenneth S. Friedman: Post Haste: R
- Page 275 and 276:
Mandic, Miroslav → Bogdanovic, Sl
- Page 277 and 278:
«Markt, Galerie am / Annaberg-Buch
- Page 279 and 280:
Masic, Radomir M. Tita 266-B Kula,
- Page 281 and 282:
Yukio Tsuchiya: Works in Progress 1
- Page 283 and 284:
«Excellent issue (#12) features pr
- Page 285 and 286:
Visualés. Cat.: 18.5x20 cm., offse
- Page 287 and 288:
(Lightworks [→ Burch], Correspond
- Page 289 and 290:
Mikolowski, Ken 3090 Copeland Road
- Page 291 and 292:
~ Literature: ^#19, 20, 40, 47, 52,
- Page 293 and 294:
Belgium. March-April 1987 ^Hemi's 5
- Page 295 and 296:
(xeroxed letter size flyer with tex
- Page 297 and 298:
thematic issues. Letter size leaves
- Page 299 and 300:
Muñoz, Patricia L. Vicente Lopez 1
- Page 301 and 302:
°M40/1967. A/5, offset, 188 p. Mul
- Page 303 and 304:
^The Walls come tumbling down. Inv
- Page 305 and 306:
1. Mail Artists do not care who did
- Page 307 and 308:
months to arrive, disapppeared by t
- Page 309:
^Mumble Maniac, #2. (10.5x7.5 cm.,
- Page 312:
SOURCES: ^Archive material (artists