Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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paintings, pictures, noises, arts & actions... this is a pool! Join and jump...»)<br />
The Nichtnurnich was published 1985-86, at least 8 issues, Kleve, D-4190.<br />
^Tape Rebel (Magazine for the audio network, A/5, phc., ~20 p. 1987-, ir.) Winfried<br />
Pickart & Mathias Lang, D-5160 Düren / D-6795 Kindsbach.<br />
^#1, 2<br />
^Vital (...a thin information pamphlet, interviews, reviews of records and tapes, news... <br />
A/5, phc., 8 p. 1987?-, qu.) Frans de →Waard, NL-6534 Nijmegen<br />
^#1, 2, 3<br />
<br />
Literature: «There may be no better canvasing of the field than that of Cassette Conspiracy,<br />
1988. This broadside compendium of Robin James is filled with contacs and transcripted<br />
excerpts of tapes. (Lightworks [→ Burch], Glimmerings [Print review],<br />
N° 19, Winter 1988-89, 49-50 p.)<br />
Miekal → And & Robin James: Cassette/Working. (A mail interview, March 86)<br />
In: Unsound (→ Davenport) Vol. 3, N°4. 1986. 56-57 p.<br />
Vittore → Baroni: Audio. Il tape network e altri suoni. In: Arte Postale. Guida al<br />
network della corrispondenza creativa. (Text: Italian) AAA Ed. Bertiolo, 1997.<br />
122-125 p.<br />
Cassidy, Thomas M. (Music Master / Musicmaster) 5136 Lyndale Av. S. Minneapolis, MN-55419, USA 1991<br />
↑ 4950 Bryant Ave. S. N°5., Minneapolis, MN-55409, - “ - 1976<br />
.............................................................................................................................................................<br />
^Impossibilists / IMPS (with → Sargent, Mark) (Magazine publs. «angst, satire, <br />
poetry», text and graphics with absurd comic, mostly by the editors.<br />
Letter and digest size, phc., 16-24 p. 1976-86, #1-22)<br />
^#11, 17, 18, 20, 21, 22,<br />
Musical Comedy Editions (Digest or smaller size booklets, offset or photocopied, <br />
with exp. texts and graphics) 1976<br />
^Yikes! Stuff Everywhere. A surrealistic coloring book for paranormal tots and <br />
precocious adults. (Half-legal, offset, 24 p.) Musical Comedy Ed. 1985<br />
^Grimmicks 1987. (Trapezoidal colour xerox box with 34 pieces) → Xexoxial End.<br />
~<br />
Literature:<br />
Thomas Cassidy: Mail Art. In: M. → Crane / M. Stofflet (eds.) Correspondence Art.<br />
Contemporary Art Press (→ Loeffler). San Francisco, 1984. 65-66 p.<br />
(Syllogism: Impossibilists' Manifesto, #21 - 2/86): «Contains drawings, short<br />
narrative, and columns, all of which are unusual & entertaining c even lots of fun.<br />
„Coffee“ is an interesting piece about an extraterrestrial rape, or was it meant to<br />
imply that substituting coffee for sleep makes you see things? The sci-fi novella<br />
„Planning Ahead“ is an American Expres ad gone awry. In any event, there's much<br />
here to be enjoyed, and I highly recommend it. Musicmaster will trade art for it...<br />
Be a brick, send him a couple stamps for postage.» (PhotoStatic. N° 19½, Aug.<br />
1986. Lloyd → Dunn: Mail Review)<br />
Géza <strong>Perneczky</strong>: The Magazine Network. The trends of alternative art in the light<br />
of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 66 p.<br />
Thomas Cassidy: Postage on my Brow. In: Chuck → Welch (ed.): Eternal Network.<br />
A Mail Art Anthology. University of Calgary Press, 1995. 33-39 p.<br />
Castro, Lourdes (with Christo, J. Voss, R. Bertholo & others), 71 rue des St. Pères, Paris 6e. France 1960<br />
KWY (Very early handmade magazine, a model – by its handmade technic and „soft“ <br />
material – for the later artists' books and Mail Art publs. Started with<br />
an edition of 60, later 100 and 500, from #7-12 in 300 copies, among<br />
the late publs. also assembling issues. ~A/4, mimeographic, silk screen,