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Géza Perneczky - Ruud Janssen

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Netlink Congress and Networker Databank Congress will be announced)<br />

(Lebanon NH, USA?) n.d. (1991?)<br />

^Kaufmann, Peter : Decentralized World-Wide Networker Congress 1992. / Form to keep<br />

information on planned congress sessions. (A/4 sheet, phc.)<br />

^The Mailmen Angela Pähler & Peter → Küstermann: Free Personal Deluxe Net Mail Delivery /<br />

Documentary Catalogue. (Maybe the last great surway on the Mail Art camp edited<br />

by insiders were visiting over 200 networkers all-over the world and documented<br />

the meeting events during the year 1992. Large text and photo documentation, many<br />

inserts – also collage material – by the visited networkers and the editers. The book<br />

is completed by a chronological and an alphabetical index of names and addresses<br />

[ordered after countris], further by a list of quoted networking publications – ca.<br />

150 items. A/4, phc. completed by collages, rubber stamps, stickers, orig. photos<br />

and some artists postage stamp sheets in each copy, ~300 p. {500}. Copyprinted in<br />

Denmark, England, Germany and Tasmania. S.P. Minden, 1992-1993<br />

^→ Lenoir, Pascal: The Secret Life of Marcel Duchamp / Welcome to the Decentralized World-<br />

Wide networker Congress, Mr Duchamp! Inv. (A/6 flyer) Grandfresnoy, France,<br />

15 July 1992<br />

^→ Morandi, Emilio (with P-M. → Ciani, Hans R. → Fricker, G. → Strada): Networker<br />

Congress, 1992. (Realized 9-10 May. 1992. / 13 loose sheets, A/4, phc. matter<br />

with apppeal-flyers, program-text, graphics, etc.)<br />

^→ Padín, C.: El Networker Latinamericano. (Newsletter with information about the Decentralized<br />

World-Wide Networker Congress 1992 in Latinamerica. 22.5x17.7 cm., phc.<br />

1992. 1-2#?)<br />

^→ Wohlrab, Lutz & Sabine: Post-DDR Mail Art Congress in der Sonderbar (ehemaligen Art<br />

Strike Café) Niederkirchner Str. 34, 1055 (D-10704) Berlin-12. September 12,<br />

1992. Exhibition and cat. for the project: A/5, phc., 24 p.<br />

~<br />

Source:<br />

The Agressive School of Cultural Workers, Iowa Chapter ( → Dunn /→ Perkins):<br />

Networker Congress / Statements. (Digest, phc., 16 p.) The Drawing Legion /<br />

ASCW. Box 227, IA-52244, Iowa City, 1992.<br />

Statements by: Rev. Paul Alchemist, Baltimore MD / Reed Altemus, Syracuse NY /<br />

Gerard Barbot, Brooklyn, NY / Vittore Baroni, Viareggio I / Keith Bates, Manchester<br />

UK / Guy Bleus, Wellen B / Hans Braumüller, Santiago – Chile / Gianni Broi,<br />

Firenze I / Warren Burt, St. Kilda, Australia / Albert Camus, F / Bruno Chiarlone,<br />

Cairo Montenotte I / Piermario Ciani, Bertiolo (UD) I / David Cole. Brooklyn NY /<br />

Mark Corroto (→ FaGaGaGa), Youngstown OH / Anna Couey, San Francisco CA /<br />

Crackerjack Kid, Lebanon NH / Daniel Daligand, Levallois F / Wayne Draznin,<br />

Cleveland OH / Lloyd Dunn, Iowa City IA / Eliot Cantsin, Philadelphia PA / Ever<br />

Arts, Noordgouwe NL / Luc Fierens, Hombeek B / César Figueiredo, Porto P / Bob<br />

Gale, USA / Marco Dimas Gubitoso, Brasil / Krisitof d'Haeseleer, Gijzegem B /<br />

John Held Jr., Dallas TX / Byron Grush, Dekalb IL / Giuseppe Iannicelli, Alessandria<br />

I / Dobrica Kamperelic, Beograd YU / Jim Klingbeil, Milwaukee WI /<br />

Peter Küstermann, Minden D / Carl Loeffler, San Francisco CA / Ruggiero Maggi,<br />

Milano I / Graciela Marx, La Plata GA / Keith De Mendonca, Hove UK / Mit Mitropolus,<br />

Athens GR / Robert Morgan, New York NY / Franz Müller, Luzern CH /<br />

Harry Musgrave, London UK / Clemente Padín, Montevideo U / Julee Peezlee,<br />

Boulder CO / Stephen Perkins, Iowa City IA / Carlo Pittore, New York NY / Harry<br />

Polkin horn, San Diego CA / Bill Ray, Oxford NY / Maxie Snell, Oak Park MI<br />

/ Th. Benett / C.E.W.A.F.S., Oslo N / Andrej Tisma, Novi Sad YU / Lawrence<br />

Upon, Sutton – Surrey UK / Pomona Valero, Pittsburg PA / Lillian Ward, UK /<br />

Bill Whorrall, Shoals IN / Harald Ziegler, Köln D<br />

(Two of the 53 statements:)<br />

«The alliance of networkers is more momentous than the structure of the network. It<br />

is not the art that is important, it is the artist. The man or woman behind the work,<br />

that has precedence. The art is not the aim, it is the consequence of certain communication<br />

processes. That's all. (Guy Bleus)»<br />

«I hope that the talking about mail-art is not going to be the the most important

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