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Géza Perneczky - Ruud Janssen

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Harding, Tim Wordless Press. P. O. Box 79114 Lakewood, OH-44107 USA 1987<br />

In the Mail (Mag. for xeroxed and collaged images. Digest, phc. 1987-, m.) <br />

!Harlekin Art! (M. Berger) Wandersmannstr. 39 Wiesbaden, D-65205 Germany 1990<br />

Artistamps: ^Geschenke (Sheet of 32 diff. stamps, b/w offset) Harlekin. n.d. <br />

^A Mail Art Project for the 3rd Dimension (with → Olbrich, J.) Cat.: in box <br />

of 21x21x21 cm. (~210 leaves of 20x20 cm., offset / + supplements.)<br />

Exh.: June 21 - Jule 7, 1990<br />

^1...2...3 Dimensions. (With Jürgen O. → Olbrich) Cat.: 24.5x17 cm., offset, 36 p. <br />

/ Art Nürnberg 6., Messezentrum, Mail Art Projekt. June 1991<br />

→ Olbrich, Jürgen O. / Actions and Exibitions at the Artspace Kunoldstr. 34, Kassel<br />

Harley Terra Candella. Box 2219 Guerneville, CA-95446 USA 1995<br />

↑ P. O. Box 170579. San Francisco, CA-94117 - “ - 1989<br />

↑ Box 268. Oberlin, OH-44074. - “ - 1985<br />

.............................................................................................................................................................<br />

Artistamp activity beginning with the Valentin Issue (Unicorn holding envelope) <br />

by the „Tristan Local Post“ in 1975. After a series of unicorn and<br />

selfportrait images, the inscription „Candella Pavane“ (originally the<br />

title of a shadow puppet play) appeared at the First New York Stamp<br />

Invite Issue with the participating of E. F. → Higgins III / Doo-Da<br />

Post September 1977 and on the Candella Pavane / First Issue by<br />

Harley January 1978. The „Terra Candella“ marking appeared the<br />

first time on a three stamps issue November 1978. Predominantly<br />

drawn stamp images in the 1980s (e. g. Bathers Issue, Oaxa Issue).<br />

The very first collage works by diverse fragments & patterns as dominant<br />

motives of images were compilled into the stamps at the Cleveland<br />

State Show Issue January 1982. Beginning from the 1990s, Harley<br />

used these non-figurative collages of various patterns for his stamp<br />

images very often and built up an oeuvre with high coherence. The<br />

stamp sheets have been made usually in 25 - 30 signed and numbered<br />

copies + additional prints of 50 sheets or less – both unperforated and<br />

perforated, sometimes in a reduction of 50% or 65 %. Also a number<br />

of these additional prints came into the network.<br />

°Self-portraits. Inv. on letter size offset sheet. Also exhibition. Oberlin, 1981 <br />

First Internationale Mail Art Congress. Organized by Harley as president of the <br />

congress in Cleveland at the Image Resource Center from 1-10 April<br />

1983. There were planned exhibitions, discussion panels and papers,<br />

as well as international exchange of information and contacts.<br />

(Invitation in: Umbrella, [→ Hoffberg] Vol. 5, #5, 125 p. 1982)<br />

^Correspondings Worlds: Artists' Stamps. Cat.: Half-legal, offset, 42 leaves / in <br />

envelope. Oberlin College / Allen Memorial Art Museum Oberlin OH.<br />

Curator: Harley. January 1987 (The first curated exhibition of artists'<br />

stamps at the museum level in the USA.)<br />

^It's in the Mail: Artistamps. Cat.: Digest, phc. (also colour), 24 p. / California <br />

Museum of Art. Luther Burbank Center for the Arts, 50 Mark West<br />

Springs Road, Santa Rosa, CA-95403. May-July 1995<br />

~<br />

Artistamps (very selected):<br />

^Valentine. (Sheet of 16 stamps, unicorn holding envelope, Offset, blue<br />

print on buff paper) 10 cents. Tristan Local Post. 1975<br />

^First New York Exhibition Issue. (Sheet of 16 stamps, unicorn holding<br />

fish. Offset, magenta & blue-green on white paper.) Tristan Local<br />

Post, Oberlin Ohio, 13 cents, First New York Exhibition, Harley<br />

Francis II. Also first day cover for the Carl Solway Gallery Show<br />

of Harley. 1975.<br />

^Harley 1977. (Block of 14.5x18 cm. with 8 stamps, self-portrait of the

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