Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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~<br />
Rubber stamps used by the Terra Candella Post Office: altogether about 80 stamps<br />
in ca. 20 years – the earliest dated one is from 1978 (Tristan Local Post,<br />
Stamp Art). Characteristic inscriptions: Bureau de Post de Terra Candella<br />
/ Travelling Post Office de Terra Candella / Vienradzu Gleznotajs<br />
no „Terra Candella“ / The Netherlands Royal Diplomatic Mission of<br />
Terra Candella / Unicornourum terrae Candalae pictor / H S H Harley<br />
the painter of unicorns of Terra Candella official business / etc. Also<br />
Armenian, Indian, Cyrillic and Hebrew, etc. inscriptions with like texts<br />
which ones generally say The painter of unicorus of the land of light<br />
Terra Candella.<br />
~<br />
Source:<br />
~<br />
Literature:<br />
Harley's archive from 1975-1995 is held (with works of hundreds of other artists)<br />
in the Fine Art Library of Oberlin College in Oberlin, Ohio.<br />
Robert Rudine (→ Dogfish): It's in the Mail – Artistamps and the Mail Art<br />
Movement (About the by Harley curated exh. in the California Museum of Art)<br />
In: Artistamp News (→ Banana), Vol 5, #1, June. 1995. 3 p.<br />
«1975 marked a major development in my stamping activities. It was the year that<br />
the late art historian Ellen Johnson, gave me the exhibition catalog from James<br />
Warren → Felter's first major exhibition of non-official stamps by artists and SFU.<br />
(...) I had never seen any mention of this vast body of work: all stamps, all art.<br />
I bundled up my stamps and covers posthaste and shipped them off to Vancouver.<br />
Consequently, my work was included in this exhibition that toured Canada, the<br />
USA and Europe. From this happenstance introduction into the Mail Art Network,<br />
my mailing list expanded to world-wide contacts with well over 2000 artists. For<br />
the first time in my life, I had some sense of a peer group...»<br />
(Harley: Profiles. Harley. Terra Candella. In: Artistamp News (→Banana),<br />
Vol 6, #1, Feb. 1996. 3 p. – Reprint from Esse Quam Videri: To be, rather tahn to<br />
seem. In: It's in the Mail. Cat. Santa Rosa, 1995)<br />
^James W. → Felter: Artistamps / Francobolli d’artista. Monography in Italian<br />
and English. AAA Edizioni. Bertiolo, 2000. 150-151 p.<br />
Harris, Dorothy Patrick<br />
→ !Arto Posto!<br />
Hartwich, Knut / Goes, W. c/o Pickstrasse / Apotheke Sellin – Rügen, GDR-2356 1986<br />
The Man and the Sea – Ch. Baudelaire. Doc. Exh.: in Bergen-Rügen (forbidden by <br />
the GDR authorities!), 1986. (^Inv., 1986)<br />
«Harvestworks Inc.» 596 Broadway, Suite 602, New York, NY-10012 USA 198?<br />
^Tellus / The Audio Cassette Magazine (Thematic cassettes, e.g.: Flux Tellus. 1990-,) <br />
^# 24<br />
Hasucha, Christian ? c/o Galerie 68elf, Bismarkstr 68 Köln, D-50672 Germany 1995<br />
^Interventionen. Cat.: 18.5x14.5 cm., offset, 8 p. / Gal. 68elf, Bismarkstr. 68. Köln <br />
September - October 1995<br />
!Haufen, Graf! (Klaus / Karsten Rodemann) + Ruf, Ines. Fürbringerstr. 17. Berlin D-10961. Germany 1999<br />
↑ Neoist Propaganda Inst., Postlagerkarte 032457 c. Berlin-12 - “ - 1986<br />
↑ Artcore Edition & Gallery, Weisestr. 58. Berlin-44, D-1000 - “ - 1984<br />
↑ Havelmalensteig 6. Berlin-22, D-1000 - “ - 1982<br />
↑ c/o Fürbringerstr 29. Berlin-61, D-1000 - “ - 1980<br />
.............................................................................................................................................................<br />
^Found Art. (Xerographic art) A/5, phc., 48 p. {50} with one orig. page, Artcore, '84 <br />
^Informative Art. Cat.: A/5, phc., 48 p. {100}. 1985?
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