Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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Fish, Pat P. O: Box 777 Santa Barbara, CA-93102 USA 1985<br />
^Lemurian Rumors. Artist's book: Horz. 10.5x14 cm., phc., 16 p. blue cover. 1984 <br />
The Big Golden Book of Flash / Tattoo (Commonpress #77) Letter size, 1986 <br />
^The 99 Day of Narcissism. Exh. at the Kunoldstr. 34, Kassel. Inv., 1986 <br />
→ Cardella, Joe = Art/Life<br />
Fishbein, Sue c/o Analog Prods. 146Freelon, N° 4 San Francisco, CA-94107 USA 1979<br />
°How International Mag. like publ., also for photocopied matter. Known a accordion <br />
issue in size of 128x12 cm. (fold 17x). Edited from the last 60s?<br />
(Vol. 13, #1. in 1979) Analog Productions. San Francisco.<br />
^The Monty Cantsin Songbook (with Barbara Fogel, Deborah Kransberg, Maris <br />
→ Kundzins & David → Zack) Xeroxed brochure with texts and<br />
more graphics, no songs! Letter, fold vertical! (28x11 cm.) 32 p.<br />
Analog Production. San Francisco n. d. (~ 1978)<br />
°Dotted lines and the use of force. An apparatus. 28x11 cm., phc., 40 p., in plastic <br />
cover. Analog Prods. San Francisco, 1979<br />
°That's my windbreacker in the vestibule (An Infection). Letter, b/w & colour xerox, <br />
46 p., in plastic cover. Analog prods. San Francisco, 1981<br />
The Invention of a Use and Post No Bills two further artists' books at the Analog <br />
prods. San Francisco, 1981 (announced in Umbrella 4/#4, 95 p.)<br />
Fischer, Allen 18 Hayes Court, New Park Road London, SW2 3DN United Kingd. 1975<br />
Spanner (Underground lit. mag., also music. A/4, mimeographic. 1975-, over 20 #)<br />
Spanner, special visual issue: Jan. 1981<br />
<br />
<br />
Fischer, Hervé 143, Blvd. de Charonne Paris, F-75011 France 1980<br />
Launching the group Collectif d'Art Sociologique with the members: Hervé Fischer <br />
(sociology), Fred Forest (video art), Jean-Paul Thénot (psychoterapy)<br />
Paris, 1972<br />
(German translation of the 1st Manifesto and further texts as Fischer:<br />
Hygiene der Malerlei, as well as Thénot: Künstlerische Praxis und<br />
soziologisches Eingreifen, and Forest: Die Soziologische Praxis, etc.<br />
with a matter of photo-illustration in: Magazin Kunst, #4, 1975)<br />
^Art et Communication Marginale. Tampons d' Artistes / Art and Marginal Commu- ® <br />
nication. Rubber Art – Stamp Activity / Kunst und Randkommunikation.<br />
Künstlers Stempelmarken. (Text in French, English and German. This is<br />
the first book publication about the rubber stamp art and one of the<br />
earliest monography about the mail art like alternative activity at all.<br />
A very important source work and anthology). Offset, 246 p. Edition<br />
Balland (Paris). France, 1974<br />
~<br />
Artists:<br />
K. Adamus (CZ), Albrecht/d (D), Alexander (F), Alvess (P), B.<br />
Amiard (F), C. Amirkhanian (USA), E. Andersen (DK), Anonyme (F),<br />
Arman (F), J. M. Armleder (CH), G. Attalai (H),<br />
I. Bak (H), E. Barbieri (I), Bauhaus Panchounette (F), L. Bec (F), Ben<br />
(CH), T. Berg (USA), M. Bertrand (F), P. Bettencourt (F), J. Beuys (D),<br />
Biga (F), J. F. Bory (F), J. Boursault (F), C. Boutillon (F), K. P. Brehmer<br />
(D), M. Buthe (D),<br />
G. Camesi (CH), L. Cane (F), J. Charlier (B), D. Chartny (CZ), G.<br />
Colombo (I), Fletcher Coop (USA), R. Crozier (GB), R. Cyprich (CZ),<br />
Dadaland (Bill Gaglione, USA) / Anna Banana (CDN), Ph. Dadson (NZ),<br />
J. Daumeter (D), Devichi (F), I. Dogametic (USA), O. Dressler (D)