Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
Géza Perneczky - Ruud Janssen
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A series of reports in → Spiegelman's mailart rag. Vol. 1, #2. November 1984:<br />
L. Spiegelman: Spiegelman leaves ½ his beard at InterDada '84. 5, 8, 20 p.<br />
L. Alien: Mollett lands on InterDada festival. 9, 15 p.<br />
John Leslie Fox II: Tought on InterDada '84 (with photos). 9-12, 15 p.<br />
John → Held Jr.: A report on InterDada '84 (with a detailled account of the<br />
festival program). 18-20 p. (A reprint of the article from Vol. 3, N°1,<br />
Dadautumn issue of the Newark Press by Mark → Wamaling)<br />
Editorial: Mailart News and Notes / InterDada '84. 13 p.<br />
«...The center piece of Interdada 84, as in 1980, was the return appearance of Cavellini.<br />
Lloyd called many times to encourage him, and Carlo → Pittore, the visiting<br />
Europe, added increased fervor as only he is wont to do. Finally the great man was<br />
convinced. Cavellini's appearance was central to both the spirit of the Festival and<br />
added a sense of historic continuity.<br />
An appearance by Ray Johnson was also scheduled, but family matters<br />
forced him to cancel at the last moment. Another „nothing“ by the father of the<br />
movement.<br />
Even without Johnson, this event had to be one of the liveliest, if not the<br />
largest, gathering of mail artists at one time in the United States. A gathering that<br />
not only celebrated the spirit of Dada inherent in mail art, but also the publication of<br />
the first book on the artform, Correspondence Art by Mike → Crane...»<br />
(John Held: A report... In: Spiegelman's mailart rag. Vol. 1, #2. Nov. 1984)<br />
Vittore → Baroni: Dadaismi. L'avanguardia addomesticata. In: Arte Postale.<br />
Guida al network della corrispondenza creativa. (Text: Italian) AAA<br />
Edizioni. Bertiolo, 1997. 88-91 p.<br />
I.S.E.L.P. (Institut Superieur pour l’Etuide du Langage Plastique)<br />
31. Boulevard de Waterloo, Bruxelles Belgium 1974<br />
Exhibitions for the different alternative art forms held at the ISELP: <br />
Art and Computers, 1974<br />
<br />
Chromos, 1976<br />
<br />
Humor and Caricatures, 1977<br />
<br />
Strip Cartoons, 1978<br />
<br />
The Builders of the Imaginary, 1979<br />
Artists‘ Rubber Stamps, 1981<br />
<br />
® <br />
!Iskra, Alexandre! → Heude, Philippe<br />
Jacks, Robert (New York - Austin TEX - Sidney AU) ?<br />
9 Bayview St. Lawender Bay, 2060 NSW Australia 1988<br />
↑ Fine Art Dpt. Melbourne University, Parkville 3052, Victoria, Australia 1978<br />
.............................................................................................................................................................<br />
^Hand Stamped (Booklets with raster-ruberstamps, entitled, e.g.: Red Yellow Blue / ® <br />
Twelve Red Grids, 1973 / Twelve Drawings, 1974 / Color Book, 1975 /<br />
Red Diagonals, 1976 / Dots Lines, I-II, 1976-77 / Dots, 1978 / Vertical<br />
& Horizontal, 1978 / Black Lines, etc.) in the time of 1973-79,<br />
12 div. issues?<br />
^# 8 div. issues<br />
Stamps (Rubber stamp assembling in box of 28.5x22.5 cm. 1976-77, #1-2) New York ® <br />
~<br />
Literature:<br />
«Some Rubber Stamp Functions:<br />
1. As the most convenient way to draw and reproduce.<br />
2. The convenience of transportation and exhibition of small works.<br />
3. As theprocess avoids the elitism of the professional print activity.<br />
4. Extending the boundaries of art.