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Géza Perneczky - Ruud Janssen

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A series of reports in → Spiegelman's mailart rag. Vol. 1, #2. November 1984:<br />

L. Spiegelman: Spiegelman leaves ½ his beard at InterDada '84. 5, 8, 20 p.<br />

L. Alien: Mollett lands on InterDada festival. 9, 15 p.<br />

John Leslie Fox II: Tought on InterDada '84 (with photos). 9-12, 15 p.<br />

John → Held Jr.: A report on InterDada '84 (with a detailled account of the<br />

festival program). 18-20 p. (A reprint of the article from Vol. 3, N°1,<br />

Dadautumn issue of the Newark Press by Mark → Wamaling)<br />

Editorial: Mailart News and Notes / InterDada '84. 13 p.<br />

«...The center piece of Interdada 84, as in 1980, was the return appearance of Cavellini.<br />

Lloyd called many times to encourage him, and Carlo → Pittore, the visiting<br />

Europe, added increased fervor as only he is wont to do. Finally the great man was<br />

convinced. Cavellini's appearance was central to both the spirit of the Festival and<br />

added a sense of historic continuity.<br />

An appearance by Ray Johnson was also scheduled, but family matters<br />

forced him to cancel at the last moment. Another „nothing“ by the father of the<br />

movement.<br />

Even without Johnson, this event had to be one of the liveliest, if not the<br />

largest, gathering of mail artists at one time in the United States. A gathering that<br />

not only celebrated the spirit of Dada inherent in mail art, but also the publication of<br />

the first book on the artform, Correspondence Art by Mike → Crane...»<br />

(John Held: A report... In: Spiegelman's mailart rag. Vol. 1, #2. Nov. 1984)<br />

Vittore → Baroni: Dadaismi. L'avanguardia addomesticata. In: Arte Postale.<br />

Guida al network della corrispondenza creativa. (Text: Italian) AAA<br />

Edizioni. Bertiolo, 1997. 88-91 p.<br />

I.S.E.L.P. (Institut Superieur pour l’Etuide du Langage Plastique)<br />

31. Boulevard de Waterloo, Bruxelles Belgium 1974<br />

Exhibitions for the different alternative art forms held at the ISELP: <br />

Art and Computers, 1974<br />

<br />

Chromos, 1976<br />

<br />

Humor and Caricatures, 1977<br />

<br />

Strip Cartoons, 1978<br />

<br />

The Builders of the Imaginary, 1979<br />

Artists‘ Rubber Stamps, 1981<br />

<br />

® <br />

!Iskra, Alexandre! → Heude, Philippe<br />

Jacks, Robert (New York - Austin TEX - Sidney AU) ?<br />

9 Bayview St. Lawender Bay, 2060 NSW Australia 1988<br />

↑ Fine Art Dpt. Melbourne University, Parkville 3052, Victoria, Australia 1978<br />

.............................................................................................................................................................<br />

^Hand Stamped (Booklets with raster-ruberstamps, entitled, e.g.: Red Yellow Blue / ® <br />

Twelve Red Grids, 1973 / Twelve Drawings, 1974 / Color Book, 1975 /<br />

Red Diagonals, 1976 / Dots Lines, I-II, 1976-77 / Dots, 1978 / Vertical<br />

& Horizontal, 1978 / Black Lines, etc.) in the time of 1973-79,<br />

12 div. issues?<br />

^# 8 div. issues<br />

Stamps (Rubber stamp assembling in box of 28.5x22.5 cm. 1976-77, #1-2) New York ® <br />

~<br />

Literature:<br />

«Some Rubber Stamp Functions:<br />

1. As the most convenient way to draw and reproduce.<br />

2. The convenience of transportation and exhibition of small works.<br />

3. As theprocess avoids the elitism of the professional print activity.<br />

4. Extending the boundaries of art.

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