Géza Perneczky - Ruud Janssen

^Help me to Paint! / Gal. Posada del Corregidor, Esmeralda 749, Santiago Chile
Cat.: 20.5x20.5 cm., offset, 32 p. April 1995. Texts (Spain & English):
Hans Braumüller: Los Almendros
Felipe Vilches: The Planetary Pulsation
Clemente → Padín: Network and artistit's role before and after Lyotard
^A Tribute to G. Deisler. Inv., 1996
^Mail-ElbArt 1997 / Kunstausstellung im Alten Elbtunnel, Hamburg (with → Merlin)
Cat.: 19x20 cm., offset, 36 p. (German)
+ elbart, CD-ROM, Windows/Mac. CulteV-beim Grünen, Jäger 25,
Hamburg, D-20359, http://www.cult.de
+ Art under Surface, Reeperbahn 97, (participant list) A/4, 2 leaves,
phc., with or. rubber stamps, + div. suppls. Hamburg, 1997
^Cruces del Mundo – Crosses from the World. Inv., 1999
~
Literature:
«Since 1987 I had been involved in alternative local networking directed against the
dictatorship of Pinnochet in Santiago de Chile. Most of my local networking was
performed through our artist group „La Preciosa Nativa“. The idea was rescue the
origins of the indigenous cultures by generating an art movement connected with
these cultures. (...) With the upcomming of festivities in 1992 meant to celebrate
what used to be called the Discovery of America, I took the decision to do my part
in a campaign directed against the hollow ring of these gooverment sponsored
festivities. This widely supported campaign went under the name „500 Years of
Resistance“. So inm 1991 I started the Origen Project... Within thisproject I edited
two volumes of an assembling book under the subject of 500 Years of genocide and
Colonialism with about 677 participants per volume. Volume one was shown in St.
Kilda West, Australia and was also showns as part of an installation by our group in
the Museum of Contemporary Art in Santiago de Chile and in another place in
Hamburg, Germany, 1992»
(Hans Braumüller: 500 años de genecidio y colonialismo. Statement / 1996.
In: Stephen → Perkins: Assembling Magazines. Internationale Networking Collaborations.
Cat. Subspace, Iowa City. 1996 / Print: 1997. 40-41 p.)
^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. With
over 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 189 p.
Bremer, Hanna / Marlow, Jack ? Bremen Germany 1979
°Kryptogame (Mag. for the post-fluxus scene: O. L. Nations, D. Higgins, V. Baroni &
others. A/4. offset with orig. works by the eds. 1979-80 , ~2xy. #1-3?)
Bressi, Betty P. O. Box 163, Rosebank Station Staten Island, NY-10305 USA 1975
Glassworks (Magazine for literature & experimental poetry. Digest. 1975-, qu.)
Brett, George Athens GA USA 1977
OR Post. (Rubber stamp project) ~1976 -
®
°A. Proxi. (Silhouette of the artist, cut off, mentioned as an «approximately» Fluxus
representation of the re-unioned DaDa and the manifestation of Mail
Art, with a documentation brochure of 17 p.) Athens GA, 1977
°OR Post (Rubber portraits of artists, {20} 20 p.) Orgroup. Greenville, NC, 1978 ®
°Secca at Secca. Inv. / Center of Contemporary Art, Winston-Salem, NC, 1979
^OR Post (8 cards with rub. stamps) ORgrup + Stempelplaats, A'dam, 1979 ®
°The Decashadenia Postcard Show. Inv. Pitt Comm. College, Greenville NC, 1980
°Ghosting Along. (Bookwork). Digest, phc., 24 p. {20}. Cordial Quartos. Greenwille
NC, 1981
~
Literature: (Statement): «The parameters of mail art /correspondence art are defined by the
system which incorporates and processes mail art: the United States Postal Service.
The postal service dictates the size limitations, partial content [or forbidden