Géza Perneczky - Ruud Janssen

Universitat de Barcelona, Spain. July 1982
^Maskes. Doc.: Poster of 58x42 cm., offset. Athens. March 1988
Mail performance: Punctuations. (17 artists' minimal performances) Athens, 1992
^Mail Art: Scenarios for possible future. (Essays and answers to the questions
considering the invasion of new communication and informationn
technologies by 95 artists. E.g.: «The utopian idiot in us will never
die» by V. → Baroni.) Cat.: A/4, phc., 130 p. Athens, 1997
Marx, Graciela Gutierrez, Calle 8. N°332. CP: / Cas. de Cor. 266., La Plata, AR-1900. Argentina 1991
↑ Cas. de Cor. 749 La Plata, AR-1900 - “ - 1985
.............................................................................................................................................................
Artistamps: °(Without title) (Sheet of 4 diff stamps, each 3.5x4 cm., oicher & sepia
on white) Marx Vigo's Stamps. La Plata, ~1978
Pigeons of Freedom (with → Vigo, E. A.) (Commonpress #19) 19.5x13 cm., 25 p.,
24 participants. La PLata, 1979
Los codices marginales de / The marginal codices of / Ma Ma BLAnCa. («Family
group assembling a myth. N° 1.») Portfolio publ. of 19x25x1 cm. with
50 photocopied leaves (compilation of texts, images, letters, photos,
etc. by the «family members») + 4 sheets participant list (138 names).
Confusion (ED) post año 1 – libro 1. Marginal post poetry – asociaciòn
aleatoria. March 19. La Plata, 1980
Send a paper-flower to Soledad. («Changing-Chance project») Publication of letter
fragments and texts to/about Soledad (the lonely), was it a project?
Con-fusion (ed.) Marginal Mailable Editions. 1980
Mamablanca's Treasure. («You can send your marginal gifts to Mamablanca when-
ever you want...») Cat.: 53x36.5 cm. poster, offset recto/verso,
with graphics, photos and part. list (128 artists), + Spanish/English text
suppl. of 34x22 cm., phc. {200}. Project: 1981. Edition: April 1982
^Fusion Post Archive – request for send in Mail Art archive materials. Inv., 1985
^Hoje-hoja-hoy (Politic, theory, poetic and communication, often with beautiful
graphic supplements as folded to two or to four handmade applications.
A/4 and 24.5x20 cm. size sheets, offset, phc., and rubber / wood prints.
1985-92?, #1-7?) Asociación Latinoamericana y del Caribe de Artistascorreo
/ Mamablanca
^#Vol.1/1, 2, 3, 4; Vol.2/5; #1990 (March), #1992 (#7)
^Grupo de Familia / circuito int. de Arte Correo (Mag., partly assembling, ~30x22
cm., phc., ~20 leaves. 1991-, #1 only? ) Edited by G. G. Marx & Martin
Eckmeyer / Volker → Hamann / Silvia Lalli / Susana G. Lombardo /
Clemente →Padín / Graciela A. Falbo.
^Pensée Abductive, Pensée Creative... Travail rapporté an Séminaire de Sémiotique
et Pragmatique du Prof. Hermann Parret, faculté des Humanités de La
Plata. (A/4, phc., 5 sheets) 1994
^Las Puwertas de la Trapalanda... (with Jorge Ramaller). Inv.-1997
~
Literature:
Géza Perneczky: The Magazine Network. The trends of alternative art in the light
of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 82 p.
Graciela Guttiérrez Marx: A Folk Art Without Artists. In: Chuck Welch (ed.):
Eternal Network. A Mail Art Anthology. University of Calgary Press, 1995.
Vittore → Baroni: Edgardo-Antonio Vigo e Graciela Gutierrez Marx. In: Arte
Postale. Guida al network della corrispondenza creativa. (Text: Italian) AAA Ed.
Bertiolo, 1997. 112-114 p.
Marzidovsek, Mario. Titova 39, Slov. Bistrica, YU-62310 Yugoslavia 1985
^Laboratorium (Mail-Art, Book-Art, 1985) Xerographied documents. A/4, phc., 24 p.