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Purple Cow<br />
Who Cares<br />
You can’t make people listen. But you can figure out who’s<br />
likely to be listening when you talk, and then invent the<br />
right combination of Ps to overwhelm them with the rightness<br />
of your offer.<br />
Even if someone is listening, your offering of “a little bit<br />
cheaper,” “a little bit better,” or “a little bit easier” is just a<br />
waste of time. The influential sneezers, the people with a<br />
problem to solve – they’re open to hearing your story only<br />
if it’s truly remarkable; otherwise, you’re invisible.<br />
The “Who’s listening” question drives not just the success<br />
of individual products, but also the status of entire<br />
markets. Consider classical music for a second.<br />
The classical music industry is now officially moribund.<br />
The big labels are hurting. Orchestras are seeing recording<br />
money dry up. There are virtually no commercially<br />
important new works being written or recorded.<br />
Why<br />
Because no one is listening.<br />
The influential sneezers already have all the music<br />
they’re ever going to buy. Everything old that was worth<br />
recording has been recorded– and quite well, thank you.<br />
So the sneezers have stopped looking.<br />
Because the sneezers have stopped looking, all of those<br />
folks farther down the curve, who seek their advice or listen<br />
to the radio stations, are busy buying cut-rate $8 versions<br />
of the classics. There’s no money there for the<br />
record companies and the orchestras. Because listeners<br />
have stopped looking, composers are turning to film<br />
scores or lawn care as a way to make a living. There’s an<br />
attention blockade, and no player in the music business<br />
has enough money to change the dynamic. Music mar-<br />
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