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Teaching Gender in Social Work - MailChimp

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Visualisation of concepts:<br />

• Students make draw<strong>in</strong>gs <strong>in</strong> small groups, depict<strong>in</strong>g concepts like<br />

“<strong>Social</strong> <strong>Work</strong> as a Profession”. Critical reflection then follows.<br />

Some of the draw<strong>in</strong>gs may be used <strong>in</strong> a discussion of social work<br />

models, ethics and other issues.<br />

• Students make photographs <strong>in</strong>dividually or <strong>in</strong> pairs, each required<br />

to make a symbolic representation of a concept (<strong>in</strong>equality,<br />

lonel<strong>in</strong>ess, identity, power, choice, dignity, etc.)<br />

• It is useful to collect a portfolio of such images and to discuss them<br />

with other groups. This can serve as the first step when <strong>in</strong>troduc<strong>in</strong>g<br />

visual participatory methods <strong>in</strong> teach<strong>in</strong>g social work.<br />

We use this technique every year <strong>in</strong> different courses (see Figure 2<br />

and 3). It is especially effective when we split the students <strong>in</strong>to several small<br />

buzz-groups and tell them to discuss certa<strong>in</strong> theoretical or practical questions<br />

and ask them to draw an image that conta<strong>in</strong>s the results of their discussion.<br />

The students value this approach, as it helps them th<strong>in</strong>k both creatively and<br />

logically.<br />

Figure 2. This picture<br />

was drawn by a group<br />

of social work students<br />

<strong>in</strong> Saratov, Russia. It<br />

is a great metaphor<br />

for social work <strong>in</strong><br />

the context of global<br />

<strong>in</strong>equality and it helps<br />

critically deconstruct<br />

the effects of social<br />

work as a means of<br />

categoris<strong>in</strong>g people as<br />

clients.<br />

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