Stolica Heart Cone se danas može naći i u bijeloj, crnoj, žutoj, ljubičastoji zelenoj boji / Heart Cone chair can be found also in white, black, yellow, purple and green colourssign history as Heart Cone Chair, is still current and quiterecognizable. Its back support is comprised of two wingsth<strong>at</strong> resemble Mickey Mouse’s ears, and it is manufacturedby famous company Vitra. Chairs Cone and HeartCone, <strong>with</strong> their courageous, screaming colours and dram<strong>at</strong>icshapes, have introduced pop-art and contributedto the general trend of challenging and questioning establishedand conventional forms of social interaction.The very first Cone Chair, covered in red fabric, was designedfor restaurant Komi-Gen and was produced in verylimited edition. Its structure consisted of a metal pieceshaped like a cone, which rot<strong>at</strong>ed on two pieces th<strong>at</strong>cre<strong>at</strong>ed a cross-like base. Panton used this chair to turnconventional wisdom completely upside down by cre<strong>at</strong>ingan innov<strong>at</strong>ive, futuristic effect. There is a story aboutthe time the very first red Cone Chair was displayed inthe window of a New York store, and the police actuallyhad to remove it because its presence and unusualappearance caused chaos in the traffic. In the l<strong>at</strong>e1950s, Verner Panton broke through all the barriers in fur-112niture design on his way to become the most influentialrepresent<strong>at</strong>ive of the new avant-garde style th<strong>at</strong> wouldrule the following decade. He managed to shake up, ifnot completely demolish, the preconceived ideas aboutfurniture construction and a modern man’s surroundingambience.Experimenting <strong>with</strong> PlasticVerner Panton is the founding f<strong>at</strong>her of the fluid and futuristicdesigner style th<strong>at</strong> ruled the 1960s and brought popaesthetics into the processes of designing furniture andinteriors. His main preoccup<strong>at</strong>ion was experimenting <strong>with</strong>plastic and other new, artificial m<strong>at</strong>erials <strong>with</strong> the purposeof cre<strong>at</strong>ing bright-coloured furniture <strong>with</strong> geometric popartforms. Panton’s life story begins in a small Danish villagewhere he was born. Although the legend says th<strong>at</strong> henever showed significant artistic tendencies, he moves toa big city for educ<strong>at</strong>ional purposes, but he interrupts th<strong>at</strong>to join the resistance movement during World War II. Afterthe war, he enters architecture studies <strong>at</strong> the Royal
Cone / Kornet stolica / Cone chairVerner PantonAcademy of Arts in Copenhagen. After he finished hisformal educ<strong>at</strong>ion, he accepts a job <strong>with</strong> Arne Jacobsen,the legendary figure of Danish architecture. Although heeventually claimed th<strong>at</strong> he learned the most from Arne,there doesn’t appear to be much in common betweenJacobsen’s soft elegance and Verner Panton’s “pop design”.However, it was Jacobsen’s obsessive research ofcoming up <strong>with</strong> ways to use new m<strong>at</strong>erials and technologiesth<strong>at</strong> inspired Panton.After two years <strong>with</strong> Jacobsen (and it was always rumouredth<strong>at</strong> he was one of the worst employees in th<strong>at</strong> architectonicoffice because he was already working on hisown projects), he embarked on th<strong>at</strong> famous journey in hismobile <strong>at</strong>elier as a freelance designer. He had previouslyopened his own designer studio in 1955, which producedchairs Bachelor and Tivoli, but it wasn’t until Cone Chair in1958/1959 th<strong>at</strong> Panton truly earned the reput<strong>at</strong>ion of beinga designer <strong>with</strong> a very “different” style. Over the nextseveral years, Verner Panton’s designer series were inspired<strong>with</strong> his philosophy th<strong>at</strong> “furniture elements shouldinteract between each other in order to cre<strong>at</strong>e a “landscape-type”environment th<strong>at</strong> wants to be much morethan merely functional”. In the l<strong>at</strong>e sixties and early seventies,Panton developed the “total environment” concept,which stood for designing the entire interior space,from floors and walls to the ceiling. Radical psychedelicinteriors were becoming sp<strong>at</strong>ial complexes for his roundedfurniture, wallpapers, textile and lighting. One of thefirst experiments of such manner occurred when Pantoncovered all surfaces of a room in hotel “Astoria” in Trondheim<strong>with</strong> a sample th<strong>at</strong> was inspired by op-art, andwas fe<strong>at</strong>uring different vari<strong>at</strong>ions of the same colour.Colour and experiment, innov<strong>at</strong>ion and (certainly) theever-present provoc<strong>at</strong>ion have defined Panton as a designer,but also as an architect. His projects for CardboardHouse and Plastic House in 1960 are still remembered. Heis also the cre<strong>at</strong>or of the very first chair th<strong>at</strong> was completelymade of plastic.Verner Panton is considered one of the most influentialDanish designers of furniture and interiors. During the courseof his career, he cre<strong>at</strong>ed futuristic furniture from allkinds of m<strong>at</strong>erials, but plastic still remained his favouritem<strong>at</strong>erial of choice. His style can be described as “verysixties”, but he also regained his popularity near the endof the last century. During the early nineties, Panton startedworking on the brand-new edition of his Cone Chair.The main changes were evident in the choice of m<strong>at</strong>erialand the shape of the chair’s base. The chair’s body wasmade of acrylic glass or le<strong>at</strong>her, while the original cross-likebase got replaced by a round metal board or alittle leg made of five bended metal pipes. This changeof m<strong>at</strong>erial resulted in a significant change in the chair’slook, as the body and the cone shape looked quite different.For example, two back-support wings on the HeartCone Chair were not as outspread as before. This chaircan be found in white, black, yellow, purple and greencolours.As far as Cro<strong>at</strong>ian stores go, the Heart Cone Chair canbe purchased <strong>at</strong> AAG Design Centre and TEHNO KLARAin Samobor for 13.000 kunas.113
- Page 1:
PROSINAC / DECEMBER 2008www.dalcasa
- Page 9 and 10:
impressumIzdavač/Publisher:DAL’C
- Page 11 and 12:
Content66 AMBIJENT / AMBIENTLuksuz
- Page 13:
Sustavi grijanja -vodiè za korisni
- Page 18 and 19:
Cover storyMobilni kamin “L shape
- Page 20 and 21:
Vaillantov “Aurocompact” konden
- Page 22 and 23:
Cover storyRadijator kao skulptura,
- Page 24 and 25:
AktualnoArena ZagrebKako æe izgled
- Page 26 and 27:
Dvorana Krešimira Ćosića - Zadar
- Page 28 and 29:
EventsSpaladium ArenaWritten by: Do
- Page 30 and 31:
Gradska sportska dvorana u Varaždi
- Page 32 and 33:
InfoPotraga za nekretninom može bi
- Page 34 and 35:
Zakonskim odredbama je utvrđenai m
- Page 36 and 37:
InfoAgencije za nekretnine će mora
- Page 38 and 39:
Uummannaq smješten na sjeveru Gren
- Page 40 and 41:
Grad Sisimiut / Town SisimiutPribor
- Page 42 and 43:
Portret / PortraitOdjeća i medvje
- Page 44 and 45:
Adventure46
- Page 46 and 47:
Dječak lovi ribu kroz rupu u ledu
- Page 49 and 50:
Za dizajn restorana zaslužan je Š
- Page 51 and 52:
Neobrađeno drvo u kombinaciji s bl
- Page 53 and 54:
Dinamičan i razigran ambijent /Dyn
- Page 55 and 56:
Fine stvari57
- Page 58 and 59:
Dodir umjetnostiPetra, 120x130 cmPi
- Page 60 and 61: Big mouth strikes again, 190x300 cm
- Page 62 and 63: 64Neno, 120x130 cmRecycles, nastaja
- Page 64 and 65: Ambijent“25 hours hotel Levis”
- Page 66 and 67: 68Predvorje hotela / Hotel’s lobb
- Page 68 and 69: AmbientRestoran “Red Tab” / “
- Page 70 and 71: U domu kod...Kuća je smještena na
- Page 72 and 73: Milanski modni dizajner Antonio Fus
- Page 74 and 75: At home with...Bijela je upotrijebl
- Page 76 and 77: At home with...Svi stupovi, grede,
- Page 78 and 79: 80Jedinstven slamnati krov /Unique
- Page 80 and 81: Putujući godinama po raznim europs
- Page 82 and 83: traju jednom odlici / Many peoplemu
- Page 84 and 85: Dream homeZakrivljene stube vode na
- Page 86 and 87: Luksuzi jednostavnostNije potrebno
- Page 88 and 89: Na sam spomen Božića, pomislimo n
- Page 90 and 91: Raskošan blagdanski stol u zlatnim
- Page 92 and 93: InteriorsObične kuglice za bor, uz
- Page 94 and 95: InterijeriDesigners Guild tkanine m
- Page 96 and 97: 98InteriorsJane ChurchillMebloVažn
- Page 98: Interiors KolekcijaDiesel Home /Die
- Page 101 and 102: Effegibijeve saune možete pronači
- Page 103 and 104: Duravitov multifunkcionalan tuš za
- Page 105 and 106: Hidromasažne kade koriste se za op
- Page 107 and 108: Sredinom pedesetih godina prošlog
- Page 109: A piece of cultCopyright © LaufenV
- Page 113 and 114: Marks & Spencer, www.marksandspence
- Page 115 and 116: Marks & Spencer, www.marksandspence
- Page 117 and 118: GEORG JANSEN,www.georgjensen.comUkr
- Page 119 and 120: sadraj/contentsBALECRIKVENICACRIKVE
- Page 121 and 122: NekretnineCrikvenicaProdaje se prim
- Page 123 and 124: NekretnineCrikvenička rivijeraProd
- Page 125 and 126: Nekretnine127
- Page 127 and 128: NekretnineHrvatsko zagorjeProdaje s
- Page 129 and 130: NekretnineKorčulaU mjestu Korčuli
- Page 131 and 132: NekretnineKrkProdaje se apartman u
- Page 133 and 134: NekretnineMalinskaProdaje se kuća
- Page 135 and 136: NekretnineOmiška rivijeraProdaje s
- Page 137 and 138: NekretnineOprtaljProdaje se prekras
- Page 139 and 140: NekretninePorečProdaje se luksuzna
- Page 141 and 142: NekretninePorečProdaje se samostoj
- Page 143 and 144: NekretninePorečProdaje se građevi
- Page 145 and 146: NekretnineRogoznicaU Rogoznici, 30-
- Page 147 and 148: NekretnineSplitProdaju se stanovi u
- Page 149 and 150: Nekretnine151
- Page 151 and 152: NekretnineUmagU Zambrattiji, koja j
- Page 153 and 154: NekretnineVeliko poljeProdaju se st
- Page 155 and 156: Nekretnine157
- Page 157 and 158: NekretnineZagrebProdaje se novi dvo
- Page 159 and 160: NekretnineZagrebStambena zgrada smj